Feb 112008
 

First, to gain your trust, one I like as much as the folks in the audience!

Last week my good friend HVB SUMMONED me to the floor of the Halls of Rock to explain what my problem was with certain Stevie Wonder songs. I explained myself promptly and clearly, or so I thought. Mwall clearly grasped what I was getting at. A poll supported the gist of what I was getting at. Only HVB failed to get it. He wanted examples of Stevie Wonder songs that bum me out and cause me to trash only one aspect of one of our national treasures.

As much as I dreaded revisiting some of these numbers, the first thing that came to mind was to pull out my copy of Innervisions. Here’s a classic Stevie Wonder album that contains some of my favorite songs by the man: the spine-tingling “Living for the City”, the supercool “Higher Ground”, and the always-fascinating helix-like structure of “Don’t You Worry ‘Bout a Thing”! Unfortunately, it’s also home to “Visions”, “Golden Lady”, and “All in Love Is Fair”. I’ve skipped these songs for so long that I couldn’t be sure by title alone of which ones particularly offended my sensibilities. For the good of the Hall, I made myself listen to three examples from this one album. Following are my thoughts on each number. I hope this clarifies my feelings for you, Hrrundi.

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A Grammy Highlight

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Feb 112008
 


After watching The Wire at Townsman Alexmagic’s place, we switched over to catch the second half of this historical musical meeting — Keely Smith, Kid Rock and some sax player I initially mistook for Corey Feldman.

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Feb 102008
 


My 10-year-old son asked me a few days ago what Jimi Hendrix‘s music was like. I raved about his guitar playing, telling him of my belief that no one’s come close to playing guitar as powerfully and effortlessly as he did. “You’ve heard it before,” I told him, but my efforts to hum out riffs of songs he’d heard in the car while I played Smash Hits failed to ring a bell for him. I told him I’d play him some records this weekend. That was the end of our discussion.

Friday night, conveniently, VH1 Classics played the kind of great/kind of depressing documentary The Jimi Hendrix Story. I called my boy over to the TV during a performance clip. About halfway through the song he said, “His guitar playing is amazing, but his voice is just OK.” He watched another 10 minutes with me, making connections to that Guitar Hero game, which he’d just played for the first time at a friend’s house the day before. “Now I see why you get extra points when you do this,” and he jerked an imaginary guitar neck into the air while making a Rock Face.

This morning I showed him the above video, one of my favorite live clips of the guy. As it wrapped up he asked me if he could start taking guitar lessons this summer. Thank you, Jimi!

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Feb 092008
 

I was out trolling the Web for more information on the Stones masterpiece “Moonlight Mile,” when I found this:

… a performance that rendered me pretty speechless. The inanity of the band’s song choice, however, got me thinking about all the covers I’ve heard that were just *wrong*, for so many reasons. I’m not sure any of the ones that sprang to mind were as bizarre and ill-conceived as this one, but I thought I’d throw the topic out there for consideration.

And the sky’s full of snow… and the sky’s full of snow…

HVB

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Feb 082008
 

Under glass?

Please stay with me tonight until I fall asleep. I’m afraid I may be entering the belly of the beast. Unlike you, I’ve never gotten into Cat Power. I’ve got enough of my own troubles; I don’t need to live vicariously through hers. The sultry voice only goes so far with me. The coffee-table soul she’s been getting into over the last couple of releases is better than what she used to do, but I don’t entertain too often. Those few I do entertain want to check out the real stuff. So here goes, an Insta-Review of Cat Power’s second album of covers. Is the well running dry, or is she revisiting her newfound roots? Either way, I’m scared.
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