{"id":1301,"date":"2008-03-28T23:53:43","date_gmt":"2008-03-29T03:53:43","guid":{"rendered":""},"modified":"2010-02-16T11:00:57","modified_gmt":"2010-02-16T11:00:57","slug":"cat-power-is-the-new-linda-rondstadt","status":"publish","type":"post","link":"https:\/\/www.rocktownhall.com\/blogs\/cat-power-is-the-new-linda-rondstadt\/","title":{"rendered":"Critical Upgrade: Linda Rondstadt"},"content":{"rendered":"<p>For those of you of a <em>certain age<\/em>, think of all the great songs from an earlier era in rock &#8216;n roll that you first heard through the hit cover versions by <strong>Linda Rondstadt<\/strong>. Take <strong>Betty Everett<\/strong>&#8216;s &#8220;You&#8217;re No Good&#8221;. I know you, loyal Townsperson, are about as cool and knowledgeable as rock &#8216;n roll fans get, but if you&#8217;re of that certain age range, I doubt you&#8217;d ever heard of Betty Everett and her version of &#8220;You&#8217;re No Good&#8221; until years after you&#8217;d dug then completely denied the wonders of Linda Rondstadt&#8217;s string of &#8217;70s hits. Excluding those of you younger than 38 years old, raise your hand if you honestly heard Everett&#8217;s excellent original before this major hit song. In fact, I&#8217;d bet that most of us didn&#8217;t know if was a cover until a good 5 years after the song&#8217;s release.<\/p><iframe class='youtube-player youtuber' type='text\/html' width='425' height='355' src='http:\/\/www.youtube.com\/embed\/haZPPBJC8Ic?rel=0&amp;fs=1&amp;ap=%252526fmt%253D18' webkitAllowFullScreen mozallowfullscreen allowFullScreen frameborder='0'><\/iframe><p>Linda&#8217;s version isn&#8217;t as cool as the original, but you&#8217;ve got to give her credit for looking good in a <strong>Plain Jane<\/strong> way.<\/p>\n<p>Let&#8217;s pause for a second to reflect on just how cool the original version of &#8220;You&#8217;re No Good&#8221; is&#8230;and let&#8217;s give thanks to Linda for turning most of us onto this definitive version!<br \/><iframe class='youtube-player youtuber' type='text\/html' width='425' height='355' src='http:\/\/www.youtube.com\/embed\/5rFFzBDCHKY?rel=0&amp;fs=1&amp;ap=%252526fmt%253D18' webkitAllowFullScreen mozallowfullscreen allowFullScreen frameborder='0'><\/iframe><br \/>\n<!--nextpage--><br \/>\nAnother song it would take the young me a few years to learn was a cover was <strong>&#8220;Blue Bayou&#8221;<\/strong>. That&#8217;s right: the <strong>Roy Orbison<\/strong> cover! Of course, that&#8217;s been common knowledge for years since <em>Blue Velvet<\/em>, <strong>k.d. lang<\/strong>, Orbison&#8217;s subsequent and unexpected late-life surge in popularity, including his integral role in the <strong>Traveling Wilburys<\/strong> and that star-studded concert film, <strong>In Black and White<\/strong>. Back when Linda Rondstadt&#8217;s &#8220;Blue Bayou&#8221; was topping the charts and I was a young teenager, all we really knew of Roy Orbison was &#8220;Pretty Woman&#8221; &#8211; and those glasses. Rondstadt&#8217;s &#8220;Blue Bayou&#8221; wasn&#8217;t bad for a slow song on the radio. Along with <strong>Crystal Gayle<\/strong>&#8216;s &#8220;Don&#8217;t It Make My Brown Eyes Blue&#8221; and the early country works of <strong>Olivia Newton-John<\/strong>, Rondstadt was probably one of this Northeast Philly boy&#8217;s earliest introductions to country music. The fact that the intro to country music did not stick cannot be blamed on the looks of any of these three singers.