Urge Overkill revival. It's time.
By northvancoveman on Dec 6, 2008
In the early '90s, in Vancouver, a friend dragged me to a show by a band from Chicago called Urge Overkill. Good show, good band, nothing earth shattering. Then a couple years later he sat me down and put on a record called Saturation. We played that thing into the ground. This was a record that was simply not of the times. Urge Overkill didn't look or sound the same as anyone else. They were inspirational. And they rocked hard.
Now, if you remember Urge Overkill you may be one of those people who had a problem with their image: they rode around in a convertible wearing smoking jackets and drinking martinis. They lived in an old bank with their massive record collection. It rubbed some people the wrong way. But not me. I had seen enough flannel for one lifetime.
The most important thing is this: the songs stood up and they still do today. Pretty much everything on Saturation is a knockout. Supersonic Storybook before it was top notch. Their swan song, the dark, stripped down Exit the Dragon? We didn't like it at the time, none of us. But guess what? I threw it on the other day and it had aged, to me, like fine wine. Check out "The Break" and "Jaywalking." It's time for an Urge revival.
32 comments
That record never did a thing for me. UO are a band that has only one good song, but no one can agree on what song that is. For me, that song is off their earlier ep Stull, the tune "(Now That's The) Barclords. Great vocal snarl, cool riffs, great production, crazed Jody Stephens-esque almost-falling- apart-but-not-quite drumming, fantastic outtro.
I think that Enter the Dragon was recorded in Conshohocken, by the way.
Indisputably cool look and excellent logo.
He was at a party at my frat at NU (Mod was probably there. Awful all-white reggae band played called Skanking Lizard). Anyhoo...my girlfriend (now best friend and spouse) was up for the weekend and Mr. Katruud was putting the munch on her big time. He asked her to dance while she was dancing with me.
Then, after she turned him down, he sidles up to her at the bar and starts chatting away while I'm right next to her.
Well, I wasn't going to take that! No way. I did what any man (of my stature) would do. I asked my biggest and craziest friend there to give him shit.
I'll call him "Scott" because that was his name. Scott walks up to him, sees that he's smoking, and asks for a cigarette. When Katruud reaches for his pack, Scott points to the one his mouth and says "I want that one."
He hands it over and quickly shuffles out the door.
I'm not sure who comes off worst in the story, him or me.
Although, I did get the girl!
I still own "Saturation" and "Exit the Dragon" and still love them.
They toured here just recently. Not of their heyday, but still damm fine.
I reckon these albums will be the lost classic of tomorrow. Albums that the kids will unearth and think of as cool thirty plus years after their release.
C.
i did their sound almost every time they played the khyber in the early 90s. and with each return to the venue, they became bigger snots. so i'm not a fair listener either.
but my reaction was always "meh" except for supersonic storybook.
their cover of emmaline was magical. and the originals almost sounded as good ("vacation in tokyo" and "the candidate" were the most pleasurable of the lot for me).
But not Rock Town Hall. So far we have two guys that went to college with them, a guy whose wife got hit on by the lead singer, and a guy who did sound for their shows. RTH is the home of informed Rock opinions!
Everything else I ever heard by them more than pales in comparison. It's funny that apparently those of us that don't know U/O are in the minority here.
I really like Sister Havana, though. That's a super kickass song.
this is when they began to pose like rock stars with less and less irony.
i also felt like this video so effectively encapsulated all of the things they had been building into their image -- the martini glasses, the smoking jackets, the *lifestyle* -- over the course of three minutes, that there was nothing left for them.
in the mid-80s mod & sammy's frat hosted shows by meat puppets, roger miller of mission of burma, game theory (scott miller), die kreuzen, and nixon's head (mod), and nate came to my room to lobby for an urge overkill show - i sent him packing. in 20+ years of booking shows, he's the only guy i've ever had come back to retrieve his demo tape.
c'mon, guys. urge overkill was/is a godawful band!
we saw my bosox beat your world champion phils at citizens bank this past june.
I've got to go back in the archives and remember if I ever posted your ? and the Mysterions video. I know I saved it, but now I can't remember if I built a post around it.
I waiting for Katruud to chime in on this thread:)
i had a king roeser sighting a few years ago near the matchbox in chicago. he was getting into the same early model car i was driving at the time ('91 integra), and i thought, 'boy, someone didn't invest their rock riches very wisely.'
my favorite memory of u/o was 'the stalker,' a '90s hate zine dedicated to mocking the band. the girls behind the zine used to go to urge shows and bars they frequented just to openly ridicule them. one would even wear a horse costume to call attention to nate's equine face. good times.
The murky production on the earlier records gave the impression that there was more than I was hearing; Saturation proved once and for all that was not the case. And "Sister Havana" really got on my nerves--it was a tuneless piece of crap.
though they broke up in 1995, they've performed a handful of reunion shows since, most recently at the hideout this past september to celebrate the 16th birthday of carrot top records.
http://carrottoprecords.com/artists/coctails/index.php#listen
I went back and listened this past weekend to make sure I wasn't imagining things. I liked UO's records. I probably discovered those videos on 120 Minutes, and even now I find about half of Saturation sharp and motorvating. The conventional hipster wisdom back then was that their indie label records were better, but I don't hear it. They sound to me like they hadn't quite figured out what they were doing yet, and I appreciated the more professional sound on Saturation.
I remember being one of the few people that liked Exit the Dragon. Listening to it yesterday, I found it a little messy, but not in a bad way. Whatever drug and personal problems may have happened then, I think they were victims of unrealistic expectations, and maybe not just from Geffen. They were hardly alone in this during the post-Nevermind era. I always ignored the image stuff. I just like the records.
I even bought that later Nash Kato solo album. It was fine, but lacked a certain spark. I read that the two UO principals were back together again, but that 'Blackie Onassis' thought better of returning to the old ways, which is too bad, because I thought he was an excellent drummer.
I never heard them live, but I'm not surprised they did not impress as a trio. Or did they tour with an Oliver?
I prefer Supersonic Storybook because in its writing, production, and execution, it bridges the early and the late periods pretty well. it maintains some of sense of invention, looseness, and excitement in the former, while approaching the competence of the latter.
In general, to my ears, the later stuff may be more professional sounding, but it's also less interesting as a result. With the writing, I know where it's going. Sonically, nothing jumps out at me. It bores me.
The early stuff is a relatively adventurous listen.
This is an old RTH debate, though, where you and I fall on opposite sides of the raw vs. polished line.
And I'd rather not hash it out again over a band whose material from ANY phase doesn't thrill me all that much.
seriously, though, I was thinking of our discussion of vinyl vs. cd's, and old fi vs. new fi. i may be recalling it incorrectly, but you seemed rather in favor of things sounding pristine and clean. i heard echos of that tendency in your preference for UO's late period stuff.
i'm probably getting this all wrong. after all, that fogerty stuff you just posted is pret-ty danged raw.
just go back to your white rice, wouldja?
i'm trying to grade BAD STUDENT WRITING over here.
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