Jun 132007
 


Real simple question: Are there great soul albums from the 1960s? We all take for granted that the art of album making didn’t really come into being until Rubber Soul et al, but beside James Brown’s Live at the Apollo, not a lot of great soul albums spring to mind if you discount hits collections and other live albums, such as Otis Redding’s excellent and fast-paced Live in Europe lp. I don’t own Aretha Franklin‘s Lady Soul, but that’s often a ’60s soul album that’s thrown into the mix when people list greatest albums of the ’60s. I know some of the songs from multiple hits collections of Aretha that I own. Is the album itself actually great and unified, or is it a typical collection of singles and cover tune filler?

Someone’s bound to suggest a Ray Charles album, and be my guest. I find his music boring in long stretches, but I’ll take your word for the genius of Ray Charles. Surely I am missing a truly great soul album that was recorded as an album in the 1960s! I think of soul album making beginning with Marvin Gaye‘s Let’s Get it On and Stevie Wonder‘s first mature works of 1970 and beyond. Surely I’m overlooking some earlier keepers. Make me feel stupid, Rock Town Hall!

Not really related…more of the fabulous Joe Tex after this jump! Continue reading »

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Jun 132007
 


Hey, hey, hey, look what’s dropped at Phawker.com, a live, streaming preview of the new White Stripes album, Icky Thump. So why not reclaim my title of King of Minute-by-Minute Reviews from Mr. Moderator, who recently used my throne to kiss Paul McCartney’s sagging butt? Nice job, Mod, but this is my turf!

Icky Thump opens with “Icky Thump”, on which Jack and Meg do their patented Led Zeppelin via T-Rex stomping simplicity routine to perfection. There’s something slightly dark and mystical about the overdubbed solos, like the band is promising to enter its Presence phase, but White sings with too much glee and places his voice too far up front to worry us about leading us down that album’s black hole. Beside, White Stripes don’t have a multi-talented bassist to take the wheel during their captain’s junkie slip.

“You Don’t Know What Love Is (You Just Do What You’re Told)” has a real 1973 AM cock-rock hit feel, like something a heavily mustachioed 1-hit wonder might have struck gold with when I was first noting the interesting differences between boys and girls. So joyous and friendly, like that song “Signs” or that song about making the cover of Rolling Stone. Get me a K-Tel release featuring this one! Digging it, and digging yet another cool-sounding guitar solo. Fuck all you slow-moving, mandolin-playing bands out there! This is why rock bands entered the studio. The rest of you should set up a stereo mic in an abandoned church.

“300 MPH Torrential Outpour Blues” is a relatively tender change of pace, but even this song packs a snaky rock punch. Oh man, listen to that tiny, volcanic guitar solo! I don’t know what’s going on, but I want to listen to it again. Load up another hit, brother. Is this White guy about the last guy on earth who knows what to do with The Power and Glory of Rock? He’s so ON, so far, that I’m finding the elephant in the Hall – Meg’s drumming, or lack thereof – to be no issue whatsoever.

What’s this song, “Conquest”? Who asked for this mariachi band nonsense on Track 4 of what had been headed for the best album I’ve heard in ages? Save this crap for a Tarrantino soundtrack!

OK, what’s next? I like the opening chords of “Bone Broke”! Meg sounds like she’s going to play a full beat before this song’s over, or is that a drum machine playing the same timed tom fill that threatens to sound like it was played by a real drummer? Oh hell, this is all beside the point. This song’s starting to get underway. I’m liking this sinister verse, but something’s missing. Maybe this is a rough mix that was leaked to the public? Oh that’s right, these guys still can’t pony up for a friggin’ bassist. I’ll try to be a bigger man and overlook this fact. I know it’s part of their schtick, like the color-coordinated outfits. Less is more, right? God forbid a mustachioed bassist would slide up to the upper registers of his Gibson Firebird bass.
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Jun 122007
 

Hey, guys and gals! I’m back with another fiendishly clever challenge for you — one, as always, that will reward those of you who embrace your idiotic obsession with rock trivia and other chick-repellent tendencies.

Today, your job is a simple one: identify the bands and songs from whence these opening phrases come. The difficulty? These are all spoken word introductions…and not always featuring the artists themselves!

Some of the following are easy, some are not. I am sure, however, that between the lot of you, all answers will be found. In the meantime, to make your answering easy, I’ve included a handy, cut-and-paste-able list you can fill in at your leisure:

Click on numbers, below, for each audio clip.

1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.

Enjoy yourselves…talk to you later!

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Jun 112007
 

I’m assuming the following Captain Beefheart video features the drumming of John “Drumbo” French.

I love Beefheart and I have no qualms whatsoever with the drumming of John French. He’s perfect for those seminal Magic Band albums, led by Trout Mask Replica. I’m not remembering all the details about the guy’s role in the band, but beside playing drums and guitar in various formations of the Magic Band, I believe he was Beefheart’s envoy to the rest of his band. Isn’t that true? What I’m curious to know is, could the guy drum? Was it French’s chops that made this strange rhythmic magic come together, or was he an idiot savant, paired up with the right songwriter for his unholy skills?

“Electricity” (live excerpt)

Does French play on all of the more normal-sounding Safe as Milk lp? I’m never clear about who’s who on those albums. Here’s a live clip of an excerpt of “Electricity” from that album. This is probably French on drums. He’s obviously following a set pattern on this transitional (ie, to Trout Mask Replica other-worldlyness) number, but he plays with the abandon and lack of finesse I could imagine of myself or any number of other mediocre guitarists excited by the chance to shine behind the drum kit. Does anyone else feel that beginner’s joy in his playing?

By the time Beefheart had returned to mixing in normal-sounding songs (eg, the excellent Clear Spot), wasn’t French out of the band or shifted over to guitar? I used to own that album French did with Richard Thompson, Henry Kaiser, and Fred Frith, but I don’t recall whether his drumming was any less difficult to follow.

Is there a drummer in the house?
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Jun 112007
 

Is this the price to pay for having made it too far through life without having had your mind blown?

So it’s all over, fans of The Sopranos. What did you learn? That brutal dago mobsters have feelings too? That the root of so many of our problems is Mom? That Steven Van Zandt leads one of the most charmed lives on the planet? That even a wop mobster can enjoy getting head from another man? That killing people on a weekly basis can lead to much anxiety? That family, in its literal sense, is what keeps us going? I hope you enjoyed the ride.

As you might be able to tell, I was not a fan of the 4 episodes of The Sopranos I caught over the years. Now that I’ve got my digs out of the way, what I’m interested in is the concept of the quick-snip ending. I heard that the series ended with the Soprano family sitting in a diner, surrounded by suspicious characters, friggin’ Journey playing on the jukebox, and then a quick cut to black. In musical terms, I’m reminded of the effectiveness of this technique on one of those Sex Pistols songs. Any quick-snip song endings you particularly dig? Were you OK with their lack of closure? I look forward to your comments.

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