Comment from: Mr. Moderator [Member]
This is a great name for this type of album. Is it your own creation, Oats? I'm a big fan of albums that work this way, and I TOTALLY agree with you on your example! The first two that come to mind for me are The dB's Repercussions and Elvis & the Attractions' Get Happy!! (the TRUE side 2, which ends with "Riot Act"). I'll think of some more through the day, I'm sure.
06/30/09 @ 13:51
Comment from: cdm [Member] Email
I know the Mod is not a fan but I think that side 2 of the Smithereens' Strangers When We Meet is near perfect and I never listen to side 1.
06/30/09 @ 15:31
Comment from: cherguevarra [Member] Email
I don't have a contribution to this thread (have to think about it) other than two vague notions. The first is that I believe that one common sequencing trick is to try to put the artist/producer's least-favorite song in the penultimate position. Whether this opinion of said song is held by the listener, who can say?

Also, I recall talking with a guy who was ending his album with a big rocker of a tune. He was insistent that most albums he heard these days tended to taper off with a mellow song, and he wanted to end his album with a bang.

That's all...
06/30/09 @ 20:27
Comment from: 2000 Man [Member] Email
Side two of Let It Bleed is as good as it gets. I don't much care for the choir on You Can't Always Get What You Want, but I like the song a lot and I can get past it. The whole album is pretty fabulous, but I like side two best.
06/30/09 @ 22:25
Comment from: shawnkilroy [Member] Email
Harvest.
06/30/09 @ 22:59
Comment from: dr john [Member] Email
On the Beach
07/01/09 @ 15:49
Comment from: bobbybittman [Member] Email
Lola Heatherton - Live At The Dunes. She slays 'em, especially on side two. I don't think I've ever heard a more moving version of MacArthur Park. And the way it leads into American Trilogy? THAT little lady has got talent, my friends.
07/02/09 @ 11:04
Comment from: mikeydread [Member] Email · http://whatswerves.blogspot.com/
I find it hard to turn away from the last five songs of Joni Mitchell's Blue. Like a novel, this record gains momentum and density as it moves towards conclusion. The final five being: California, This Flight Tonight, River, A Case of You and The Last Time I Saw Richard.

Most people would be happy with that across a career.

I heard people dismiss the idea of records like this having a kind of narrative purpose..."It's pop music, that's why they stick the hit single up the front". But here I am afraid, I couldn't agree less.
07/03/09 @ 05:57

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