{"id":11030,"date":"2011-12-23T12:05:14","date_gmt":"2011-12-23T17:05:14","guid":{"rendered":"http:\/\/www.rocktownhall.com\/blogs\/?p=11030"},"modified":"2011-12-23T12:12:51","modified_gmt":"2011-12-23T17:12:51","slug":"looking-back-and-looking-forward-favorite-2011-releases","status":"publish","type":"post","link":"https:\/\/www.rocktownhall.com\/blogs\/looking-back-and-looking-forward-favorite-2011-releases\/","title":{"rendered":"Looking Back and Looking Forward: Favorite 2011 Releases"},"content":{"rendered":"<p style=\"text-align: center;\"><img loading=\"lazy\" class=\"size-medium wp-image-11046 aligncenter\" title=\"LookingBackLookingForward\" src=\"http:\/\/www.rocktownhall.com\/blogs\/wp-content\/uploads\/2011\/12\/LookingBackLookingForward-300x199.jpg\" alt=\"\" width=\"300\" height=\"199\" srcset=\"https:\/\/www.rocktownhall.com\/blogs\/wp-content\/uploads\/2011\/12\/LookingBackLookingForward-300x199.jpg 300w, https:\/\/www.rocktownhall.com\/blogs\/wp-content\/uploads\/2011\/12\/LookingBackLookingForward-1024x679.jpg 1024w, https:\/\/www.rocktownhall.com\/blogs\/wp-content\/uploads\/2011\/12\/LookingBackLookingForward.jpg 1029w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>It&#8217;s that time of the year when everyone is reviewing their favorite musical releases of 2011, and we at Rock Town Hall should be proud to add to the fray. Although I&#8217;ve been thinking about my entries for the last few weeks, I&#8217;ve continued to be haunted by themes of <strong>Simon Reynolds<\/strong>&#8216; <em>Retromania<\/em> and our discussions about <a href=\"http:\/\/www.rocktownhall.com\/blogs\/index.php\/rock-town-hall-youth-movement\/\" target=\"_blank\">Moving Forward<\/a> in our consideration of younger musicians and recent bands. We tend to not discuss a lot of new music on this site, and often it is in relation to previous bands or previous styles. However, I am the first admit that when I listen to new music, I&#8217;m always reminded of other records. While I hope we don&#8217;t only listen to bands because of their aural similarity to those that come before, I think that the experience can be a bridge to enjoying the music to a greater degree. With these hazily-drawn ideas on display, I give you my three favorites and additional honorable mentions from 2011.<\/p>\n<ol>\n<li><strong>Moon Duo<\/strong> &#8211; <em>Mazes<\/em>: A splinter group from San Francisco&#8217;s Wooden Shjips, Moon Duo play highly addicting, droney, psychedelic garage rock. While their sound is not particularly new (see Suicide, Spacemen 3), I like that they are a dueling long hair male\/female team. I&#8217;ve always been a fan of that Farfisa sound, but there&#8217;s something about watching a curtain of black hair swinging in time with the music that kicks it up a notch. And the guy&#8217;s deadpan voice is additionally mesmerizing.<\/li>\n<li><strong>Real Estate<\/strong> &#8211; <em>Days<\/em>: This album got a lot of press which is odd given what an intimate record it is. The somewhat hushed vocals, the chiming guitar: the sound evokes the color green to me. Each song is melodic and a nice mixture of cheerful and wistful. The single, &#8220;It&#8217;s Real&#8221; will stick in your head (in a good way). For fans of Felt and The Go-Betweens.<\/li>\n<li><strong>Stephen Malkmus and the Jicks<\/strong> &#8211; <em>Mirror Traffic<\/em>: Malkmus&#8217;s first Jicks album that really sounds like a band. The songs cover a variety of styles, some Pavementesque, others a la Steely Dan, and a couple <em>Sweetheart of the Rodeo<\/em>-era Byrds. But the very pleasant surprise here is Beck Hansen&#8217;s production: his understanding of their mutual stream-of-consciousness lyrics style takes this record to greater levels. (<em><strong>Honorable Mentions follow the jump!<\/strong><\/em>)\u00a0<!--more--><\/li>\n<li><strong>Tom Waits<\/strong> &#8211; <em>Bad As Me<\/em>: Waits at his graveled-throated best and with plenty of political content.<\/li>\n<li><strong>Atlas Sound<\/strong> &#8211; <em>Parallax<\/em>: While I don&#8217;t like this album as much as Bradford Cox&#8217;s previous two, there are some very beautiful moments, including the song, &#8220;Te Amo.&#8221;<\/li>\n<li><strong>Dirty Beaches<\/strong> &#8211; <em>Badlands<\/em>: I had previewed this album earlier this year and heard a lot of disgruntled, &#8220;Alan Vega did this before.&#8221; But this album reflects a strong personal vision by creator Alex Zhang Hungtai.<\/li>\n<li><strong>Tommy Guerrero<\/strong> &#8211; <em>Lifeboats and Follies<\/em>: Guerrero plays jazz, funk and latin-tinged guitar that highlights his street-smart days as a professional skateboarder.<\/li>\n<li><strong>Oneohtrix Point Never<\/strong> &#8211; <em>Replica<\/em>: Innovative electronica haunted by references to Bladerunner and Eno.<\/li>\n<li><strong>The Black Keys &#8211;<\/strong> <em>El Camino<\/em>: Adding a dose of T. Rex boogie gave this duo a jolt in the pants. Mr. Royale adds, &#8220;Last men standing from the garage\/blues revival.&#8221;<\/li>\n<li><strong>Raphael Saadiq<\/strong> &#8211; <em>Stone Rollin&#8217;<\/em>: Thanks, Mr. Moderator, for playing one of these tracks on a previous SNSI. Soul music is going strong in Oakland!<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s that time of the year when everyone is reviewing their favorite musical releases of 2011, and we at Rock Town Hall should be proud to add to the fray. Although I&#8217;ve been thinking about my entries for the last few weeks, I&#8217;ve continued to be haunted by themes of Simon Reynolds&#8216; Retromania and our <a href='https:\/\/www.rocktownhall.com\/blogs\/looking-back-and-looking-forward-favorite-2011-releases\/' class='excerpt-more'>[&#8230;]<\/a><\/p>\n","protected":false},"author":1838,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[342],"tags":[206],"_links":{"self":[{"href":"https:\/\/www.rocktownhall.com\/blogs\/wp-json\/wp\/v2\/posts\/11030"}],"collection":[{"href":"https:\/\/www.rocktownhall.com\/blogs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rocktownhall.com\/blogs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rocktownhall.com\/blogs\/wp-json\/wp\/v2\/users\/1838"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rocktownhall.com\/blogs\/wp-json\/wp\/v2\/comments?post=11030"}],"version-history":[{"count":0,"href":"https:\/\/www.rocktownhall.com\/blogs\/wp-json\/wp\/v2\/posts\/11030\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.rocktownhall.com\/blogs\/wp-json\/wp\/v2\/media?parent=11030"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rocktownhall.com\/blogs\/wp-json\/wp\/v2\/categories?post=11030"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rocktownhall.com\/blogs\/wp-json\/wp\/v2\/tags?post=11030"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}