Jun 172009
 

Don’t think twice, it’s all right. The following set of questions require nothing more than your gut answers. There’s no right or wrong answer, but some answers may be correct. What’s most important is that you answer. Are you ready? Let’s roll!

Name an album you frequently dismiss or lampoon, despite the fact that you have never heard it!

Excepting your own band’s releases or releases you have recently received as a critic, do you own any unopened albums or CDs?

Have you ever purposely placed a certain lp at the front of a stack minutes before rock-nerd company arrives, you know, to impress them? Similarly, have you ever filed away an album that you’d rather not have your company find sitting in front of your stereo?

Honestly, do you get the slightest charge out of an lp’s surface noise?

What’s your favorite record that’s set at the “wrong” speed (ie, a 7-inch at 33 1/3 rpm or an lp at 45 rpm)?

What’s the first lp you remember buying with your own money?

What’s your favorite record label – not as in “record company” but the sticker on the record itself, be it a 45 or an lp. The graphics on a CD itself will be allowed as an answer only if you’re younger than 40.

Have you ever worn a record sleeve on your head, Pope’s mitre-style?

Whatever you do, please don’t…

Don’t do it!
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  38 Responses to “Dugout Chatter”

  1. I have never heard that Huffamoose record with the terrible cover, but I cannot imagine how good it is. Yes, I know you can’t judge a book by its cover, but I firmly believe that you can judge a record. I also love to make fun of Greg Allman and Woman and couldn’t tell you if I’ve heard a note.

    When I was working at the recco sto, a local artist cleaned her closet full of her unsold CDs. She brought about ten cases to the store. I took a case of them for the sole purpose of using the jewel cases for replacement. I open everything I buy.

    My bandmate Danny once remaked that he hides all of his AC/DC records and openly displays his Philip Glass. We also posed for a picture at the mixing board with the Big Star CD in plain view (It did happen to besitting there, we just placed where it could be seen). I don’t think I have ever done this, personally.

    I enjoy the sound of an LP just before it starts. The warm crackle.

    I loved turning my favorite records into instant Chipmunks records.

    That’s a tough one. The first LP I remember owning was Kiss’ Love Gun. However, I think the first thing I purchased with my own cash was Metallica’s And Justice For All. That’s the first one I remember.

    I like the Apple label. I’m also a fan of the various Columbia labels.

    I don’t think I’ve ever worn an LP hat, but I’m still young…

    TB

  2. Whatever. Here’s a better question that I wanted to throw into the ring yesterday, but my laptop ran out of juice. I defy any RTHer to name a single movie that succeeds despite having major characters with southern accents. I can think of only two: “The Last Picture Show” and “Tender Mercies”. I’m standing up for “The Last Picture Show” even though Timothy Bottoms and Jeff Bridges lose their accents completely when they’re fighting with one another. And as far as “Tender Mercies” is concerned, don’t bother participating at all if you’re not moved to tears at the very mention of the title.

    Know that a free VG- Hot Tuna LP is on the way to any RTHer who can change my mind about all this.

    Your friend forever and ever,
    E. Pluribus

    P.S. Come back, Gentle Ben! Come back!

  3. mockcarr

    Name an album you frequently dismiss or lampoon, despite the fact that you have never heard it!

    I do this with all Talking Heads albums.

    Excepting your own band’s releases or releases you have recently received as a critic, do you own any unopened albums or CDs?

    – Yes, there’s an extra copy of my brother’s big band cd lying around. I think I also have a cd I got in a mail order by mistake by Aliyah or some such person. My girlfriend refuses to believe this story. Perversely, I have not disposed of this item yet.

    Have you ever purposely placed a certain lp at the front of a stack minutes before rock-nerd company arrives, you know, to impress them? Similarly, have you ever filed away an album that you’d rather not have your company find sitting in front of your stereo?

    – Kinda, but it was a jazz nerd coming. I probably did this in college sometimes, but I bet I more likely left it out there to instigate something rather than impress anyone. I always have to remember to refile that Cars Candy-O album away quickly.