<\/p><iframe class='youtube-player youtuber' type='text\/html' width='425' height='355' src='http:\/\/www.youtube.com\/embed\/f78bKXzALXo?rel=0&amp;fs=1&amp;ap=%252526fmt%253D18' webkitAllowFullScreen mozallowfullscreen allowFullScreen frameborder='0'><\/iframe><p>Before the whole conversion to Islam thing by <strong>Cat Stevens<\/strong> and his critical upgrade through the soundtracks of <strong>Wes Anderson<\/strong>, when is the last time those among us of a certain age even stopped to consider that Linda Rondstadt&#8217;s <strong>&#8220;First Cut Is the Deepest&#8221;<\/strong> was a cover of a 1967 Cat Stevens song. Long before the &#8220;Peace Train&#8221; departed from this &#8220;Wild World&#8221;, long before young Wes Anderson deliberately framed a dysfunctional rich kid&#8217;s mascara running in a setting worthy of The Last Supper, Linda was hip to the Swingin&#8217; &#8217;60s version of Cat Stevens that none of us in the US, at least, knew had existed. This kid was pretty cool, even if her version of the song to this day makes me think of <strong>The Eagles<\/strong> in their occasional &#8217;50s nostalgia mode.<br \/><iframe class='youtube-player youtuber' type='text\/html' width='425' height='355' src='http:\/\/www.youtube.com\/embed\/UwNtgPsjuf8?rel=0&amp;fs=1&amp;ap=%252526fmt%253D18' webkitAllowFullScreen mozallowfullscreen allowFullScreen frameborder='0'><\/iframe><\/p>\n<p>What a winning smile and what enthusiasm she put into her performances! Linda Rondstadt was what <em>American Idol<\/em> should be about. Here she is looking fantastic in some kind of halter dress, playing acoustic guitar during her early, country-rock period, making an old song written by <strong>Paul Anka<\/strong> sound pretty good, if not as good as the probably greatest performance of the song, by <strong>Buddy Holly<\/strong>. Again, though, how many of us of a certain age had tracked down a Buddy Holly&#8217;s Greatest Hits album before having heard Rondstadt&#8217;s cover?<br \/>\n<!--nextpage--><br \/><iframe class='youtube-player youtuber' type='text\/html' width='425' height='355' src='http:\/\/www.youtube.com\/embed\/Us26qEQyTPk?rel=0&amp;fs=1&amp;ap=%252526fmt%253D18' webkitAllowFullScreen mozallowfullscreen allowFullScreen frameborder='0'><\/iframe><\/p>\n<p>I&#8217;m not in any way trying to make the case that Linda Rondstadt was the <strong>Pat Boone<\/strong>-styled &#8220;whitewasher of &#8216;authentic&#8217; rock &#8216;n roll songs&#8221; of her time. As her run of hits and cool rock fans&#8217; tolerance began to run thin, I can recall that sort of sentiment. Can any one of you of a certain age verify that mood? I never felt she was cashing in, and revisiting these performances, it&#8217;s hard to argue with her enthusiasm for the material. She had good taste, and she wanted to share her record collection with us: &#8220;When Will I Be Loved&#8221;, &#8220;It&#8217;s So Easy&#8221;, &#8220;Tracks of My Tears&#8221;&#8230; This was a good thing, a noble thing. Truth be told, I first keyed in on this next number thanks to Linda:<\/p><iframe class='youtube-player youtuber' type='text\/html' width='425' height='355' src='http:\/\/www.youtube.com\/embed\/gbN5hRMlRbg?rel=0&amp;fs=1&amp;ap=%252526fmt%253D18' webkitAllowFullScreen mozallowfullscreen allowFullScreen frameborder='0'><\/iframe><p>Think <strong>Keef<\/strong> wasn&#8217;t paying attention when he put together his <strong>X-Pensive Winos<\/strong>? The Stones&#8217; version of &#8220;Tumbling Dice&#8221; is, to this day, one of the most fascinating songs I like to crank up and listen to. Some of you know of my abbreviated love for <em>Exile on Main Street<\/em>, and this song about tops my powerhouse, proposed EP version of this classic. Although Linda strips the song of its mystery, but she does get to the heart of the tune, including the pinky rock beat. Almost as important, as sexy as I, a straight man, find <strong>Mick Jagger<\/strong> in his prime, Linda&#8217;s butt wiggle at the start-up of this version beats any variation of Mick&#8217;s chicken-strut hands down. As well, a peak at Linda&#8217;s modest chest through that vest is much more satisfying than seeing Mick&#8217;s sunken chest in one of those low-cut, tight-fitting sailor&#8217;s shirts. In this Critical Upgrade, I&#8217;m not trying to elevate Linda Rondstadt to a higher status than she deserves but to give credit where credit is due.