"You know what I hate about iPods/iTunes..."
By Mr. Moderator on Jul 11, 2008
Although Rock Town Hall has partnered with the Apple Empire and iTunes and values them greatly, there are days when we suddenly find ourselves simply hating something about our iPod/iTunes experience. For me, that one of those days was Monday night, when I was burning CDs that my young son sequenced and wanted to give his friends at his 7th birthday party.
I might have told a few of you about my boys' getting into ELO over recent months and my realization that I owned exactly 0 ELO albums. To rectify that situation and acquire 15 ELO tracks I thought would be healthy for my boys to enjoy, I went on iTunes and legally bought the band's best material - what I consider their best material, because lord knows they've got a spotty run of Greatest Hits albums in their catalog. The boys have been digging this hand-picked Best of ELO CD ever since.
So Monday night I'm working on my boy's ELO-heavy compilation CD for the 8 friends he's invited to his birthday party. iTunes has burned the first 7 CDs efficiently. What a marvel of modern technology!, I thought to myself. Then, when I pop in the 8th CD I get a message to the effect of, "You are only licensed to make 7 copies of music purchased from iTunes."
BASTARDS! Apple's put a digital fence around the 15 ELO tracks I purchased from them. I'm sure this was all spelled out in the User Agreement that I insincerely clicked Yes to when asked if I'd read it, but come on! This was supposed to by my sons' ELO, as selected with care by their rock snob father. At that moment I cursed the Apple Empire. A couple of days later and I'm still reluctant to use any of the Apple software on my Mac. I'll get over it and return to singing the praises of iPods and iTunes, I'm sure, but today I'm still feeling the hate.
How about you? Please complete the phrase in the title of this post. Tell us what you hate about iPods or iTunes. In those rare times when you're feeling the hate, that is.
24 comments
The convenience. Its greatest asset is also its greatest flaw. It’s far too easy to skip to the next song. I no longer have to sit through C grade songs and a lot of B grade songs are getting the hook too. I have somewhere around 13,000 songs on my iPod and I can envision a day in the not too distant future where I just listen to “the Israelites” and “Here Comes My Baby” over and over again on a loop.
(I realize that this is actually a flaw with me and not the technology but it’s annoying and would not be possible without the iPod.)
Of course I hate the DRM and proprietary file format too. I assume Mr. Mod knows that once he's burned a CD, he can rip the files from it and burn 8+ additional CDs using WMP or some other software.
I only bought an album from Itunes once. I immediately burned a CDRW, ripped the files to mp3's for my hard drive, and then erased the CDRW, which is a ridiculous process. Once Amazon (and Kompakt, bleep, Juno, etc) started selling DRM-free mp3's I never looked back.
I use Itunes as my jukebox, and I own an Ipod nano for the gym, but otherwise I don't play nice with Apple, because they think Mr. Mod's son should have no more than 7 friends. And I don't play the lower case 'i' game.
Everyone one in a while what I hate about iTunes and the Apple Empire, in general, is its reliance on icons. I want WORDS to tell me where to click.
Enjoy your family trip...and the tunes!
For father's day I got a sony walkman MP3 player to replace my 1st gneration Nano. I LOVE IT! I've always had Rhapsody, so I pay $1 more per month and I can download anything from Rhapsody onto my MP3 player. It immediatley saved me $$$ by not having to re-re-re-buy the latest re-issue of "My Aim is True" and "This Year's Model"
I'm not morally opposed to them or anything. I just love packaging. I love looking at pictures. I like to hold it in my hand. I know if it's really about the music, then I don't need Elvis Costello telling me what I should feel about it or me having to look at an outtake photo of Joe Strummer to enjoy it any more or less. I sincerely love the find. The hunt. I usually don't even buy stuff online. There's something too simple about merely clicking on the title you want and getting it a few days later. I still order the damn things from my local record store (the discount doesn't hurt, I'm a good customer). I'm sounding like an old fart, I know. I'm sure I will reluctantly make the transition the micro-music revolution, but, for now, I like to hold the thing in my hand.
And I have bought This Year's Model three or four times now. Why? Because I'm a sucker and E.C. laughs at me every time I buy it.
One more story from way back when: When I first started collecting music, I was on a search for chicago III. It was elusive. I couldn't find that stupid record anyhere. Maybe it was being in the Deep South, that us uncultured hillbillies didn't appreciate the HIGH ART of Chicago III. I remember the day I found this "holy grail" of Chicago music. It was like a little shimmering ray of golden sunlight. I held it in my hands. I opened it. I could finally hear the glorious Chicago III sound. Keep in mind that this was before the internet and CDNow and Amazon and what-have-you. There was just something magical about finding that stupid record sitting on the shelf in some shop. Even if it was a mega-super-we-have-it-all superstore of music (that's now closed). I found what I was looking for. And it was great.