    Honestly, do you get the slightest charge out of an lp’s surface noise?

    – A little noise makes me feel like the record has a history. There was a skip on the second side of my White Album vinyl that was caused by my mom storming into the house one time (the stereo was near the door on uneven floorboards). I don’t miss that.

    What’s your favorite record that’s set at the “wrong” speed (ie, a 7-inch at 33 1/3 rpm or an lp at 45 rpm)?

    Is Project Mersh by the Minutemen one of these? I think it’s a 12″ set to 45 rpm.

    What’s the first lp you remember buying with your own money?

    Revolver by the Beatles. Still money well spent.

    What’s your favorite record label – not as in “record company” but the sticker on the record itself, be it a 45 or an lp. The graphics on a CD itself will be allowed as an answer only if you’re younger than 40.

    I like that MGM lion on the Cowsills 45 of Hair I swiped from my mom. Is that what you mean?

    Have you ever worn a record sleeve on your head, Pope’s mitre-style?

    Not that I can remember, but I did the shaving cream under the door trick freshman year of college, and narrowly escaped retribution. The water fight wiped away all evidence eventually.

  4. Mr. Moderator

    Yes, Mockcarr, the MGM lion label is a good example of what I am asking for.

  5. Fuck the MGM lion!

    Again, to all those who have gum stuck in their ears, I AM GIVING A FREE VG- HOT TUNA LP to any RTHer who can point out a sole example of an artistically successful movie featuring a majority of characters with southern accents. I repeat, the lucky winner receives a FREE VG- HOT TUNA LP.

    Waiting,
    E. Pluribus

  6. Just for the record, it would be less embarrassing for me to have Carly Simion’s “Playing Possum” LP at the front of my record stack than any Costello LP after “Imperial Bedroom”.

    And for that matter, know that I’ve been to Hrundi’s house to examine his record collection. In his listening room, one is immediately confronted with three horizontal columns of LPs, looking not unlike three strategically placed cannon barrels. The selections at the front of the columns are as follows: “Soundtrack to Purple Rain”, “Rio Grande Mud” by ZZ Top, and “Out of the Blue” by ELO. I’m told that the selections at the front of the columns never change, and if one attempts a change, the changer is warned that a serious ass kicking will most probably occur.

    E. Pluribus

  7. Name an album you frequently dismiss or lampoon, despite the fact that you have never heard it!

    I’ve never heard Sgt Pepper all the way through.

    Do you own any unopened albums or CDs?

    Nirvana – In Utero I’m not really a fan but I bought it on vinyl when it came out with the vague notion that it would be worth something to someone someday.

    Have you ever purposely placed a certain lp at the front of a stack minutes before rock-nerd company arrives, you know, to impress them?

    No, but I did get a bunch of old records once that contained oddities from the 50’s and 60’s like “Italian Dinner Music”. I made sure that “Johnny Puello’s Harmonica Gang” was the last one on the shelf so that it could be admired by all.

    Honestly, do you get the slightest charge out of an lp’s surface noise?

    Yes, there was a blob of beer on my Eddie Cochran album from a particularly out of hand party from 1986 or so. It always reminded me of the party.

    What’s the first lp you remember buying with your own money?

    Alice Cooper’s Greatest Hits

    What’s your favorite record label – not as in “record company” but the sticker on the record itself, be it a 45 or an lp.

    The old R&B labels like Specialty and King and Atlantic.

    Have you ever worn a record sleeve on your head, Pope’s mitre-style?

    I’m certain I must have at one point.

  8. What about Robert Altman’s “Nashville”?

  9. How about To Kill A Mocking Bird?

    You can keep the Hot Tuna, though. I don’t need yet another thing to hide before the guests arrive.

  10. Cape Fear?
    Paris TX?
    Smokey and the Bandit 3?

  11. I knew that was coming. And that’s a very good answer, mostly because I didn’t clarify the challenge enough. The movie has to be a straightforward drama, not intending to be insulting to Southerners. I strongly believe that was one of Altman’s goals, despite the fact that others may think differently.

