{"id":2638,"date":"2010-03-23T12:42:01","date_gmt":"2010-03-23T16:42:01","guid":{"rendered":""},"modified":"2010-03-23T12:42:01","modified_gmt":"2010-03-23T12:42:01","slug":"insta-review-robyn-hitchcock-and-the-venus-3-lemgpropellor-timel-emg","status":"publish","type":"post","link":"https:\/\/www.rocktownhall.com\/blogs\/insta-review-robyn-hitchcock-and-the-venus-3-lemgpropellor-timel-emg\/","title":{"rendered":"Insta-Review: Robyn Hitchcock &amp; The Venus 3, <em>Propellor Time<\/em>"},"content":{"rendered":"<div class=\"image_block\" style=\"text-align: center;\"><a href=\"http:\/\/www.rocktownhall.com\/blogs\/media\/blogs\/rth\/propellortime.jpg\"><img loading=\"lazy\" src=\"http:\/\/www.rocktownhall.com\/blogs\/media\/blogs\/rth\/propellortime.jpg\" alt=\"\" title=\"\" width=\"400\" height=\"400\" \/><\/a><\/div>\n<p><strong>Robyn Hitchcock &amp; The Venus 3<\/strong>&#8216;s <em>Propellor Time<\/em> is an understated release that was recorded, mostly live, in a week&#8217;s time in 2006, between the recordings for two prior Venus 3 releases, <em>Ole Tarantula!<\/em> and <em>Goodnight Oslo<\/em>. Never having been the world&#8217;s greatest Robyn Hitchcock fan, I can&#8217;t be sure of the pulse of his fans today, but if anyone&#8217;s expecting a collection of jangly songs about the sexual lives of insects and fishes, prepare for a letdown.<\/p>\n<p>Hitchcock does not abandon his silly, creepy crawly motifs, such as the verse in &#8220;Afterlife&#8221; that describes the monarch butterfly&#8217;s secretion of &#8220;royal jelly,&#8221; but he seems more willing than usual to scratch beneath the surface, to the true themes of his work &#8211; love, sex, death, and all that good stuff &#8211; and address them directly. In &#8220;Star of Venus&#8221; he provides the image of a skeletal couple driving well beyond the point when death has done them part, the man&#8217;s arm around his wife&#8217;s shoulders: &#8220;And that&#8217;s true love,&#8221; he sings, &#8220;they&#8217;ve still got the radio on.&#8221; It&#8217;s a sweet image that he resists spraying with 10cc of jelly.<\/p>\n<p><a href=\"http:\/\/www.rocktownhall.com\/blogs\/media\/blogs\/rth\/StarofVenus.mp3\">Robyn Hitchcock &amp; The Venus 3, &#8220;Star of Venus&#8221;<\/a><\/p>\n<p>For years Hitchcock played in trios and jangly quartets that had the musical range of his jangly trio: high end to higher end. I&#8217;ve got a nasty, thoroughly unfair theory about musicians who spend too much time leading trios: with the exception of an unmatched talent like <strong>Jimi Hendrix<\/strong>, it tells me the bandleader <em>does not play well with others<\/em>. This is what I figured was the case with Hitchcock until the mid-&#8217;90s, when <strong>Young Fresh Fellows<\/strong> mastermind <strong>Scott McCaughey<\/strong> (who also serves in the Oliver role for REM) recruited Hitchcock to be part of the pop collective <strong>The Minus 5<\/strong>. McCaughey and the other American, Minus 5 collaborators who make up The Venus 3, <strong>Peter Buck<\/strong> and <strong>Bill Rieflin<\/strong>, help Hitchcock swim <em>with<\/em> the current rather than against it. <em>Propellor Time<\/em> is loaded with other cool contributors, who sound like they&#8217;ve simply &#8220;dropped in&#8221;: Nick Lowe, John Paul Jones, Chris Ballew, Morris Windsor, and Johnny Marr, among others. <\/p>\n<p>Perhaps Hitchcock&#8217;s been getting to the heart of the matter for a lot longer than I&#8217;ve paid attention &#8211; sorry, Robyn, if that&#8217;s the case &#8211; but with one exception whenever I revisit the albums Hitchcock released in the &#8217;80s and &#8217;90s I quickly recoil from the dimestore <em>Syd-isms<\/em> and sophomoric, cosmic observations. Sonically, the high-end jangle of his band-oriented albums never helped, and for some reason it felt to me like he was laying on the British accent a little thicker than necessary.<\/p>\n<p><em>Element of Light<\/em> has always been the exception for me. Hitchcock isn&#8217;t so nervy, sly, and hectoring. The music is more lush. He makes more references to <strong>John Lennon<\/strong> than Syd Barrett, and with the richer-than-usual backing tracks his multi-tracked vocals sit atop the mix like <strong>Brian Eno<\/strong>. I can listen to tracks like &#8220;Winchester&#8221; and the funny\/sad &#8220;Ted, Woody, and Junior&#8221; a half dozen times a day &#8211; and often I do.<\/p>\n<p>From an <a href=\"http:\/\/www.robynhitchcock.com\/propellortime\/interview\/\">interview on his website<\/a>, Hitchcock mentioned that he couldn&#8217;t have made this album 10 years earlier:<\/p>\n<blockquote><p>I didn\u2019t have the stew of people, or the philosophy in the songs. Perhaps I had the wrong kind of wisdom then. You lose speed and you gain depth.<\/p><\/blockquote>\n<p>No wonder I like about this album more than most Robyn Hitchcock albums I&#8217;ve bought. He&#8217;s got a supportive stew of friends who keep him from rushing ahead and offering glib, shorthand observations on the order of the cosmos. As with <em>Element of Light<\/em>, there&#8217;s more Lennon at the heart of this album than Syd, and a little Dylan. If you&#8217;ve lived this long you can aspire to Lennon and Dylan. Syd was fantastic in his own way, but he&#8217;s a dead-end. Maybe Hitchcock has figured this out. &#8220;We love you, sickie-boy,&#8221; he and his sickie friends sing toward the end of an album, rallying around each other &#8211; and us.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Robyn Hitchcock &amp; The Venus 3&#8216;s Propellor Time is an understated release that was recorded, mostly live, in a week&#8217;s time in 2006, between the recordings for two prior Venus 3 releases, Ole Tarantula! and Goodnight Oslo. Never having been the world&#8217;s greatest Robyn Hitchcock fan, I can&#8217;t be sure of the pulse of his <a href='https:\/\/www.rocktownhall.com\/blogs\/insta-review-robyn-hitchcock-and-the-venus-3-lemgpropellor-timel-emg\/' class='excerpt-more'>[&#8230;]<\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[342],"tags":[65,4,243,240,241,166,242,244],"_links":{"self":[{"href":"https:\/\/www.rocktownhall.com\/blogs\/wp-json\/wp\/v2\/posts\/2638"}],"collection":[{"href":"https:\/\/www.rocktownhall.com\/blogs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rocktownhall.com\/blogs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rocktownhall.com\/blogs\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rocktownhall.com\/blogs\/wp-json\/wp\/v2\/comments?post=2638"}],"version-history":[{"count":0,"href":"https:\/\/www.rocktownhall.com\/blogs\/wp-json\/wp\/v2\/posts\/2638\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.rocktownhall.com\/blogs\/wp-json\/wp\/v2\/media?parent=2638"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rocktownhall.com\/blogs\/wp-json\/wp\/v2\/categories?post=2638"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rocktownhall.com\/blogs\/wp-json\/wp\/v2\/tags?post=2638"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}