Feb 062007
 

You may recall last week, when I brought the concepts of Proctomusicology and “Prock” music to the Hall for discussion and development among Townspeople. We made headway on defining the terms and their applications, and I am confident that we will revisit them until we’ve reached a satisfying conclusion.

The reason I bring these terms up today is to help answer a wish Townsman Mark expressed in the Comments section of a recent thread. He hoped we might compile a “list of bands over whom [Rock Town Hall] has the most severe disagreements.”
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Feb 062007
 

On repeated listens/views – this is crucial: please try to watch this video at least 3 times – please explain M.I.A.’s video for her new single, “Bird Flu”.

I’ve been working on it, and it makes me think of the “exotic” opening scene of a James Bond or Raiders of the Lost Ark flick. I’m drawn to rhythm and obsessive vocal approach, but then I find my mind wandering to thoughts of Adam and the Ants and, eventually, Sofia Coppola’s crap movie Marie Antoinette. Then, it all falls apart as I feel teased by the promised but not consumated cockfight and cobra action. This video is badly in need of a mongoose.

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Feb 062007
 

There’s this really cool coffee shop where I sometimes run into Kevin. It’s near The University – but a bit off the beaten track. It’s not one of those places loaded with kids ordering decaf, skim, free-range, triple lattes. This place is more laid back. They serve mostly esspresso and cups of French Roast. There’s a small selection of dry pastries, if you must. There are bowls of sugar on each table. The place looks like it’s been around forever. I think it was a cigar store and smoking lounge in the mid-’90s. Locals shop up and down the street.

There’s always something interesting playing when I stop in for my double esspresso. Mostly new stuff. When I first started going there, Rogue Wave was big. Them and Spoon, of course. I got turned onto that Malkmus album I love so in this shop. Then that Decembrists’ album was in heavy rotation, and for the next few weeks I’d “shoot” my esspresso and get on my way. Kevin liked that one, but he’s got broader tastes that I’ll ever have. I do try, and that’s not bad for a guy in my position.

Last week I stopped in and heard something that caught my ear. Hyperactive drums and percussion blasted out alongside slashing, Fripp-for-Big Note guitar chords. A high-pitched woman’s voice, with a hint of Asian teen prostitute, joined in. A bubbling organ part surfaced at points. I savored my double esspresso, thinking I’d stumbled on some supergroup involving members of The League of Gentleman and Art Bears.
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Feb 062007
 

Maturity. That tricky process that any rock musician is faced with at some point. A band that never matures, or grows in some way, ends up the worst type of charicature, the kind that give credence to each generation of parents who complain about “that racket” their kids are listening to. See The Ramones shortly following End of the Century and Rock ‘n Roll High School as Example A. They would go on to give “youth culture” a bad name for the next 10 years.

It’s rare that your favorite band matures at a rate that fans can keep up with. Sometimes the artist actually is going through “growing pains” that rightfully leave fans scratching their heads or storming out of concerts grumbling, “I didn’t come here to see #%@@&$^$@#$ing Mariah Carey!” (grumbled by Townsman Ken at Elvis Costello’s Mighty Like a Turd Tour). Other times the artist simply grows up before their audience can figure out exactly what’s going on. Bob Dylan plugging in may be the best example of this phenomenon; I wonder if old Tom Waits fans felt this way when Swordfishtrombones came out.

What’s been your experience with favorite artists “maturing” before your eyes? Have you kept pace with them, caught up with them later, decided you simply didn’t like what they were up to, pouted and sucked your thumb instead?

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All-Star Jam

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Feb 062007
 

All-Star Jam. Sure as the sun will cross the sky.

How are you holding up? Everything cool? Are you gonna be all right?

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Feb 042007
 

All right, Townspeople, fresh off the high of our First Annual Super Bowl Halftime Show Commentary, we would like to announce, in our role as industry watchdog, Rock Town Hall’s First Annual GRAMMY Bash, kicking off on Friday, February 9, and running through Monday, February 12.

You may have heard about the GRAMMY Awards. Chances are, if you’re a visitor to the Halls of Rock, you don’t give a damn. In fact, you so don’t give a damn that that vein in your forehead bulges out whenever people in the office ask you – Big Music Fan they know you are – who you think’s going to win a GRAMMY. Who are you kidding? We suspect you’re incapable of completely shutting this inherently horrendous event out of your mind. If you were that kind of well-adjusted person, you wouldn’t be checking in here.

No pain, no gain, they say, and if there’s one thing both the GRAMMY Awards and Rock Town Hall promise it’s pain. The pain of too wide a swath of genres for even the “I like all kinds of music!” fraud to appreciate. The pain of Jethro Tull winning an award in the Heavy Metal category long after we knew this unlikely folk-rock-prog band any longer existed. The pain of seeing Elvis Costello & the Attractions lose out to A Taste of Honey for Best New Artist. Pain.

This Friday we’ll begin rolling out in-depth GRAMMY coverage, but little of the stuff you have no business caring about. Again, let’s be real. For example, this press release is the sort of hook we would never stoop to cover. Come on, Recording Academy, stop sending us this stuff!

Look for historical overviews, keys, trends, prognostications, analyses, fashion, and a treasure hunt. The night of the big event, we’ll encourage you to log into Rock Town Hall for Live Commentary. We’ll probably take it through the night and into next Monday morning. Until then, bone up on your nominees, your historic moments, and your moments!

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