    No Hot Tuna LP is coming your way. That said, you’re more than deseving of an honorable mention. Should it come to pass that I find a VG- Papa John Creach LP in the netherlands of my basement, know that it will be making it’s way to your door.

    Nice answer,
    E. Pluribus

  12. I got it: Cool Hand Luke.

  13. Gone with the wind?

  14. CDM,

    Paris, Texas doesn’t hold up for me regardless that is indeed a noble effort. You’re good. As far as Cape Fear is concerned, I’ve never seen the first one (although I hear it’s a masterpiece), and the second one objectively sucked.

    You win with “To Kill a Mockingbird”. It’s also one of the few occasions where the movie is even better than the book. And your wish is my command. I’ll save the LP for another enlightener.

    God bless you,
    E. Pluribus

  15. Mr. Moderator

    EPG wrote:

    Just for the record, it would be less embarrassing for me to have Carly Simion’s “Playing Possum” LP at the front of my record stack than any Costello LP after “Imperial Bedroom”.

    Do you still regret not filing that fourth REM album so that I wouldn’t see it the first time I flipped through a pile of records at your old apartment on Greene Street? You know, you could have bought that song “Superman” as a single. Don’t keep blaming that purchase on the strength of the single!

  16. CDM,

    You win again. “Cool Hand Luke” rules as does “Hud”. And for that matter, I’m ruling out any Paul Newman movie because he can take any turd, and polish it into something worthwhile. That’s not saying “Luke” and “Hud” are turds, it’s just that Paul Newman has it all: good looks, talent, and charm in spades. I recently watched “The Verdict” again with the ball and chain and was pleasantly surprised at how well that movie held up.

    Wanna go drinking with me and Art?

    Hope to hear from you soon,
    E. Pluribus

  17. Some may opt for “Gone with the Wind”, that it is still one of this country’s finest moments in cinema, but I, for one, find it an insufferable three hour ride of sheer boredom. Don’t get it and probably never will.

    Unfortunately, it matters not one whit that others may appreciate the film chosen by the participant. What matters is that I, my dear friends, find the movie sincere and engaging.

    Nice try, but no special fourth class rate delivery of a VG- Hot Tuna LP will be coming your way.

    You’re welcome to try again.

    E. Pluribus

    P.S. For those that are paying attention, our list of acceptable southern dramas are as follows: 1-To Kill a Mockingbird, 2-Cool Hand Luke, and 3-Hud. Tellingly, 2 out of 3 predominantly feature Paul Newman.

  18. “Wanna go drinking with me and Art?”

    Not until you’ve seen the original Cape Fear. Sorry but I have my standards…

    And I’m going to need some assurance that you’ve seen Night of the Hunter, while we’re on the subject of Robert Mitchum.

    I saw the Verdict again about 4 months ago and I agree, it holds up really well. Fantastic movie. What movie isn’t made better by the presence of Jack Warden? The one downside: it could be the only movie in her career in which Charlotte Rampling keeps her clothes on. Other than that, flawless.

  19. CDM,

    Who the hell are you??!! You’re dead on once again. “Night of the Hunter”, Robert Mitchum, Charlotte Rampling -all examples of the Almighty’s presence. Know that I’ll be summoning you for support should I need to build an alliance to defend myself against unenlightened RTH bozos who just never seem to get it.

    For the sake of alliance building, I need your opinion on the following three titles: “You Can Count on Me”, “The Squid and the Whale” and “Sideways”. Know that I need it as soon as possible. I foresee an assault on the RTH philistines unlike anything ever seen at either the piss poor Mercury or solid as a rock CHESS RTH sites.

    E. Pluribus

  20. Kanye West – Hate him but never played a CD..so I could be totally wrong…but I doubt it

    No unopened CDs, but plenty of downloaded but not listened to records

    I make a “too cool for the room” ipod mix that I play when people come over..you got me

    Sound of an LP gives me wood

    Wrong Speed Record – Chipmunk Punk. The voices are normal but the music is slow and low (plus they somehow recorded “Good Girls Don’t” for kids and got away with it. Also thier “Let’s Go” by the Cars sounds cool this way

    1st LP with my own money? Tattoo You. Played it at my 5th grade birthday party and the other children looked at me like I was crazy

    Label? the Capital one that The Beach Boys and the american Beatles singles had that was yellow and orange

  21. BigSteve

    I’m too slow on the draw. I thought sure I could win with Steel Magnolias.

