Mar 012008
 

Whoa!

2001: A Space Odyssey is playing on the tv. The scene pictured in this now-retro futuristic hotel lobby just passed. I’m dazzled every time I watch this movie. It’s so bold and futuristic that it still promises some peek into the future, even 7 years past its promised fruition, when we live in a hi-def world that still never seems as crisp and synthetic as the one Stanley Kubrick depicted. This feeling of wonder over the Look of a film makes sense to you, right? It doesn’t have to be this particular film for you.

I would imagine that there are recordings that have hit our ears in a similar way to what I describe with the visuals in 2001: A Space Odyssey. In your music-loving lifetime, has there been a recording that’s stayed fresh and “boldly futuristic” long after its debut, maybe even after it’s become part of the mainstream and used in Target commercials? The only thing I ask is that you keep it to recordings that have come out in your music-loving lifetime. If you were 3 when Sgt. Pepper’s came out, for instance, try something more in tune with the years when you consciously became a music lover. We all imagine how boldly futuristic some reissued record we’ve picked up at one time or another still sounds, but it’s not the same as hearing it for the first time with your own ears.

I look forward to your responses.

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Feb 292008
 


Here I go again, hoping to launch a discussion over a type of topic that is an anathema to many of you. I thank you in advance for your tolerance and, moreso, efforts in confronting the challenging relationships among form, content, and perception. It goes without saying that I do not expect you to thank me in advance for the surprising degree to which you might feel yourself caught up in this discussion.

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Feb 292008
 


Last March I did a little write-up of my favorite taped radio recording from my youth, a King Biscuit Flour Hour show featuring Elvis Costello & The Attractions with Martin Belmont guesting on lead guitar in place of an injured Steve Nieve. You can read what I wrote and hear the first batch of tracks I posted here.

Recently, Townsman snuh appeared in the Halls of Rock. He wrote me offlist to say how much he appreciated finding some of the tracks for this concert, which he also taped off the radio many moons ago. He lost his tape and asked if I had the rest of it. I do, but a couple of the tracks on the CD are not transferring properly. Until I find my original cassette and try re-burning those tracks, here are a few more tracks from that show. Stay tuned for a Pt. 3. Hopefully it won’t take me another 11 months to complete the sharing of this old cassette! Today, I’m also including a bonus track from another BBC bootleg during that same Get Happy!! period. Steve Nieve is back behind the keyboards for this one, while Martin Belmont was probably back getting dirty looks from Graham Parker.

So, without further ado…

“Help Me”

“I Stand Accused”

“Little Sister”

“Waiting for the End of the World”

“Don’tLook Back”

“Girls Talk”

From the BBC boot…

“Possession”

By the way, you should check out snuh’s LiveJournal; you’ll find plenty of good stuff, including a piece on the Young Elvis!

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Feb 282008
 

Fellow Townsmen and Townswomen — I have long since resigned myself to the notion that my earnest contributions to this fine forum have disqualified me from any form of elective office… like, ever. The electronic paper trail I’ve left behind is long and eminently mis-quotable, unfortunately. But that can’t stop a man from dreaming!

As I ponder the upcoming election, I sometimes think: “Shit, man… if I were President, I’d be, like, the most full-on culture vulture Prez since Jack Kennedy. I’d have concerts and shit, showcasing the finest artists in the modern (and perhaps not so modern) American music canon… and shit.”

Then, of course, I stop myself, and think more realistically about what a President really can do with regard to showcasing talent in the White House for foreign and domestic dignitaries. Clearly, a performance by Iggy and the Stooges would be a waste of good talent, and would likely get me impeached for some damn reason or another. You gotta keep it real, but non-offensive, at the same time.

So who would make the White House concert schedule if you were Prexy? I have a short list, and it would be eminently do-able; quality American artists who wouldn’t offend anybody, but would provide a high-quality display of American musical talent. I wanna hear about yours!

Hail to the chief (that’d be you),

HVB

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Feb 282008
 

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When you buy a digital version of an album you already own on vinyl, do you discard or keep the vinyl? If you keep the vinyl, why?

You may include your personal history with cassette and 8-track tapes in this discussion, if you feel that’s necessary.

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Feb 282008
 


Earlier today General Slocum posed the following thoughts at the tail end of a recent Dugout Chatter:

OK…what’s up with Thurston Moore? I have always been just one arm’s length away from being anything more than luke warm about Sonic Youth. Some admittedly great songs still don’t make them a band I like. That’s odd, to me, and unusual in my experience. So I just took out of the library today that Trees Outside the Academy album. Some of it sounds good, some really interesting rhythm guitar in there. But the whole package is a tastefully elaborate, calculatedly self-deprecating, quasi-candid shrine to Mr. Moore himself, and his own obtuse hipness. Fans, hatas, thoughts?

I know the General and let me tell you, he’s no dimestore, artsy-fartsy-averse Townsperson. This isn’t the esteemed-yet-hippie-hating Hrrundivbakshi, our very own 2000 Man of the People, or even an open-minded, reasonable, tolerant sort like like myself raising these issues. Rather it’s among the most free-thinking and visionary regular voices in the Halls of Rock. Hell, this is a guy we might have pegged for a Sonic Youth fan! For this reason I’m bringing the General’s idle chatter to The Main Stage. I’m hopeful that his asking this question will give the necessary campaign against rock’s most ubiquitous rock-doc commentator the credibility it requires.

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