One and Done
By Oats on Feb 6, 2008
I'd like to take this time to celebrate bands who made amazing, near-perfect debuts of a quality that they were never again matched.
The prime contenders are Elastica's self-titled debut and The Dream Syndicate's The Days of Wine and Roses. Additionally, I like to think that some day, when the rubble of her subsequent mainstream bid clears, people will recognize Liz Phair's Exile in Guyville in a similarly fond light. Also, I predict here that Art Brut will never match Bang Bang Rock & Roll.
I laud these bands and their seemingly dubious achievements in this regard for a number of reasons. I think that rock-nerd notions of success, importance, significance, etc. are often out-of-whack. More importantly, though, albums like these speak to me very specifically. Sometimes I think there is no more noble artistic goal than to get down your special view of the world just once. Personally, I'd love to write just one book that gave at least an inkling of everything I think is wrong and right about the Way We Live Now. I'm not asking for a new career, just one medium-sized soapbox.
All four albums I mentioned above positioned themselves against the (or a) status quo. Some of them did so in no uncertain terms, basically saying "All of you are full of shit -- and I'm going to tell you exactly why!" And they did so effectively, that the need for a second, third, fourth act is rendered pretty much moot.
So I hope you'll join me in celebrating these artists' lack of staying power, their triumph of quality over quantity. Any other examples of this trajectory?
41 comments
The Monks said their thing with one bizzaro album.
The rest I agree is worthless.
I know I'm gonna get a bit of argument on this one, but THE STONE ROSES is one such band/album.
LADYTRON-the one with 17
BRAN VAN 3000-the one with drinking in LA
THE VIOLENT FEMMES-SELF TITLED
THE STROKES-IS THIS IT? (in your case, yes it is)
CYPRESS HILL-SELF TITLED
GUNS AND ROSES-APPETITE FOR DESTRUCTION
THE RAPTURE-ECHOES
DAG NASTY-CAN I SAY?
WU TANG-36 CHAMBERS
Emitt Rhodes by Emitt Rhodes?
The Flatlanders (It's country. Sorry, couldn't help it.)
The United States of America (the band not the country).
Moby Grape also made a perfect first album. They made some other good music, but certainly not a whole album that good.
1. Fountains of Wayne
2. The Dream Syndicate's "Ghost Stories" is a really good album. Yes Wynn was gunning for radio (I'd guess) but that's why it is good. Comparing it to Wine & Roses would be apples/oranges except that it was released as a DS album when, I think, both Kendra and Karl were long gone.
Don't wait for the $6 limit!
The Modern Lovers is the first band that comes to mind for me on this subject. Generation X's first album may be the second one to come to mind. Good topic!
Montrose - Self Titled
Rain Parade - Emergency Third Rail Power Trip
I also think "Ghost Stories" is a really good record and one greatly overlooked.
Modern Lovers is a perfect example but... did they release anything else? Does that count?
Sammy, I'm probably in the small minority of people with good taste who finds the first Marshall Crenshaw album boring. It wouldn't interest me for 60 cents.
Here's one for you -- The Pretenders. A stone cold classic. After that, Pretnders II was inconsistent, Learning To Crawl was good, and from there, it's been a fairly uneventful career.
mrhonorama: Welcome. The Pretenders first album could potentially be the best example in this discussion except for Talk of the Town and Message of Love being on II which are pretty strong tunes.
I like Wynn's work (well enough to check it out), but is fairly uneven.
As for the Crenshaw record, I actually think his second album, "Field Day" is far superior.
Sammy, I too am on Team Crenshaw. Get that debut ASAP!
The Pretenders is a tantalizing suggestion, but I think Chrissie did match the material on that first album, even if only with occasional songs ("Talk of the Town," "Chain Gang," "My City Was Gone,") never whole albums. The drop-offs I'm thinking here are much more severe.
why hasn't anyone mentioned "get the knack"?
I think I played that live version of Precious five times a day back then. The super expanded versions of the first and second albums are terrific and chock full of extra goodies. After the oriinal band I pretty much lost interest, though.
Soft Parade is the only stinker in there.
SLOWDIVE-SOUVLAKI
one and done!
I still think "Get the Knack" is the ultimate one-and-done: a brilliant album from wire to wire, followed up by a pale tan turd. yes, after "...Little Girls..." they put out some valiant attempts at re-capturing the magic, but of course, they failed miserably.
i kid, i kid.
thanks for backing my points about the doors, kilroy.
So it was your points about The Doors? These were my points before you and kilroy checked in. I think I can safely demand an apology:)
i see your "fat...beards" comment now. missed it before. and how could i? so eloquent! i regret not citing you, mod. forgive me!
Heh heh.
As we all know, the yellow EP predates Entertainment!.
Because of my love for the yellow ep, I'll retract this Gang of Four entry. More power to you guys who can listen to Solid Gold and not wish for a better, richer recording - not necessarily more of the same or a cleaner sound, but something that pushed forward. To me, that album has the same problem as the second Pretenders album: a couple of great songs but a feeling of a band going through a grind sooner than expected.
If being direct, biting, and uniquely recorded is at the heart of power pop, then I need to rethink this thing.
Of course, I was half-joking. But that said, listening from the vantage of many years later, Entertainment, and even more so the first Undertones record and the Buzzcocks Singles collection, strike me as more closely related to power pop than to later developments, although clearly there's a connection between Entertainment! and The Minutemen.
The prime contenders are Elastica's self-titled debut and The Dream Syndicate's The Days of Wine and Roses. Additionally, I like to think that some day, when the rubble of her subsequent mainstream bid clears, people will recognize Liz Phair's Exile in Guyville in a similarly fond light. Also, I predict here that Art Brut will never match Bang Bang Rock & Roll.
I agree re: Liz Phair and Art Brut. I've never heard any of The Dream Syndicate's albums past The Days of Wine and Roses, so no comment there. I think Elastica's 2nd album is almost as good as the 1st, though.
STONE ROSES is one such band/album.
LADYTRON-the one with 17
BRAN VAN 3000-the one with drinking in LA
THE VIOLENT FEMMES-SELF TITLED
THE STROKES-IS THIS IT? (in your case, yes it is)
CYPRESS HILL-SELF TITLED
GUNS AND ROSES-APPETITE FOR DESTRUCTION
THE RAPTURE-ECHOES
DAG NASTY-CAN I SAY?
WU TANG-36 CHAMBERS
Are we talking about strictly debuts or just one album at any point in an artist's career? If the former, Echoes doesn't qualify. I like The Rapture's previous records, though not their subsequent one. I seriously disagree with you re: Dag Nasty. I think of their 3 '80s albums, Can I Say is actually the weakest, though I love it. I think Wig Out at Denko's and Field Day are way better.
And why would anyone disagree with you re: The Stone Roses. Have you ever heard that 2nd album? Turd city. Right on w/ the G'n'R and Violent Femmes choices, though.
Has anyone mentioned the 1st Suicidal Tendencies album yet?
Gang of Four's Entertainment is one of the most stunning debuts ever followed by a muddy second album and then little else of interest.
I think maybe the dark murkiness of Solid Gold is what I like. Murk can be a good thing. I think the lyrics may be richer. Bold move to open an album with a song like Paralyzed. Gotta give em extra points for that. And you know, when they tried to 'push forward' their sound, no one liked it.
At times, I've actually thought that Solid Gold is a better record. At the very least, it's often overlooked and a great record IMO. Mwall esp. hits the nail on the head here as everyone on here knows how big of a Fall fan I am.
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