    But seriously, how about All the King’s Men? A Streetcar Named Desire? Bull Durham?

  22. Say what you want, but “Streetcar” doesn’t hold up. And if anybody tells you differently, they’re lying. Everything is way too forced. And pushing that one step further, it’s a rare occasion when a play as a movie. At the present time, the only title I can come up with is “Picnic”.

    Send me your address. “All The King’s Men” is definitely a winner. Let me know beforehand, though, which Hot Tuna LPs you already have. I’m guessing you most probably have nearly all of them because your taste in music sucks. What I should do is send you a hammered copy of “England’s Newest Hitmakers: The Rolling Stones”. Might as well try and educate you given the opportunity.

    4 titles so far.

    E. Pluribus

  23. Name an album you frequently dismiss or lampoon, despite the fact that you have never heard it!
    Chess by Murray Head, I’ve only heard the hit single, One Night in Bangkok

    Excepting your own band’s releases or releases you have recently received as a critic, do you own any unopened albums or CDs?
    No

    Have you ever purposely placed a certain lp at the front of a stack minutes before rock-nerd company arrives, you know, to impress them? Similarly, have you ever filed away an album that you’d rather not have your company find sitting in front of your stereo?
    Yes, I put American Stars N Bars at the front of the pile because it is an album that a lot of folks don’t know about and it has a weird album cover and it looks like whoever owned it before me put a sticker on it, then peeled the sticker off, leaving a torn white section on which they drew a dick rocket with USA on the side as if it were owned by the kid from Superbad. All of these things make it a real conversation starter.

    Honestly, do you get the slightest charge out of an lp’s surface noise?
    Yes.

    What’s your favorite record that’s set at the “wrong” speed (ie, a 7-inch at 33 1/3 rpm or an lp at 45 rpm)?
    Under The Bushes, Under the Stars by GBV

    What’s the first lp you remember buying with your own money?
    Thriller and Metal Health at Clover.

    What’s your favorite record label – not as in “record company” but the sticker on the record itself, be it a 45 or an lp. The graphics on a CD itself will be allowed as an answer only if you’re younger than 40.
    I like the Apple Corps logo.

    Have you ever worn a record sleeve on your head, Pope’s mitre-style?
    Yes. at the same time I wore a box of spagetti as sunglasses.

  24. i just looked up and read your answers.
    latelydavidband, my first LP was Love Gun too! I got it for christmas, which is why I didn’t list it.
    we also answered Apple Corps the same!

  25. Epluribus, meet me at the football field this weekend. We’re setting up a game and I need somebody to move the goalposts. Thanks.

    😛

  26. 1. …album you frequently dismiss or lampoon, despite the fact that you have never heard it!

    Nothing in particular comes to mind…

    2. …do you own any unopened albums or CDs?

    No but I have a few CDs that I bought but haven’t listened to completely: “Meet the Eels” – an Eels collection, “Shadow Cat” but Robyn Hitchcock, and “Live at Montmartre vol. 2” by the Stan Getz Quartet…

    3. …ever purposely placed a certain lp at the front of a stack to impress…? Similarly, have you ever filed away an album that you’d rather not have your company find sitting in front of your stereo?

    Nothing in particular comes to mind…

    4. …do you get the slightest charge out of an lp’s surface noise?

    I never had many LPs but will say that I love the studio noises and any between song banter you might find, say on a Spoon release or home recorded demos and such.

    5. What’s your favorite record that’s set at the “wrong” speed (ie, a 7-inch at 33 1/3 rpm or an lp at 45 rpm)?

    I seem to remember playing Ozzy’s “Crazy Train” with Dave Blood at the wrong speed and we were totally digging it. Older Meat Puppets releases are cool at the wrong speed too.

