The title of this thread is more specific than it needs to be, but in an All-Star Jam comment on the current SHOWDOWN poll (ie, SHOWDOWN: Tom Waits or Captain Beefheart?), Townsman geo began to get at some of the issues I'm hoping we can explore:

I voted Captain Beefheart in the current poll, but I also really like Waits. Despite their apparent surface similarities, big, deep hollering voices and a tendency toward the aggressively harsh sound, they really come from different places. Waits is much more of a traditionalist. He brings a junkyard's worth of musical detritus to what is, at heart, a traditional approach to songcraft. Beefheart, at his best, almost completely obliterates the most basic conventions of the electric blues based music that he started out in.

I've been revisiting Tom Waits recently, through his new live album, Glitter and Doom. The song selection is pretty good, the band sounds great, the recording is nice and live sounding... There's a lot to like about this as a live album, including a second CD entitled Tom's Tales, which I've yet to spend time with and which I suspect may be the best part of the concert. However, I can't help but thinking that, compared with Captain Beefheart, an artist I love and an artist who must have been influential in Waits' early-80s refashioning of his musical arrangements along "junkyard" lines, I am lukewarm on Waits.

For me, as geo notes, Waits is still a traditionalist at heart. I find his vocal style and all the junkyard trimmings to be a little distracting. "You don't have to work junkyard," I want to tell him.

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Lou Reed is reissuing the Metal Machine Music album, remastered and in a variety of formats.

The Amine B Ring

Details are available at Lou's website.

I hadn't remembered that it was originally quadrophonic, and the quad mix will be available. There will even be a Blu-ray version. I'm fine with the CD version I have.

Pitchfork is also reporting that there will be a European tour where he will be accompanied by a couple of fellow traveling noiseniks. One of them, Ulrich Krieger, was the man behind the rerecording of the piece done mostly with acoustic instruments and excerpted here, with the master sitting in:

I will report back if I hear of North American dates, because this is one you wouldn't want to miss.

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Elvis Costello & Bruce Springsteen together with just about the best band I could ever put together (Nils Lofgren, Steve Nieve, Roy Bittan, Davey Faragher, and Pete Thomas).

Seriously, this would be my dream band right here. (Or at least my dream back-up band.)

99% of the time this kind of thing is a train wreck, but EC and Bruce have bands that actually know their place as back-up musicians.

Having the balls to play a Sam & Dave song at The Apollo to boot!

I'm sure you've heard this story by now: Keef has been sober for the last 4 months. Can you handle this, Stones fans and general fans of vicariously living through any "Bad Boy?"

I say, from all accounts the guy has partied enough for a few lifetimes. If he decides to stick with this, he's got nothing to lose. Imagine how much work it takes for him to get a buzz after all these years of saturation?

What really should be at issue is what this means for Keef's creativity. Can there be a Rolling Stones led by a sober Keith Richards? Do The X-Pensive Winos become Ex-Pensive? Will passing around a bottle of root beer suffice while gathered around a mic, doing backing vocals with Mick and a couple of backing singers? Will Keef remember that it takes two hands to play guitar?

Free your mind, Townspeople, and share with us your thoughts on a world with a sober Keef. Thanks.

The following questions are meant to elicit a sense of your rock 'n roll values and experiences. As you know, not all questions are directly related to rock 'n roll or even music. Your candid answers to them may open new avenues of rock dialog. Let's get it on!

When you think Still photograph from a rock concert, what's the first photograph that comes to mind?

What's the most recent band you've had to consider you may have dismissed for the wrong reasons (eg, Look, their legion of numbskull fans, a particular fan in middle school who kicked your ass while wearing their three-quarter sleeve concert t-shirt)?

Have you ever been at a concert and then, as the band too the stage, been immediately turned off by one of the musician's choice in gear only to find that the aesthetically offensive piece of gear was played beautifully by said musician?

Cobra or mongoose?

Example: Too much of Tom Waits' vocal schtick annoys me, but when listening to his music I imagine the satisfying possibilities membership in his band would afford me as a supporting musician (guitar, in my case). Question: Is there an artist you don't fully embrace that you imagine might nevertheless afford you a satisfying role as a supporting musician?

