Mar 152007
 

Developers of the long-promised songwriting and band creation software tool Strat-o-Matic Rock ‘n Roll may be beaten to the punch by Pete Townshend. In late April, Townshend will introduce the Method software for composers.

“You enter data about yourself, you share some stuff about how you feel, and you get back a piece of music,” Townshend told the gathering. “There was no computer in 1971 big enough or powerful enough to do what I wanted it to do, and of course, there was no Internet.”

Strat-o-Matic Rock ‘n Roll developer Michael Fingeroff is not worried. “The Method sounds like an interesting tool, but what we have in development will take into account the personal data and feelings of rock visionaries dead and alive.”

To illustrate his point, Fingeroff added, “Let’s see the Method compose new songs by a supergroup, for instance, consisting of Hendrix, Bonham, and Entwhistle. With Strat-o-Matic Rock ‘n Roll, this will be a reality.”

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Mar 142007
 


Any thoughts on the new Wilco album? I missed its official debut the other night. I heard it described somewhere – here? – as sounding like the slow songs on Summerteeth. In the basement some dudes were saying that Tweedy’s voice had changed. For the better or worse?

Will Radiohead ever do anything that captivates people again, or are they headed for the departure of that guitar player and the eventual drafting of Johnny Marr for a politely ignored send-off album?

Wait ’til you get past the “Read more!” link and see the way Ian Hunter lifts a tiny background singer to get closer to his mic on the break in this second clip? Think that Bright Eyes guy will ever have the confidence to pull a move like that? Someone from this generation needs to. And how ’bout Hunter’s cavalier laugh as the break wraps up? Cavalier Rock Laughs are an art we take for granted. Can you think of other songs that feature such a laugh, usually at either a song’s intro or the beginning or end of a solo or middle eighth section.
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Mar 142007
 

The Talent Pool for the Rock Town Hall Fantasy Rock Band League Draft has been released. Please see attached document. Next up will be the Developmental Pool, which will provide affordable talent needed to fill out band line-ups. Let me know if you have any questions. Remember, musicians not included in either the Talent Pool or the Developmental Pool may be signed as Free Agents.

UPDATED!Download Talent Pool!
NEW!Download Developmental Pool!

We’re almost there!
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Mar 132007
 


Each General Manager (GM) will work with a budget of $1.3 million dollars with which to build their band. The price for draft picks is set according to 2 criteria:

  • The round in which the musician is drafted
  • The section of the round in which the musician is drafted (ie, first 5 picks vs last 6 picks of each round)

Teams may select free-agent musicians (ie, those outside the Talent Pool) beginning in the second round. The price for all free-agent picks is set at the lowest rate per the prior round of the first of two rounds forfeited for choosing the free agent. For instance, if a GM decides, when his or her term for the second pick arrives, to forfeit a second- and third-round pick to select a free agent, the GM pays the lower rate of the previous round (ie, the first round, in this case).

Let’s examine the breakdown of salaries per draft order:
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Mar 132007
 

As suspected/expected, the takeaway message I got from last night’s Rock ‘n Roll Hall of Fame induction ceremony was The Importance of Being Earnest. Along with a preferable degree of commercial success, a dog-eared page in the latest edition of The Rolling Stone Encyclopedia of Rock & Roll, and a personal history with Jann Wenner and/or Clive Davis, this year’s HoF crop was an earnest bunch, true believers in the restorative powers of rock ‘n roll. I can’t say this is the worst message to put forth, especially with such an artistically uninspired crop of inductees.

Complain all you want about Peter Buck and Lenny Kaye’s “restraint,” Michael Stipe’s latest fashion/gesture faux pas, the value of Grandmaster Flash’s skills on the chocolate factory assembly line, and Ronnie Spector’s utter incoherence. It doesn’t matter. The folks driving the RnRHof want you to believe. They’re hard at work building our next Disney empire, a Disney empire for the Rock Generation. It’s OK, people. We’ll be able to bring our kids to play the Giant Les Paul. We’ll take swigs of alcohol-free Jack Daniels around a single microphone, surrounded by cardboard cutouts of Mick, Keef, and assorted “colored girls.” We’ll marvel at a glimpse of ourselves in the Diva Mirror, which will make us look bigger than life, even bigger than Aretha Franklin.

Rock ‘n Roll Is for Believers, and the less rock ‘n roll there is to believe in, the more we will come to appreciate Stephen Stills squeezing out inappropriately reverberated notes during an All-Star jam on a mediocre song with an uplifting message. Believe, and keep your heart open to rare moments of sincere joy and emphathy. That beautiful, dignified Ronette in the gold dress. Patti Smith’s touching speech. The pride of the Grandmaster Flash crew. Even Sammy Hagar giving it his best effort…

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