Rock Fan Violations
By Mr. Moderator on May 28, 2009
Hosts on the two sports-talk radio shows that I listen to often joke around about fan violations, those breeches to the unwritten code of cool sports fan behavior. Common violations that are cited range from the obvious, such as wearing the hat or jersey of a rival team if you're not from that city, to more subtle offenses to the code, such as wearing the shirt emblazoned with the name and number of a good-but-not-legendary player a few years after he has left town. At Rock Town Hall, we typically monitor the unwritten code of rock musician violations, from issues of Look, between-song banter, and gear to the practices of Holstering or playing with one's feet too close together, but have we ever discussed the unwritten code of appropriate rock fan behavior? Isn't it time we do a service to rock fans worldwide and identify rock fan violations?
34 comments
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The camera flash that temporarily blinds everyone within 12 feet -- but doesn't actually reach the stage and illuminate the subject.
The shouting of requests for songs that already have been played or are very unlikely ever to be played but are intended to show off the requester's
knowledge of the band's back catalogue.
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The last one, in particular, this friend mentioned is EXCELLENT!
It's one thing to get put in your place, but I don't think the guy expected to get beat down by a guy singing about how he wants to be a little mosquito. He looked like he wanted to crawl in a hole.
On a lighter note, I never wear a band's shirt to a show. Not that I have many, but I wouldn't show up a Stones show in a Stones shirt, though all the rest of them will. I like the guy that shows up at some obscure gig with an even more obscure band shirt on. But I'll go to that obscure indie show and proudly wear a Stones tongue shirt!
When I saw Paul Westerberg some guy thought it was funny to keep yelling "Freebird!" Paul stopped and said, "C'mon, does anyone think that's funny anymore?" Some other guy yells out "Smoke on the Water!" Paul started laughing and said, "Now THAT'S funny!"
Big violation is, of course, throwing things at the band.
cherguevara, no doubt throwing things at the band is uncool. I think those places with the cage in front of the band are encouraging it. If I were in a band and walked into a place like that, I'd split.
Anyhow, at some point, Saints front guy Chris stops between songs, right after Jim shouts something slavishly devotional at him, crouches down at the edge of the stage (which is where Jim was), and plants a BIG, very wet, surprisingly passionate kiss on Jim's gob. Those of you who knew Jim in those years, and were familiar with his personal hygiene, know how much intestinal fortitude that must have taken.
And this was an English Beat reunion show. We were all over 40 for crissake.
Leaving an X show back in the day and some dude tells his girl to "hold-on" then proceeds to projectile puke all over the wall of the auditorium. Then he wipes his mouth with his sleeve and asks her if she wants to get something to eat. She started crying.
figures that Cream would be guilty of said violation.
there's a club in daytona beach with chicken wire. when i was on tour as nob turner / speaker listener for the electric love muffin (summer, '87), our amp lifter got on stage to sing 'hi-way' star with them at the end of the set and climbed up the chicken wire in his underwear. mach schau indeed. the punkers loved it.
hvb, that saints story is fucking GREAT. i hope you don't hold your friend's over-the-top fandom against them: they're a great mid 70s punk band.
Even when sitting way in the back by the bar away from the stage, there are prigs that feel they can shush you if you are talking during a set! Live music is a social event when I get to see friends I don't see all the time. I like to socialize, and I'm respectful of the acts. I'm not a loud person. A live set is not a golf putt, or a classical concert. You ought to be able to talk in that kind of a public setting.
On the flip side, I saw a blue grass band there which had guitar, stand up bass, banjo, and mandolin. No drums. Someone up front felt they had the right to bring their own maracas and shake them along. The band had to stop their set and point our how she was throwing off their timing, and ask if she would stop. The band is the band, and the audience is the audience. Never the twain should meet.
chickenfrank, you just reminded me: rockers playing solo or acoustic sets who shush the crowd are freaking LAME. I don't care of it's Joni Mitchell or Grant Hart (whom I've seen do that). LAME.
i'm going to pick at this "pretend" rock fan-dom I suggested above. On a related note: the "fan" who pretends expert status while never having owned a note of an act's recorded output and has never seen them play live.
this is a major rock violation that, once suspected, can lead to some very entertaining conversations. string these people along and let them talk their shit. it's great fun. and be nice to them, they're only human, after all. who among us is without this sin? not i, but it's been since i was in my 20s that i did so.
