Comment from: Mr. Moderator [Member]
I suspect this question I've posed, especially because of the example I've used, may be troubling some of you. Let me know if there's anything I can clarify. Thanks.
06/02/08 @ 10:59
Comment from: Oats [Member]
My unmatched configuration is the '72-'73 lineup of Roxy Music.
06/02/08 @ 12:04
Comment from: Mr. Moderator [Member]
Right on, Oats! I was counting on you for this choice. That was the next one I was going to write up as an example, and then I thought, "Come on, Mod, let The People suggest these configurations! The People are intelligent. The People know what's going on." Score one for The People.
06/02/08 @ 12:12
Comment from: Mr. Moderator [Member]
I just received a call from a concerned Townsperson who wanted clarification on what I am looking for in this post. By "unmatched," he wanted to know, did I mean Never having been replicated? Yes, I think that is another way to say what I had in mind, and I mean it in terms of the lineup and roles, not the quality of the outcome. For instance, although there it might be argued that no quartet ever matched the superpowers of The Beatles, many tried to replicate that lineup and balance of responsibilities.
06/02/08 @ 14:20
Comment from: alexmagic [Member] Email
At the risk of taking the idea too literally, I can’t think of another group that regularly used the singers-dancing-in-a-line Motown formation, but included people actually playing instruments in the line. Even the members of the Family Stone would either shuffle in place or typically stop playing when it was time to break out some moves. Am I forgetting anybody really obvious?

I appreciate the symmetry of the bass player on one end of the line and a guitar player on the other, and both required to participate completely in all the moves. Tito being required to play bass while doing that step-forward-half-step-back-turn-half-step-back move earned him some degree of difficulty points, enough to make him third-best Jackson in his day.
06/03/08 @ 09:10

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