    6. …the first lp you remember buying with your own money?

    Probably some really bad prog release like ELP or something.

    7. …favorite record label – not as in “record company” but the sticker on the record itself, be it a 45 or an lp. The graphics on a CD itself will be allowed as an answer only if you’re younger than 40.

    Maybe the old Beatles Capitol Records labels. Or an old RCA Victor release…

    8. Have you ever worn a record sleeve on your head, Pope’s mitre-style?

    C’mon! Of course!

  27. I got you covered for the “The Squid and the Whale” and “Sideways”. They both had some decent moments but overall watching them was like listening to Easy Like Sunday Morning and waiting for the guitar solo to roll around.

    I never saw “You Can Count on Me” but it sounds like one of those Diane Lane movies that my sister loves so I’ll say, based on the title alone, “ugh”.

  28. BigSteve

    I was actually serious about Bull Durham. The question was artistically successful, not great artistic achievement. I like small movies that succeed because they’re not swinging for the upper deck. Like that early Billy Bob Thornton movie One False Move that was set mainly in Arkansas. Another really good one is John Huston’s film of Flannery O’Connor’s Wise Blood.

    I disagree about Streetcar. It’s not supposed to be naturalistic. Vivien Leigh’s Mississippi accent is super fake but convincing in its dreaminess all the same. And Brando pulls off what I often point to as the most convincing New Orleans accent from a non-native ever filmed (though John Goodman has lived there long enough now to do a good one).

    I’m guessing epg is a big Thelma & Louise fan too.

    Does Lonesome Dove count?

  29. an album you frequently dismiss or lampoon, despite the fact that you have never heard it!
    Quadrophenia.

    ever.. placed a certain lp at the front of a stack minutes before… company arrives… ever filed away an album that you’d rather not have your company find?
    The former: Mingus Mingus Mingus Mingus; the record I was trying to cover up: Stone Temple Pilots. (Screw you, they’re actually underrated.)

    Honestly, do you get the slightest charge out of an lp’s surface noise?
    (bracing for righteous backlash) Physical media is dead to me.

    What’s your favorite record that’s set at the “wrong” speed (ie, a 7-inch at 33 1/3 rpm or an lp at 45 rpm)?
    Either the 33 1/3 of “Girls” by Beastie Boys at 45 rpm or the 45 of the Chipmunks’ Xmas song at 33 1/3 (a bunch of bored guys singing slowly.)

    What’s the first lp you remember buying with your own money?
    Duran Duran – Seven and the Ragged Tiger.

    favorite record label
    I always liked Matador for the “All Rights Reserved, All Wrongs Reversed” line.

  30. Mr. Moderator

    I’ll play.

    Name an album you frequently dismiss or lampoon, despite the fact that you have never heard it!

    Bill Wyman’s Monkey Grip.

    Excepting your own band’s releases or releases you have recently received as a critic, do you own any unopened albums or CDs?

    Yes. My stepfather, who loves music and enjoys sharing his love for it with me, gave me an Andrea Bocelli (or whatever his name is) CD a couple of years ago. I have not yet opened it. I should before he sees it sitting on a rack unopened. He’s probably noticed by now. He’s a really a great guy, and this is yet one more example of how I’m not.

    Have you ever purposely placed a certain lp at the front of a stack minutes before rock-nerd company arrives, you know, to impress them? Similarly, have you ever filed away an album that you’d rather not have your company find sitting in front of your stereo?

    Here’s yet another example of my shortcomings. To this day I’ve been known to do both of these things now and then, especially if I have a heavy-hitting rock nerd friend coming over. When Gergs is coming over, for instance, I know he’s going to be looking for dirt on me. I usually try to clean up the evidence of having played an – I don’t know – Kate Bush album. Then I’ll be sure to load the front of my “now playing” stack with something cool that’s not quite up his alley (because I am my own man) but his respect and curiosity.

    Honestly, do you get the slightest charge out of an lp’s surface noise?

