Feb 262010
 

I haven’t written one of these in a while, but Mick Green of the Pirates died last month, and it inspired me to take a look at the strain of pub rock that was about the ROCK. As we saw in earlier installments of this series, pub rock started out as a sort of weedy Americana, leaning towards the countryish and folky. But as the scene evolved, the British strain of maximum R&B came to the fore, and pub crowd came to prefer a rowdier night out. So pub rock was part of the awakening of sleepy early ’70s pop music, and it eventually came wide awake when it mutated into punk rock.

The roots of the Pirates go back to the early ’60s. As Johnny Kidd & the Pirates they were one of the first credible British rock groups. Their big hit was “Shakin’ All Over.” I can’t find a good YouTube of them playing it, so I’ll post this awesome clip of a version by another iconic early British rocker, Morrissey favorite Vince Taylor:
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Many people covered this song, notably the Who on Live At Leeds. It’s a great riff, but it’s not originally Mick Green’s. He joined the Pirates after it was recorded (in 1960 with Joe Moretti on lead) and left to join Billy J. Kramer & the Dakotas in 1964. Kidd died in a car accident in 1966.

As a side note, I’ll just copy this story from Wikipedia:

The original recording was not a hit outside of Europe. Instead, “Shakin’ All Over” gained fame in North America after Chad Allan and the Expressions covered it in 1965, where it was a #1 hit in Canada. Several months later, concerned that the effect of the British Invasion might eclipse the potential for success in the US by a Canadian act, the record label issued the song to radio stations in the States on a white label, with the artist listed as Guess Who? This became the first hit for the group in the states, reaching #22 and leading Chad Allen and the Expressions to change the group’s name to Guess Who.

Here’s the Guess Who’s version:
Continue reading »

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Feb 262010
 

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Years ago a friend tried to turn me onto the underground psych-pop band, The United States of America. I could not get into them, but today I stumbled on this track, “I Won’t Leave My Wooden Wife for You, Sugar,” as well as some other cuts on YouTube, and I’m thinking I may have to reconsider this band. I can now appreciate the whimsy and subtle use of electronics like never before. Are there other prime cuts from their debut or other releases that I should revisit? Did the band members go on to do anything else of note? Thanks.

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Feb 252010
 

While reviewing that Kinks video from 1979, I got to thinking that Spinal Tap keyboard player Viv Savage could have fit in easily with that version of the band. But who is the actual inspiration for Viv? And who are the specific influeces for the Tap. Here’s what I’ve got so far:

Jeff Beck is the visual inspiration for Nigel.

Rick Parfitt from Status Quo is the model for David St. Hubbins.

The Stonehenge prop is apparently based on a Black Sabbath stage prop that was so big that it wouldn’t fit into some theaters that they were playing.

Obviously bowing the guitar with a violin is an homage to Jimmy Page.

And I’ve seen a Def Leppard video in which the band members are shaking their satin-clad asses in the camera exactly like the Tap does during the live performance of “Big Bottom.”

What else am I missing? The more specific the example, the better (eg, choking on vomit is too frequent an occurrence to be linked to one incident).

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Feb 252010
 

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Sorry to have to do this to you, but recent talk of a Ray Davies-Bon Jovi collaboration on “Celluloid Heroes” made me wonder if there was some video evidence of this highly disappointing collaboration.

Aesthetically, because I know we’ve got a lot of Kinks fans here, is this the most disappointing collaboration ever, or would it be the collaboration that was determined as the Rock Crime among Rock Crimes of the 20th century, Ja-Bo? Or is there a collaboration that you’ve found even more disappointing?

I dread your responses.

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Feb 252010
 

This special, early edition Friday Flashback is at the request of Townsman alexmagic. This video came to mind as part of an ongoing discussion over the most disappointing collaboration ever. In that thread you will find some strong challengers to the legendary Ja-Bo collaboration, deemed the Rock Crime of the Century, and a recent guest stint by Ray Davies with Bon Jovi. The following collaboration, however, if not the most “disappointing” or even “disheartening,” may be the most bizarre one we’ve seen. Only in America! (Careful study of this clip may also come in handy for a possible upcoming examination of the Satanic influences in The Beach Boys.)

This post initially appeared 7/8/08.
Our nation carries on!

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Feb 232010
 

Say what?

For some reason this photo of Elvis Presley playing bass always makes me do a double-take. Of course he was capable of doing more than holstering a guitar – and every guitarist knows it’s not too hard to pick up a bass and fake it now and then – but Elvis seems too regal for the bass. I don’t know, it’s a bit like seeing Carl Wilson play drums (thanks to Townsman bobbybittman for directing me to this video of a relative masterpiece among post-Brian turds).

Speaking of Beach Boys photographed on unexpected instruments, the following came to mind: Continue reading »

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