Aug 302007
 

The great Citizen Mom shares this. Originally posted on her blog here. (I only hope she forgives me for not making it look as good as she did.)

It took a good five years after its  debut on BBC2 for "The Young Ones" to make it all the way across the pond, to where a kid in Philly could finally watch. And even then, it was work — these were the days before the city had cable, necessitating a VCR deal with the kid who sat next to me in homeroom and got MTV at his house in Lafayette Hill.

But dammit, I’d been reading about the British comedy series for years in the import Smash Hits magazines I bought on South Street, and it was time to see what all the fuss was about.
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Aug 292007
 

The Jam – But I’m Different Now
Some of you many be aware of how much I think Rick Buckler held The Jam back from being a top-notch band. To me, no Buckler performance best illustrates how off the mark this guy could be. Is there a drummer in the house to explain the point of the drum beat he has chosen for “But I’m Different Now”? I’m not sure that the version supplied by Townswoman Sally C is the released version from Sound Affects, but that is the version that puzzles me. While you’re at it, is there a bandleader in the house to tell me how Weller tolerated all those swishy hi-hits in the middle of his slashing guitar rhythms? I look forward to your responses.

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Aug 292007
 


Don’t you think that video made as many radio stars as it did kill them? A-Ha’s Take On Me as a prime example? Would Madonna have been so huge if she hadn’t so visually proved that she wasn’t anything like a virgin? And yes Michael Jackson was already huge with his release of Off The Wall but it sure feels that it was his videos that catapulted him into that rarefied air that has benefited him so well. How many effing times did they, and still do, run the making of Thriller, fercryinowtlowd?!

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Aug 282007
 


Hey, what can we say about this one?

The Beatles, “All You Need Is Love” (German true stereo mix)

If you loved The Beatles anywhere near their time, there’s a good chance you’ve got a soft spot for this song. If you’re some post-punk dude, you probably think of this song when dismissing The Beatles as “overrated.” That’s cool.

In this final track from the German true stereo version of Magical Mystery Tour, you get the added depth in the string and horn arrangements. The bass is a little heavier. The song sounds a little less like a jingle and a little more like the latest Lennon manifesto. A fine line, I know.

So that’s it. I hope you’ve enjoyed our trip. Thanks for taking the ride.

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