And regarding the need to socialize during musical events, isn't there a difference between the occasional comment and a constant stream of conversation? It seems to me that there are many, many bars devoted to socializing where they don't have acoustic musicians playing.
This thread brings to mind this unfortunate Art Garfunkel incident:
http://www.dailymail.co.uk/tvshowbiz/article-1163682/Art-Garfunkel-stops-concert-insult-disabled-fan.html
BigSteve, i think it depends on the venue, and the volume at which the individuals talk. But regardless of those variables, I also think that it's pretty standard, even in philly's jazz and acoustic clubs (the quieter ones), that a steady flow of conversation is okay as long as it's at a respectful volume, the audience is attentive and responsive if the performer speaks between songs, and the applause after songs is robust and appreciative.
When audience members shush other audience members who behave according to the above common sense standards, and they almost always do (both) at the Tin Angel, I have a problem with the shush-ers, not the respectful talkers.
seriously, though: all i'm asking for is politeness. talking in clubs is inevitable. surely you know this. undivided attention in a room full of people who are interested in music and who presumably like each other is also impossible. surely you know this, too. these are the circumstances that condition *all* listening experiences in clubs as opposed to concert halls.
i am suggesting that people should be polite and respectful if they choose to talk. and further, i am stating that i am on the side of who are being polite, while engaging in the inevitable and occasional chit chat, rather than the people who shush them and expect complete and utter silence. they're not being polite. they wouldn't now politeness if it came up to them and gave them a big wet tongue kiss. in fact, they usually come off as very angry people, especially when, with their harsh and angry shushing sound, they make a louder noise than the low talkers (who, may even be discussing the musician's performance. good heavens, say it aint so), and the artist (!!!).
now, loud talkers are a different story of course. but they shouldn't be treated to "SHHHHHHH" and an oh-so-intimidating and condescending *angry face." they should be asked politely (with words) to talk lower.
shush-ers are engaging in really antisocial behavior under the overly righteous banner of promoting social behavior. even if the shusher is beautiful and wants to have my children, i hereby solemnly swear to resist giving in to her charms. shush-ers are everything that's wrong with this country.
perhaps you've been shushed? for the record, i haven't been shushed, but i sympathize with chickenfrank's tin angel story because i've seen it happen.
now's the part where you ask another question that misrepresents / misinterprets what i said....
go on....do your thing....
The artist's grandfather looks back and shushes me. So I say, "Unless you want that cane shoved up your ass, I suggest you turn around, bitch!" So he turns around as my friends and I high five each other.
The fact that he didn't turn around again to bother us shows he understood how rude he had been to me. I think that proves that it's always acceptable to talk at any level during a show, and it's never acceptable to shush someone under any circumstances. Not sure where Sat is going with his "respectful" line of reasoning.
Chickenfrank, when you brought that boombox, what Sousa march did you guys dig the most?
TB
I've never actually shushed anyone in a club. As a librarian I'm sensitive about being known as a shusher. Respectful talking is all anyone could ask for, but I've rarely seen it, or maybe it wouldn't even register.
It has sometimes occurred to me to ask people in a low voice if they could cool it. It occurred to me a few weeks ago when I saw Richard Buckner play solo. The people in front of me kept it up non-stop, either talking on cellphones, or to each other, or texting and showing each other the texts and giggling about them. It was insane. And in this club there are two separate rooms, one with a stage and one with a bar. But I could just tell that these people were so into themselves that asking them nicely would have had no effect, or even the opposite effect.
I tend to seethe rather than shush, and then I leave early. I'm no fun.
Here's a healing observation.
The head librarian at one of the libraries i frequent is a loud talker. She sees nothing wrong with speaking in full voice from behind the circulation desk! It drives me just short of complete insanity. And when I tell people I think it's a shame that a librarian, of all people, likes to talk loudly in the library, many of them (esp. younger people) don't get it, or they claim they've never noticed it before.
i wish you worked there (for my sake, though, not for yours: the pay vs. cost of living up here isn't as favorable as where you are now).
TB
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