<\/p>\n<p>It was a matter of time before Rondstadt&#8217;s association with The Eagles and perceived lack of artistic credibility as a singer of other songwriters&#8217; songs would catch up with her. While <strong>Joni Mitchell<\/strong>, for instance, has left every C, S, N, and Y hungering for more and is cutting an album with a dying <strong>Charles Mingus<\/strong>, Linda&#8217;s just being &#8220;good friends&#8221; with <strong>Jerry Brown<\/strong> and sailing her good (and dying) friend <strong>Lowell George<\/strong>&#8216;s superb &#8220;Willin'&#8221; off course with a wholly inappropriate Good Ship Lollipop approach. But you know what, without first having heard Linda&#8217;s tuneful &#8220;Willin'&#8221;, I wouldn&#8217;t have given the slop I first heard on <strong>Little Feat<\/strong>&#8216;s <em>Waiting for Columbus<\/em> album a second chance. At least Rondstadt&#8217;s well-intentioned cover left me willing to try to discover another Lowell George song I could like even half as much.<\/p><iframe class='youtube-player youtuber' type='text\/html' width='425' height='355' src='http:\/\/www.youtube.com\/embed\/GDHYeW8iDgc?rel=0&amp;fs=1&amp;ap=%252526fmt%253D18' webkitAllowFullScreen mozallowfullscreen allowFullScreen frameborder='0'><\/iframe><p>For those of us of a certain age, there came a time when we made this connection to Linda Rondstadt:<br \/>\n<!--nextpage--><br \/><iframe class='youtube-player youtuber' type='text\/html' width='425' height='355' src='http:\/\/www.youtube.com\/embed\/q5C710lnPfQ?rel=0&amp;fs=1&amp;ap=%252526fmt%253D18' webkitAllowFullScreen mozallowfullscreen allowFullScreen frameborder='0'><\/iframe><\/p>\n<p>The combination of this outstanding song, young Linda&#8217;s <strong>Look<\/strong>, and a <strong>Mike Nesmith<\/strong> songwriting credit left this young rock nerd hungering for much more: more of young Linda&#8217;s Look, more evidence that Nesmith was an untapped force in The Monkees, more of what an uncharacteristically dandy <strong>Johnny Cash<\/strong> admired!<\/p><iframe class='youtube-player youtuber' type='text\/html' width='425' height='355' src='http:\/\/www.youtube.com\/embed\/SMTqCYUWYaQ?rel=0&amp;fs=1&amp;ap=%252526fmt%253D18' webkitAllowFullScreen mozallowfullscreen allowFullScreen frameborder='0'><\/iframe><p>By the way, to answer that great <em>What if&#8230;<\/em>, &#8220;What if Linda Rondstadt&#8217;s backing band had a better Look than her?&#8221;<br \/>\n<!--nextpage--><br \/><iframe class='youtube-player youtuber' type='text\/html' width='425' height='355' src='http:\/\/www.youtube.com\/embed\/Y3TO6LD5fp4?rel=0&amp;fs=1&amp;ap=%252526fmt%253D18' webkitAllowFullScreen mozallowfullscreen allowFullScreen frameborder='0'><\/iframe><\/p>\n<p>Where did it all go wrong for the humble, well-respected, <strong>Bonnie Raitt<\/strong>-like rock legacy that Linda Rondstadt had coming to her all along? I think it was the <em><a href=\"http:\/\/en.wikipedia.org\/wiki\/Mad_Love_%28Linda_Ronstadt_album%29\" title=\"http:\/\/en.wikipedia.org\/wiki\/Mad_Love_%28Linda_Ronstadt_album%29\">Mad Love<\/a><\/em> album, her entry into the barely attempted <strong>Mainstream Rocker as New Wave Artist<\/strong> race, right after The Stones&#8217; presumed &#8220;punk answer&#8221; <em>Some Girls<\/em> and a little before Billy Joel&#8217;s <em>Glass Houses<\/em>. Linda cut her hair, donned a striped shirt and a black jacket, and put out an album primarily of songs written by <strong>Mark Goldenberg<\/strong>, some unknown L.A. power pop band leader, as well as a few covers by the New Wave movement&#8217;s figurehead, <strong>Elvis Costello<\/strong>! She also covered The Hollies&#8217; fantastic &#8220;I Can&#8217;t Let Go&#8221; and Neil Young&#8217;s &#8220;Look Out for My Love&#8221;, but all the vitriol reserved for this album was on the Costello covers. <em>How dare she butcher Elvis&#8217; music!