Mr. Moderator

Mr. Moderator

When not blogging Mr. Moderator enjoys baseball, cooking, and falconry.

Feb 272010
 

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Have you heard an interview with Ozzy Osbourne over the last 10 years – and been able to make out half of what he’s saying? I have, and the man can’t get through an interview without gushing over his love for The Beatles and the influence they’ve always held over him. In one way this isn’t surprising because I figure what kid growing up in England in the ’60s wasn’t knocked out by The Beatles. On the other hand, a spin of the music of Black Sabbath or Ozzy’s solo records doesn’t make me think Beatles. Except for some recent single of his.

What is the least-expected influence you’ve heard an artist cite? Continue reading »

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Feb 272010
 

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I’ve never heard anyone who’s seen The Kinks live say they were a great live band. I’ve never seen them myself because dating back to my high school days, when they were at their suprising arena-rock height and I’d hear live concerts of them, they never sounded like they’d deliver anything near what I loved about them on record, in the privacy of my bedroom. Then, into the early ’80s, they started making albums that didn’t interest me in the least – and from concert recordings I’d hear from that period they had the nerve to stand behind those new songs and play them live.

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As video evidence of my favorite rock bands became more accessible in the ’80s, even early performances of The Kinks with all their British Invasion exhuberance were unwhelming. There are many reasons for why The Kinks have never been known as anything more than a mediocre live band, but from what I’ve seen the reasons start with Ray Davies. He’s too self-conscious. The humor of The Kinks is in the music; he doesn’t need to play it up with the goofy hand gestures (see the 40-second mark of the above clip, where Ray’s pointless holstering and gesturing first kick in) and “Banana Boat Song” call-and-response nonsense. That stuff almost always takes me out of the performance and undercuts the ambiguities inherent in their music. It doesn’t help that Ray seems incapable of smiling without smirking.

Meanwhile, the poignancy of The Kinks’ music often gets lost in their live performances. That 1977 clip that Townsman misterioso provided of The Kinks playing “Celluloid Heroes” on British television was surprisingly straightforward and appropriately reserved, but too often, from what I’ve seen and heard, Ray can’t step forward as a clear, confident lead singer on a sensitive song and the band can’t lay back and support things in a subtle, interesting way to make what I feel is the heart of the sound of The Kinks work in a live setting. Am I way off base here; does any of this ring true?

I should note that there is ample video evidence of The Kinks lip-synching to their greatest, most poignant songs, and they demonstrate great skill at this then-nascent rock ‘n roll act. I’m not kidding – and this may be saying something that will help answer the question for you at the end of this piece.
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Before we get into the question I have for you, here’s an interesting clip I’d never seen before today. Ray is sans guitar and energetically fronting a full-title boogie band version of The Kinks, from a 1972 television show, if I’m getting this right. The clip even comes with the magical timecode that, in my opinion, makes any video at least two degrees cooler.
Continue reading »

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Feb 262010
 

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Years ago a friend tried to turn me onto the underground psych-pop band, The United States of America. I could not get into them, but today I stumbled on this track, “I Won’t Leave My Wooden Wife for You, Sugar,” as well as some other cuts on YouTube, and I’m thinking I may have to reconsider this band. I can now appreciate the whimsy and subtle use of electronics like never before. Are there other prime cuts from their debut or other releases that I should revisit? Did the band members go on to do anything else of note? Thanks.

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Feb 252010
 

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Sorry to have to do this to you, but recent talk of a Ray Davies-Bon Jovi collaboration on “Celluloid Heroes” made me wonder if there was some video evidence of this highly disappointing collaboration.

Aesthetically, because I know we’ve got a lot of Kinks fans here, is this the most disappointing collaboration ever, or would it be the collaboration that was determined as the Rock Crime among Rock Crimes of the 20th century, Ja-Bo? Or is there a collaboration that you’ve found even more disappointing?

I dread your responses.

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Feb 252010
 

This special, early edition Friday Flashback is at the request of Townsman alexmagic. This video came to mind as part of an ongoing discussion over the most disappointing collaboration ever. In that thread you will find some strong challengers to the legendary Ja-Bo collaboration, deemed the Rock Crime of the Century, and a recent guest stint by Ray Davies with Bon Jovi. The following collaboration, however, if not the most “disappointing” or even “disheartening,” may be the most bizarre one we’ve seen. Only in America! (Careful study of this clip may also come in handy for a possible upcoming examination of the Satanic influences in The Beach Boys.)

This post initially appeared 7/8/08.
Our nation carries on!

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Feb 232010
 

Say what?

For some reason this photo of Elvis Presley playing bass always makes me do a double-take. Of course he was capable of doing more than holstering a guitar – and every guitarist knows it’s not too hard to pick up a bass and fake it now and then – but Elvis seems too regal for the bass. I don’t know, it’s a bit like seeing Carl Wilson play drums (thanks to Townsman bobbybittman for directing me to this video of a relative masterpiece among post-Brian turds).

Speaking of Beach Boys photographed on unexpected instruments, the following came to mind: Continue reading »

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Feb 222010
 

Who’s the Secret Sauce in each of the following bands? You know, the not-always-obvious band member who adds that special, hard-to-define something to put their band over the top?

This exercise doesn’t work in bands with Rock Superpowers throughout, such as The Beatles, and it won’t work in trios with a dominant member. The Secret Sauce is more likely to reside – discretely – in a larger, faceless band. Let’s try our hand at this, shall we? You don’t need to know the name of the Secret Sauce – you may simply refer to the person as “the bassist” or “the drummer.” When you’ve completed your answers/rationales (if necessary) to as few or as many bands as you like, feel free to add your own band for Special Sauce identification. Only one Secret Sauce member is allowable per band.

  • The Band
  • The Beach Boys
  • Steely Dan
  • Yes
  • Heart
  • Echo and the Bunnymen
  • Lynyrd Skynyrd
  • Chicago
  • Pere Ubu
  • The Dammed
  • Jethro Tull
  • REM
  • Tom Petty & the Heartbreakers
  • New York Dolls
  • Crosby, Stills, Nash, & Young
  • Any one of David Bowie’s backing bands
  • The Byrds
  • Flying Burrito Brothers

I look forward to your answers.

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