Mr. Moderator

Mr. Moderator

When not blogging Mr. Moderator enjoys baseball, cooking, and falconry.

May 132008
 

In our recent family-themed Dugout Chatter, a few Townspeople seemed to be stumped by the choice of Family vs MSFB. Although MSFB is in my blood, I’ve never known much about Family, really only knowing of them in the first place because they’re the band from which supergroup journeyman bassist Ric Grech sprung. Years ago I borrowed a handful of their records from a friend, expecting an Overlooked Gem or two. It was not to be, but they do turn up a few interesting tracks to examing in my Rock Lab. Here’s a little Family sampler. Those of you who find it difficult not to turn away from checking out a Jethro Tull deep cut may be interested. Pince Nez me, if you must: I believe none of the following tracks is from the early, Ric Grech era.

Family, “Drowned in Wine”

Family, “Song for Me-Stop for the Traffic”

Family, “Children”

Family, “Anyway”

Family, “Burlesque”

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May 122008
 

In reference to some comments I made regarding my inability to like Deep Purple, even via their vaunted Greatest Hits album, Townsman General Slocum wrote:

Christ sake, Mod. What’s with you guys? Steve, well, he could have been too set in his ways by the time Purple came along, I don’t know. But Machine Head? What’s not great about that record? Meaty! Also, Rat Bat Blue, the Mule, Our Lady the whole Fireball record, really. In Rock is good, too … I’ve been a big fan since Machine Head came out. True, they were one of the bands Spinal Tap was busting on, with the main difference that they all had crazy prowess on their instruments, and didn’t have the zany lyrical sense of, say Uriah Heep. It’s funny that they were far bigger in the rest of the world than Zep, but Zep’s music fits so much better in 1973 rust-belt america. They are so solid, not that they’re in heavy rotation at my house all the time anymore, but it never occurred to me to bust on them. I went through a little Deep Purple phase again not too long ago, and found that they didn’t require the pinch of nostalgia between the cheek and gum that other bands need to sound fun. Please find the “funny” songs you refer to, Mod.

General, I was afraid I’d touch a nerve by admitting that I don’t find much to like in Deep Purple beside the unintentionally funny bits. If I could, I’d list details of what irks me about their music, but all I can think of is 3 or 4 song titles. “Hush” is great, like a lost Steppenwolf song. Their version of “Help” is pretty cool in the way only a rock nerd could love a song. Then I know “Smoke on the Water”, which sounds like Spinal Tap. “Highway Star”, which is too noodly for its rockin’ aspirations (and which also sounds like Spinal Tap). Then there’s another song or two I know fairly well when I hear it from Machine Head, but the title of which is not coming to mind. “Space Truckin'”! That’s the title. Come on, despite the cool riff, you don’t chuckle when you hear that song?

I admire the guitar playing of Ritchie Blackmore. I get a visceral reaction from his solos, and he’s got some good riffs to boot. Jon Lord‘s organ playing is always good, but the singer sounds like David St. Hutchins to me and that drummer–ugh–he’s all open hi-hats that just seem to fill up what little available space is left in their thick arrangements. I really don’t like that drummer. Ian Paice, right?

My problem with Deep Purple is that they’re stuck in some netherworld between song-based heavy rock, which Led Zeppelin excelled at playing, and the noodly, prog-rock showboating of ELP and second-generation prog-rock bands that would follow ELP and Deep Purple, most notably Boston and Kansas. I don’t know, General, I’ve seen some VH1 “making of” Machine Head 3 times in the past few months. I usually watch it all the way through because I’m a bit fascinated by the band’s mix of chops, noble aspirations, and dumb lyrics. They’re understandably excited to play back a dual organ-guitar solo on some song, but the music itself suggests more about the rock ‘n roll that would follow (eg, the second-generation prog bands) than the music that probably inspired Deep Purple.

Can you, General Slocum, or anyone in the Halls of Rock point me in the direction of a dozen Deep Purple tracks worth revisiting, without prejudice? I look forward to your suggestions.

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May 082008
 

From a 1969 ABC TV show called Music Scene…how many features from this performance have been lacking in live music performances on tv for some time?

This is not to say that there’s never a great musical performance on tv these days. Not including television broadcasts of rock films and documentaries, what’s the most recent original tv rock performance you’ve seen that knocked your socks off?

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May 062008
 

You find yourself with a fine “normal” person – be it at a family dinner, a work event, or what have you – who discovers that you’re a knowledgeable and passionate music fan. That person wants to talk turkey with you, excitedly asking what you think of Dave Matthews Band‘s latest CD or whether you’ve got tickets for the upcoming Eagles reunion tour. You swallow hard, take a deep breath, and begin to respond to their questions regarding your tastes in music. With what do you lead? Which bands and albums do you talk about loving first, so that they can make some sense of what you’re into? Where do you draw the line in your record collection, what records are off-limits for discussion with a “normal” person?

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May 052008
 


In our recent Three Songs Most Likely to Run At the First Sign of Trouble, Townsman Cherguevera suggested yet another offshoot of our original thread. As a service to the Halls of Rock, and the rock community overall, we’re bringing his thoughts to The Main Stage:

Is this yet another variant of this whole concept? Songs that could perform superhuman deeds under life-threatening circumstances? For example, when I was in 8th grade, the average-built Adam K decided to pick at fight with ultra-scrawny Phil P. It all seemed like a given, until Phil utterly pummeled Adam, who, for two weeks, walked around school with a pair of stupid sunglasses to cover up his black eyes. So, I’m talking about a band you might think of as lightweight that somehow pulls some brass knuckles out of a back pocket.

You heard the man. Now answer the question.

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May 042008
 

What is it that allows me to like Bryan Ferry‘s unleashed solo side almost as much as I do Roxy Music? And that would be a lot. Compared with my general anti-camp stance on rock, my longtime enjoyment of Roxy Music and solo Bryan Ferry (up to a point – his solo albums past the band’s breakup circa 1982 are of no interest to me – and maybe this is significant) surprises me and makes me question myself.

Here’s a song and performance that encapsulates much of what I love about Roxy Music: The Power and Glory of Rock, the introspection, the self-effacing humor, the strong rhythm section…

The clip also features Ferry wearing clothes and a mustache that I have found off putting on artists like Bowie and that Sparks guy. Why don’t I simply want to give this guy a wedgie and possibly turn my ears off to his supposedly great music, as I’ve done with some of his contemporaries?

  • Did the work of early Roxy Music buy him (and what the band would become) a free pass?
  • Is it the fact that he seems to have a sense of humor about his persona?
  • Is it the fact that the rhythm section is both tough and fluid?

In short, why do I dig Ferry but recoil at similar impulses in the music and performance of David Bowie and other ’70s camp-rockers?

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