It's been a little more than 11 months since I first posted this controversial view. One of the characteristics I most admire in our Townspeople is our ability to reconsider past views and objections. Now may be as good a time as ever for each of us to reconsider our initial opinions and for newer members of Rock Town Hall to chime in on this issue.

Frankly, I was surprised at the lack of support my query elicited. I didn't expect the majority of Townspeople to hear things as I heard them, but I surely didn't expect that the closest thing I got to agreement was a vote for plain, old Starship! Why don't you join me in reviewing our first discussion of these matters, replaying the supporting video clips, and sharing any new insights that may have resulted from your growth as a music listener? I look forward to your comments.

This post initially appeared 11/30/08.

Granted, Jefferson Airplane is a favorite whipping band among certain segments of Rock Town Hall - and I don't believe anyone who'd hang here like Jefferson Starship, but when you really think about it, Jefferson Starship may have produced a stronger quartet of songs than any four songs by Jefferson Airplane.

I speak specifically of a quartet of mid-70s Jefferson Starship songs:

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No offense, but does anyone know if a member of Jefferson Airplane was a lapsed fundamentalist of some faith or another? The composition and performance of this song seem to be an attempt at filling some tremendous spiritual void. Please discuss.

So what have we learned? What happened to the dream of the '60s San Francisco scene?

• The idealistic, revolutionary Jefferson Airplane boarded a Starship and infiltrated the inner workings of M.A.N. Incorporated through a quartet of '70s AM easy listening hits and, eventually, a couple of early '80s Corporate Rock anthems.
• Two members of the jazz-inspired Santana left to form Journey.
• Carlos Santana replaced his once-musicially ambitious bandmates to form his own version of Journey.
• The Dead, without changing much of anything, scored a Top 10 hit before Jerry kicked.

The burnout was inevitable, but of all rock scenes, who would have thought Haight-Asbury would turn into a bedrock of Winner Rock?

Here's a running theme that veterans and probably even newcomers to the Halls of Rock will notice in the otherwise piercing and wise posts of Townsman Hrrundivbakshi: "Hippies weaken rock 'n roll!" I cannot fully subscribe to HVB's anti-hippie stance, although like others, I find it fascinating. Hippiedom seemed to me such a logical and necessary extension of where rock 'n roll had been heading. Sure it ran its course after the musical equivalent of the eighth day without a shower, but I still treasure the injection of Flower Power and poor grooming that their long weekend in the hot, stinking sun brought to rock.

An interesting unfinished part of this story, which is only hinted at in the original comments this post generated: Mike Rabon of The Five Americans came across this essay through his feed, or whatever it's called, and agreed to an interview. I quickly came up with what I thought would have been some cool questions, but after repeated requests for replies and numerous delays, I finally gave up on hearing back from Mike. Too bad, but I know how life can get busier than expected. Maybe I'll try once more to get a true hero of the anti-hippie scene's take on all this. Enjoy!

This post initially appeared 11/14/07.

Starting today, I offer a series of short posts that I hope will help illuminate how and why things went so very WRONG 'round about 1967.

Those of you who've been following RTH for while now have probably come to understand that I have a visceral dislike for much of what has come to be labeled "hippie" culture. And, if you've been following RTH, you probably know that Mr. Mod has never stopped busting my balls for not donning the white lab coat and providing a detailed taxonomy of all the toxins mixed into my beloved rock and roll music by that messy generational burp.

And so it is that I've decided to meet Mr. Mod halfway on the field of cultural battle. Starting today, I offer a series of short posts that I hope will help illuminate how and why things went so very WRONG 'round about 1967.

In today's essay, I hope to let others do much of the talking, and to allow some of hippie music's main offenders hang themselves on a rope they painstakingly twisted themselves. In the opposing corner, I present my surprise champions of the day, The Five Americans.

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