Jan 142008
 

It’s 2008’s first edition of Dugout Chatter. If you don’t know how it works, do what other Townspeople have been doing. Just share your gut answers to the following questions and you can’t go wrong!

Is “electronics” code for “synth-pop I like”?

Who’s rock’s Most Valuable Oliver?

Which possibly overrated band is least appreciated for its frequently overlooked strengths: Cream or The Doors?

Which Beatles song suffered more from the absence of George Martin: “She’s Leaving Home” or “The Long and Winding Road”?

Which artist manager had the greatest influence on rock ‘n roll?

Here’s a trick one: Which part of the legacy of a band you love least matters to you?

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Jan 132008
 

I’ve learned that my Tin Machine video featuring staged stage diving is no longer available on YouTube. Part of me is sad, while another part of me is proud of having shamed the owner of said video into taking it down. However, I sense you’re disappointed. To make up for the teaser of a long-forgotten Tin Machine video, I’m offering you three momentous looks back at the band – honest – Tin Machine. Enjoy, and feel free to share your memories of bands involving already-famous solo artists that really were a group. Really!

First up, an interview with the group – the whole group – on Arsenio.

Next, the countdown to the group’s first televised performance!

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Jan 122008
 


This is a public service announcement, with(out) guitar!

Happy Birthday to US. RTH is 1 year old today. For those of you who have materialized after birth, here are a couple of RTH tips for ya.

1. This recurring post, All-Star Jam, is the place for you to say anything you want except for links on how to add length OR girth to my “tool.”

2. The “Last Comments” link in the right-side column is a great way to quickly see who has commented on what. It’s the first place I go following my read of The Main Stage (front page.)

3. We’re a community here and if you want to contribute something, just let us know and we’ll set ya up.

4. Many of our posts fall into special categories. You can check out the historical posts in these categories with the links to the right. I highly recommend “User’s Guide” and “RTH Glossary” as starting points.

5. Also to the right are Archives, by month, and a search tool.

6. If you get lost you can always click on the banner at the top to return to the Main Stage.

Have fun. Let your freak flag fly. And it’s OK to masturbate as long as it’s in the privacy of your own room.

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Oliver

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Jan 112008
 


A band pays its dues and gets to spend more time than ever before in the studio. The lap of luxury! While the musicians jam out side 2 filler right on the studio floor and the singer sits in a corner, scribbling out lyrics, Oliver might as well be preparing his bandmates for a long hiatus. While the band loads up every possible tracks with exotic overdubs afforded by the studio’s equipment, Oliver might as well be asking the manager at the cool record store where he’s worked for the last 15 years for a leave of absence. The question is, who’s going to get that call to play the role of Oliver?

Oliver: A multi-instrumental, supporting musician usually added in preparation of a band’s breakthrough or reunion tour. With the promise of larger crowds expecting faithful renditions of the hits, Oliver affords the band the ability to replicate the key studio overdubs that would not otherwise be performed live or that would require an official band member to abandon his or her usual instrument, thereby leaving another hole in the music. Oliver differs from the traditional “backing” or “ghost” musician in that he is positioned among the official band members, the only differences between himself and the official band members being that he’s not photographed with the band, may never record with them, and gets much less tail.

Although the need for this Oliver character is borne out of a band’s deepening “studio era,” he typically makes his first appearance when the band emerges to bring its new double album on The Road! Who’s gonna play that extra keyboard part on your new single when you hit the road? Oliver. Who’s gonna strum that third, 128-String Guitar part that sounds just right on the record? Oliver? Who’s gonna hop over to bass so that the bassist can take a turn at the piano? Not the singer, but Oliver. Who’s gonna whip out a harmonica and catch a few rays of spotlight for a solo on that cover of “I’m a Man”? That’s right, the mysterious new guy on board for the tour.

More…

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Jan 102008
 

Hey, folks,

So I was out walking the pooch the other day, earbuds in place (uncharacteristically so — Mod, I may be coming around to your perspective on these things; increasingly, I find I favor the sound of the wind through the trees over bonus tracks from the most recent Apples In Stereo album… but I digress) — anyhow, earbuds in place — when I experienced a somewhat jarring alphabetic song transition that really got me thinking. The first song that popped into my earbones was this one: Track One.

Now, understand, I love this song. And I also have some firmly rooted opinions about its Importance. But when this track followed it into my brain, I really had to stop and think: Track Two.

My first reaction, strangely enough, was one of, um, relief. In other words, though I enjoyed bobbing my head to Track One as it coursed through my head, I was pleased to listen to Track Two in comparison. This actually concerned me a bit. In an effort to allay fears about my taste in pop music, and how it might be in the process of geezification, I’ve been re-cue-ing this tune at odd intervals over the last four or five days — to make sure I wasn’t just liking Track Two more, you know, because I was strolling through the park on a pleasant winter’s day or something. Nope. I’m definitely liking this song more than Track One.

So I asked myself: why? And in the process, I came up with a few questions I’d like to pass along to all of you. Listen to these two tracks. (And I ask you to actually listen to them, in their entirety, before answering. I know you know both songs in question; for me, it was the *re*-listening that brought these issues into clear focus. Humor me.)

After listening, answer the following questions:

1. Which of these two songs do you think actually had the most, uh, measurable impact on day-to-day human behavior during its popularity? I seriously think that more people — though perhaps in a more modest, immediate, fleeting fashion — changed their behavior, or at least felt differently about themselves, upon hearing what Track Two had to say, than Track One.

2. Imagine you have an iTunes playlist of two songs: Track One and Track Two. Which are you likely to listen to more often, today? Please try to avoid wishful, rearview mirror-gazing/too-cool-for-school responses to this question.

3. Today, are there any popular — or even just critically popular — artists mining the veins these two artists explored 30 years ago?

I look forward to your responses.

HVB

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Jan 102008
 

In the Comments section from our last post of 2007, Townsman Chickenfrank summoned Townsman Hrrundivbakshi to comment on the following performance by ZZ Top at the halftime show of the college bowl game formerly known at the Orange Bowl. The time is yours, HVB.

You may also find the following clip fascinating and instructive Continue reading »

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