Just want to make sure we’re cool. Culture Club suck the bad part of my ass, but you’re still okay in my book.
Your pal,
HVB
Jul 012008
Jul 012008
It saddens me to find myself stuck in the middle with Townsmen Hrrundivbakshi and E. Pluribus Gergely over issues of The Style Council and animality. I’m reminded of the words of founding Traffic member Dave Mason.
Before we turn the page on these issues, before we possibly reach the level of understanding and unity offered by the first-ever European International Pop Festival (go to about the 00:50 mark of the above video for a full explanation of our potential as a community of music lovers), let’s consider the following clip:
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Jul 012008
There’s always a part of me that’s glad I don’t always understand what E. Pluribus is saying, but this time, I started wondering if there was something that Gergley “gets” that I don’t, namely: *animality.*
I mean, what the heck is it? Let me ask some tough questions:
1. Do the Stones have it?
2. Did the Beatles? If they only had animality part of the time, what was it about their non-animality-infused music that made it good anyway?
3. Is it something Black artists seem to have more of? (I say seem. This is an important choice of words!)
4. Is there more animality in music made before 1970, and, if so, why?
4. Is the lack of animality “gay,” in the playground insult kind of way?
5. So, come on: who’s got the animality?
Just wondering,
HVB
Jul 012008
Today I purchased the film rights to the Eric Burdon and War Story. I’d been negotiating for the rights to the Eric Burdon’s and the Animals Story – you know, that “San Franciscan Nights”/”Sky Pilot” era of the Animals – but then I saw this:
The rights to the Eric Burdon and War Story were about a third the price. It was a no brainer. Along with the climactic “Spill the Wine”/”Magic Mountain” scene, I’d work this into the film:
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Jun 302008
Quick, Townspeople! Who among us most firmly believes that rock and roll started losing its mind when bands began obsessing about albums, rather than finely crafted singles? Answer: E. Pluribus Gergely! Who’s the guy who thinks the Venn Diagram intersection of tradition, groove and melody is where the best pop music has always lived? E. Pluribus Gergely! Who’s the guy who thinks Paul Weller‘s greatest shortcoming as an artist was his unwillingness to put his heart on his sleeve and sing about his *feelings*? E. Pluribus Gergely!
For all these reasons and more, I’m happy to report that E. Pluribus Gergely — whether he knows it or not — loves the Style Council!
Now, let’s be clear: I have no illusions about our dear, beloved Plurbie and his willingness to open up even one small, wrinkled fold of his fevered brain to consider this overlooked phase in Paul Weller’s career. But I know, deep in my heart, that he should.
When Paul Weller shit-canned the Jam (one of the great, classy moves in rock history, as far as I’m concerned), his stated intention was to launch a loosely knit “band” — more of a collective, really — whose primary aim would be to produce killer singles (*not* albums!), loosely fashioned after the 45s that had brought meaning to his life as a youngster.
With that in mind, check out this vuh-deo, for the Style Council’s fourth single, “A Solid Bond In Your Heart.” Talk about an explicit blueprint for action! Weller wanted to bring back dancing, community, style, and general freedom from bullshit when he started this band. Mr. Mod may tamp his pipe and complain about the Weller “four on the floor” beat that he incorrectly perceives as being central to every Weller tune ever written — and I’m just waiting for the snarky observations about how Mick Talbot is the only guy in this video who’s actually chasing after a girl — but, hell. The tune still churns up the dancefloor, Paul’s heart is clearly in the right place, and there’s some positivity on display. As the band plowed through its first couple of years, Weller would open up even further.
Jun 302008
Phooey!
You may recall a thread from a couple of weeks ago about my latent appreciation for the craft and catchiness of ’90s Britpop sensations Blur. A group I know well, a group of which I’ve long been a member, The Bad Attitude Club, needed more evidence of the band’s relative goodness. I supplied some live tracks from a bonus disc that came with the initial pressing of their Best of… collection. I doubt that either of my posts had any effect on the nasty old dudes who compose The Bad Attitude club, but more than a few Blur-loving Townspeople requested the posting of additional tracks from that live CD. To you, young at heart and open of ears, I say, Enjoy!
More from Blur at Wembley
Jun 302008
Comes a time…
Coming July 22, Paul Weller will release a sure-to-be sprawling masterpiece, entitled 22 Dreams. If the following Product Description from Amazon doesn’t inspire you to pre-order the CD, perhaps an honest re-examination of Weller’s work with Style Council will.
”After As Is Now I thought the time was right to make the sort of record I wanted to make,” says Paul Weller of the creative process which led to his striking ninth solo album 22 Dreams. ”Instead of worrying about anyone else, I wanted to really push the boat out. I think the result is going to surprise a few people.” Surprises have always been part of the artistic vernacular for the man who changed rock forever with The Jam, explored a host of eclectic influences with The Style Council and cemented his position as the patriarch of Brit pop with his legendary solo work. 22 Dreams is the latest chapter in a creative journey spanning 30 years, with material spanning the full breadth of popular music rock to classical, avant garde to funk and spoken word to experimental. In addition to a cast of Weller s frequent collaborators including Steve Cradock and producer Simon Dine, 22 Dreams also features some of the largest beneficiaries of Weller’s incalculable musical influence. Noel Gallagher and Gem from Oasis lend their talents to “Echoes Around the Sun”, a writing collaboration between Weller and Gallagher. Ex-Blur guitarist Graham Coxon appears on “Black River”. The spirit of collaboration and an in-the-moment creative approach have resulted in one of Weller s most spirited works and one that is sure to expand the artistic canon of the one and only Modfather.
To help us pass the time while we eagerly await delivery of our pre-order, does anyone care to read between the lines of this Product Description?