Is any constantly praised musician less interesting than Sade?

I look forward to your responses.

In a press release issued today, Billy "Reverend Willy G" Gibbons, Dusty "the Pleaser" Hill, and Frank Beard countered assertions published on popular rock and roll blog "Rock Town Hall" that the band had never actually toured with live animals during their celebrated "World Wide Texas Tour" in 1976.

"As far as I'm concerned, this 'Moderator' character needs to step out from behind his momma's skirt and present himself for a good old-fashioned truth-whuppin'," said ZZ Top's long-time lead guitarist Billy Gibbons. "Not only did we tour with bison, buzzards, rattlesnakes, and long-horned cattle way back in '76, we recently secured a full menagerie of African wildlife for our upcoming 'BBQ Safari' World Tour -- and we've got the pictures to prove it. Until and unless Mr. Moderator delivers photographic proof that he in fact exists, we're issuing a cease-and-desist notice on all this tomfoolery. In conclusion, let me just say to Mr. Moderator and those who care about his half-baked conspiracy theories: do yourself a favor, son: bear down on the meat, and ease up on the potato salad."

Here's an excerpt from ZZ Top's Rock 'n Roll Hall of Fame page that repeats the claim I've heard for as long as I can remember that ZZ Top did a Texas cattle ranch-themed tour that included real livestock on stage with them:

ZZ Top carried stagecraft to elaborate heights with its Worldwide Texas Tour: Taking Texas to the People. For this mid-Seventies extravaganza, which came between Fandango! and Tejas, ZZ Top lugged 75 tons of equipment and animals native to Texas, including a buffalo, a longhorn steer, buzzards and rattlesnakes. They also performed on a Texas-shaped stage.

That's from the Rock 'n Roll Hall of Fame, remember, an actual, industry-approved museum with dedicated curators! I've never been there, but if a fruitless community-wide, 3-day search of the Internet indicates anything I bet the Hall of Fame doesn't even possess photographic evidence of this rock myth!

Following is the photographic result of our search of ZZ Top pictured on stage with even a single, living buffalo, longhorn steer, buzzard, or rattlesnake.

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French actress Charlotte Gainsbourg, whose acting talent, no-frills sex appeal, and overall European sense of cool in foreign films suited to subtitlephobes (eg, My Wife Is an Actress and The Science of Sleep) should already have been enough to gain your attention, has released a new album, IRM. In case you're not already hip to this woman's charms, the album is getting heavy coverage as something more substantial than the typical actor's vanity record release. Understandably, this may be in equal parts because the album was produced and written by Beck and because Gainsbourg is the offspring of kitsch appeal-gone-horribly hipster worshipped pervert/Svengali Serge Gainsbourg and his actress/model wife Jane Birkin.

I could live with those reasons, but the slew of reviews, interviews, and concert reviews I've seen on this release go way over the top and tell a story that's really not that interesting. Meanwhile the publicity machine for Gainsbourg's new release fails to examine two important details:

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While you're searching for photographic evidence of ZZ Top's tour with livestock (making sure it's not the road crew you're confusing with cattle), can you also help me confirm that Baretta's bird, Fred, was eaten on one episode by a homeless Puerto Rican boy Baretta took in? While you're at that, feel free to use this space to post any other thoughts that need to be shared. Thanks.

Hey, let's make this a Twofer Tuesday, shall we? After the jump...

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The recent selection of The Rolling Stones' lips logo as Rock's Greatest Logo of All Time got me thinking of images from album covers, videos, and musical motifs suggested by an artist's recent release that were developed into memorable stage props.

Pink Floyd's flying pig, from the Animals record sleeve, is the first stage prop that comes to mind. The Residents have made significant use of thematic props in their rare live performances.

Less memorably, the Stones have wheeled out cheesy inflated versions of the lips logo and giant supermodels, possibly related to some '90s video of them and the supermodels overtaking Manhattan. Then there's some legend of ZZ Top touring with cattle on stage. Did this actually happen? Not that I've looked too hard, but why have I never seen a photo or video from this tour?

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