Mr. Moderator

Mr. Moderator

When not blogging Mr. Moderator enjoys baseball, cooking, and falconry.

Apr 082007
 


So the ubiquitous producer Timbaland has a new solo album, featuring a single with guest stars Justin Timberlake and Nelly Furtado. In the 2 reviews I was hit with this morning, one word sticks out regarding the purported genius of Timbaland, a word that seems to get associated with the key role that any hip-hop producer plays: beats.

Judging by the press I’ve read regarding Timbaland, I take it this guy had developed some fantastic beats for his clients. Of course hip-hop being a dance-oriented music, there’s no reason not to assume that the popularity of his productions must be tied to the effectiveness of the rhythmic bed he sets for artists to do whatever it is they do over, but man, all this talk of beats connotes true innovation! I thought I’d check it out.

YouTube has a whole page dedicated to Timbaland. Pretty cool, huh? Check out what Timba (can I call him that?) has to say:

“My mission is to blow up the boundaries and tear down the limits,” says Timbaland. “I’m taking my music outside of the box. I’m not getting away from what I’m known for; I’m just going to a place where it’s all about the music, not about the labels on the music. That’s why I call it Shock Value–from the artists to the production, it will shock the system.”

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Apr 052007
 

It is accomplished! Even the Developmental Talent Pool picks. Following are the lineups for each of our inaugural Fantasy Rock Bands. Thanks to all GMs who participated and all the Fantasy Rock Band fans who followed each highly anticipated pick.

Mockcarr, GM: John Lennon (gtr/voc), Paul McCartney (b/voc), Mitch Mitchell (dr), Mike Campbell (gtr)
Rolling Stone’s Cabo Wabo Party Machine (sponsored by the new AT&T), Andyr, GM: Pete Thomas (dr), Prakash John (b), Paul Shaffer (keys), Sammy Hagar (voc), Brian Emch “B” (gtr), George Harrison’s “Chewy” horn section, Jack Ashford (perc), “Colored girls” from “Walk on the Wild Side” (bv)
Bob Seger and the New Dynamic Superiors; Hrrundivbakshi, GM: Al Jackson (dr), Bob Seger (voc), Keith Richards (gtr), Jack White (b), Alan Toussaint (keys), Memphis Horns, Robed Choir
What It Is!, Geo, GM: Prince (everything), Benny Benjamin (dr), Art DiFuria (b), Terry Adams (keys)
5. Even Worse Wizard, Saturnismine, GM: Roy Wood (gtr/voc), Mo Tucker (dr)
6. The Subwoofers, BigSteve, GM: John Entwistle (b/voc), Al Anderson (gtr/voc), Garth Hudson (keys/sax), Ron Tutt (dr)
7. Meanstom, GM: John Bonham, Jack Bruce, Tony McPhee
8. American Metal, Sally Cinnamon, GM: Keith Moon (dr), Tim Rogers (gtr/voc), Peter Buck (gtr), Adam Schlesinger (b/voc), Phil Spector’s Wrecking Crew (everything else)
9. The Death Rattle, Scottrodgers, GM: Bill Kreutzman/Mickey Hart (dr), Bernie Worrell (keys), Buck Dharma (gtr/voc), Rick Danko (b/voc), Sneaky Pete Kleinow (pedal steel), Nancy Wilson (gtr), Brad Whitford (gtr)
10. Division By Zero, Sammy, GM: Andy Gill (gtr), Jah Wobble (b), Stewart Copeland (dr), Tom Verlaine (gtr/voc)
11. Afterschool Special; Mr. Mod, GM: Bruce Thomas (b), Roger Daltry (voc), Mick Jones (Clash) (gtr/voc), Paul Thompson (dr), Jimmy Page (gtr), Steve Nieve (keys)

Now the real work begins!
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Apr 052007
 


With no new album on the horizon, Pearl Jam has announced that it will be touring for the fun of it. Good for them! They strike me as a rare band that won’t one day write “road songs” about the pain of being on the road. Sorry, no covers of Jackson Browne’s “The Load Out” to anticipate.

Speaking of covers, has anyone yet heard their cover of “Love Reign O’er Me” for that Adam Sandler 9/11-Syd Barrett fantasy biopic of the same name? Check it out. Whaddaya think? By the way, I respect and admire Pearl Jam’s anti-video stance, but if this fanboy’s homemade video accompaniment doesn’t convince them to take matters into their own hands, Pearl Jam is more committed than maybe any band on the planet. Be inspired!

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Apr 042007
 

Following his realization of Andy Warhol’s vision for the Velvet Underground and his mastery of the pop culture art of shape shifting, David Bowie’s third-most distinctive contribution to rock is his use of backing vocals. Typically overdubbing his own backing vocals, Bowie took unique approaches to backing vocals that may have been original to rock and have barely been used by others since his work.


Letting his vibrato shine boldly and without regard to the timing of his vibrato on double-tracked recordings, Bowie’s lead vocals have always been distinctive enough. Surrounding his lead vocals, which often feature disorienting effects of their own, are highly personal backing vocal techniques, such as the “drunken sailors” backing vocals, as heard on both the Mott the Hoople hit (Bowie on backing vocals) and his own live verion of “All the Young Dudes” as well as tracks like “Five Years”. He also does more humming than anyone else in rock, maybe featured most prominently on “Moonage Daydream”. On “Ashes to Ashes” the mumbling call-and-response parts during certain verses become key to the song’s atmosphere. Large parts of Station to Station and Low exist for his unusual backing vocal workouts. Maybe the only singer who’s had a comparable “inner” approach to backing vocals is Marvin Gaye, as best represented on What’s Going On and Let’s Get It On.
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Apr 032007
 

Townspeople,

I have an experiment to propose. You know those wife-swapping, trading places types of reality shows? I’d like to find two Townspeople with widely divergent tasts who would be willing to take part in a Mix Swap.

But this isn’t some friendly “Hey, let me turn you onto these boss tunes!” sort of mix swap. Rather, it’s a “Deal with living in my shoes!” mix swap. The two participants will have to live with the each other’s mix tape, listening to it exclusively over the course of a week. Dig:
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