I leave you all with the words of Mr. Dylan in a recent Rolling Stone interview:
"We all like records played on record players, but let's face it, those days are g-o-n-n-n-e. You do the best you can, you fight that technology in all kinds of ways, but I don't know anybody who's made a record that sounds decent in the past twenty years, really. You listen to these modern records, they're attrocious, they have sound all over them. There's no definition of nothing, no vocal, no nothing, just like-static. Even these songs (referring to his latest record, Modern Times) probably sounded ten times better in the studio when we recorded 'em. CDs are small. There's no stature to it. I remember when that Napster guy up across, it was like, 'Everybody's gettin' music for free.' I was like, 'Well why not? It ain't worth nothing anyway.'"
Didn't Dylan do an Ipod commercial to promote his last record?
TB
But come on, Mod, what were the 15 songs?
Living Thing
Do Ya
Evil Woman
Tightrope
Strange Magic
Sweet Talkin' Woman (presently my youngest son's favorite along with "Tightrope" - he's the "melodic one," also into Aimee Mann's I'm With Stupid and the new Sam Phillips album of late)
Mr. Blue Sky
Look at Me Now (I think that's the sawing-cello/Roy Wood number one from the first album)
Can't Get it Out of My Head
Rockaria
Don't Bring Me Down
Roll Over Beethoven (my rhythm-oriented oldest son is way into this '50s-inspired trio of ELO tracks; he's the one most digging that Buddy Holly collection)
Turn to Stone
Telephone Line
So Fine
Yes, those are the ones I downloaded.
And yeah, the iPod wires are awful. Those are going to be the tangled up cords between a phone and its handset to this generation of kids who don't know what a telephone handset is.
I played my youngest boy the first Traveling Wilburys album a couple of weeks ago, to see if he'd dig the Jeff Lynne production. He hated it! Maybe my older, roots rockin' boy would have liked it better.
That said, I'm also a sucker for the Jeff Lyne production. The big drums, the phased vocals, all of it. I remember when "ELO" (really solo Jeff Lynne) released that record in 2001 (Zoom). It totally bombed. You couldn't give that record away. There was big tour planned but Sony cancelled it for lack of interest, which stunk because I was ready to finally get to see my hero, Jeff Lynne, in person. Anyway, I found it interesting that in the late 80s and early 90s, you couldn't escape that Jeff Lynne sound. He had so many hit records. Roy, Tom, The Wilburys, George, Del, et al. He was on a roll. I even like the stuff he did The Beatles. He makes a record ten year s later and no one cares. It's not a bad album and certainly worth picking up, if you're Lynne fans. I am.
"Laredo Tornado" is great. I also have a perverse love for "Last Train To London." I like that whole "very disco" Discovery record. I'm a masochist. I know.
TB
PS--Anybody see that Concert for George Harrison? I think Jeff was one of the highlights.
I agree that Lynne was SOLID in the Concert for George show.
Other than the buds, I hate little about my iPod or iTunes, especially since they finally put a sort field option in.
I don't know, and I know this has turned a little toward a Lynne/ELO post, but the guy seems like nice fellow. He's semes very genuine and that he really gets a kick out working with his "heroes, The Beatles." Some of them, even George, have been quoted as saying some nasty things about him, but I haven't heard the man say a discouraging word. He's just a music nut, who happens to craft some really nice pop tunes. So, yeah, I'm a fan.
Just to get to get back on subject, I only like the big honkin', ear-covering headphones. Ear buds just aren't comfortable. I like to look like Matthew Sweet on the cover of 100% Fun. I even use my big 70s headphones with my trusty discman (the one everybody makes fun of me for having. "You should have an Ipod, dork!") The bigger the headphones, the louder and better.
TB
that's where it's at.
apple sells no vinyl.
big bummer.
I even use my big 70s headphones with my trusty discman
My wife has also swapped to the giant noise-cancelling headphones like me, which she uses with her iPod mini. The tiny little one that's about the size and shape of a large postage stamp. She enjoys some very odd looks on the subway every morning.
I understand how people who have fallen out of the habit of listening to music re-started their joy with these gizmos. Whatever my life was needing, it wasn't a new way to listening to music. That part of my life has always run smoothly.
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