<\/em> we agreed, despite the fact that most of us had never heard these covers. Maybe her Costello covers really were as lame as a diehard Stones fan could tell you her version of &#8220;Tumbling Dice&#8221; was, but she tried, and I don&#8217;t doubt that she meant well.<\/p>\n<p>Not all was lost on this, the final nail in the coffin in her bid to be a somewhat respected rock &#8216;n roll interpreter. Another unknown songwriter at the time, <strong>Billy Steinberg<\/strong>, contributed the minor hit single, <strong>&#8220;How Do I Make You&#8221;<\/strong>, which I thought at the time and still think was a strong power pop song, definitely as strong as anything by the US band called The Beat, 20\/20, and The Knack. Plus, Linda Rondstadt looked a lot better in a striped shirt and black jacket than any of those power pop bozos. Steinberg, I learned while researching this Critical Upgrade, would go on to write my favorite <strong>Madonna<\/strong> song &#8211; let alone one of the only Madonna songs I like, &#8220;Like a Virgin&#8221;!<br \/><iframe class='youtube-player youtuber' type='text\/html' width='425' height='355' src='http:\/\/www.youtube.com\/embed\/rNx7SEK4TuQ?rel=0&amp;fs=1&amp;ap=%252526fmt%253D18' webkitAllowFullScreen mozallowfullscreen allowFullScreen frameborder='0'><\/iframe><\/p>\n<p>I can&#8217;t speak for what would follow: the <strong>Nelson Riddle<\/strong> album, the country return stuff with <strong>Dolly Parton<\/strong> and <strong>Emmylou Harris<\/strong>, the Mexican roots stuff&#8230; I like rock &#8216;n roll, sometimes, even when it&#8217;s done fairly well, with good intentions, by a cute brunette.<\/p>\n<nav class=\"page-links\"><strong>Pages:<\/strong> <a href=\"https:\/\/www.rocktownhall.com\/blogs\/cat-power-is-the-new-linda-rondstadt\/\" class=\"post-page-numbers\"><span class=\"page-num\">1<\/span><\/a> <a href=\"https:\/\/www.rocktownhall.com\/blogs\/cat-power-is-the-new-linda-rondstadt\/2\/\" class=\"post-page-numbers\"><span class=\"page-num\">2<\/span><\/a> <a href=\"https:\/\/www.rocktownhall.com\/blogs\/cat-power-is-the-new-linda-rondstadt\/3\/\" class=\"post-page-numbers\"><span class=\"page-num\">3<\/span><\/a> <a href=\"https:\/\/www.rocktownhall.com\/blogs\/cat-power-is-the-new-linda-rondstadt\/4\/\" class=\"post-page-numbers\"><span class=\"page-num\">4<\/span><\/a> <a href=\"https:\/\/www.rocktownhall.com\/blogs\/cat-power-is-the-new-linda-rondstadt\/5\/\" class=\"post-page-numbers\"><span class=\"page-num\">5<\/span><\/a><\/nav>\n","protected":false},"excerpt":{"rendered":"<p>For those of you of a certain age, think of all the great songs from an earlier era in rock &#8216;n roll that you first heard through the hit cover versions by Linda Rondstadt. Take Betty Everett&#8216;s &#8220;You&#8217;re No Good&#8221;. I know you, loyal Townsperson, are about as cool and knowledgeable as rock &#8216;n roll <a href='https:\/\/www.rocktownhall.com\/blogs\/cat-power-is-the-new-linda-rondstadt\/' class='excerpt-more'>[&#8230;]<\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[342],"tags":[224,61,32,31],"_links":{"self":[{"href":"https:\/\/www.rocktownhall.com\/blogs\/wp-json\/wp\/v2\/posts\/1301"}],"collection":[{"href":"https:\/\/www.rocktownhall.com\/blogs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rocktownhall.com\/blogs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rocktownhall.com\/blogs\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rocktownhall.com\/blogs\/wp-json\/wp\/v2\/comments?post=1301"}],"version-history":[{"count":0,"href":"https:\/\/www.rocktownhall.com\/blogs\/wp-json\/wp\/v2\/posts\/1301\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.rocktownhall.com\/blogs\/wp-json\/wp\/v2\/media?parent=1301"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rocktownhall.com\/blogs\/wp-json\/wp\/v2\/categories?post=1301"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rocktownhall.com\/blogs\/wp-json\/wp\/v2\/tags?post=1301"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}