    Definitely. As someone mentioned, it points to the record’s history and I sincerely think it adds a little more excitement to the listening experience. Music should be physical.

    What’s your favorite record that’s set at the “wrong” speed (ie, a 7-inch at 33 1/3 rpm or an lp at 45 rpm)?

    Is it one side of Pere Ubu’s Songs of the Bailing Man that’s at 45, or is that David Thomas’ first solo album – or both? I’m not sure that I can think of the converse, a 7-inch that runs at 33 1/3.

    What’s the first lp you remember buying with your own money?

    That’s a good question. It probably would have been some Beatles album that my uncle had not already bought me, probably The White Album. My uncle showed good judgement in not rushing to buy me that one.

    What’s your favorite record label – not as in “record company” but the sticker on the record itself, be it a 45 or an lp. The graphics on a CD itself will be allowed as an answer only if you’re younger than 40.

    The Apple label is hard not to love. Right up there is the kick I still get out of the old Buddha label.

    Have you ever worn a record sleeve on your head, Pope’s mitre-style?

    Definitely, and I look forward to doing so again in the coming weeks.

  31. BigSteve

    Name an album you frequently dismiss or lampoon, despite the fact that you have never heard it!

    If Kiss can be said to have an oeuvre, Kiss’s entire oeuvre.

    Excepting your own band’s releases or releases you have recently received as a critic, do you own any unopened albums or CDs?

    The only thing I can think is some of those CDs that come with my Mojo subscription. I think the British folkie one will not get a listen, though I’m glad I listened to the recent one called All the Young Dudes. I’m not supposed to like early 70s British hard rock, but that one was excellent.

    Have you ever purposely placed a certain lp at the front of a stack minutes before rock-nerd company arrives, you know, to impress them? Similarly, have you ever filed away an album that you’d rather not have your company find sitting in front of your stereo?

    No, my hard drive keeps its own counsel.

    Honestly, do you get the slightest charge out of an lp’s surface noise?

    None at all. And I’m so sick of CDs that begin with the sound of a needle drop. The only thing worse than that is a pretend needle drop signaling a pretend sided two.

    What’s your favorite record that’s set at the “wrong” speed (ie, a 7-inch at 33 1/3 rpm or an lp at 45 rpm)?

    I used to have a Pylon 12″ with a dub B-side that I thought was at the wrong speed. It turned out to sound cool no matter what speed I played it at.

    What’s the first lp you remember buying with your own money?

    Rubber Soul I think may have been a Xmas present. With my own actual money may have been Having a Rave-Up with the Yardbirds.

    What’s your favorite record label – not as in “record company” but the sticker on the record itself, be it a 45 or an lp. The graphics on a CD itself will be allowed as an answer only if you’re younger than 40.

    For singles the old Capitol yellow/orange swirl is hard to beat. Actually the old Capitol LP label with the black in the middle and the color spectrum around the rim of the label was pretty cool too. But I’m going to have to go with the early to mid 70s Island label, the one that was kind of orangey green with the little palm tree above the hole, because it sends me back to my college years, discovering reggae, John Cale albums, Eno and Roxy side projects etc.

    Have you ever worn a record sleeve on your head, Pope’s mitre-style?

    No, but if epg carries through and sends me a Hot Tuna LP I might as well, because I don’t have a turntable. Actually I always kind of liked Hot Tuna. Until Jorma starts singing.

  32. hrrundivbakshi

    Name an album you frequently dismiss or lampoon, despite the fact that you have never heard it!

    Already answered with Wakeman, but here’s another: “Music From the Elder” by Kiss.

    Excepting your own band’s releases or releases you have recently received as a critic, do you own any unopened albums or CDs?

    No, I don’t think so.

    Have you ever purposely placed a certain lp at the front of a stack minutes before rock-nerd company arrives, you know, to impress them?

    I had a burlesque artist friend stop by recently, and wanted to be sure she saw my copy of “Billy May Today!,” cadged for 50 cents at a thrift store, front and center. I’m trying to get her to do a routine to one of the May originals on that album. Plus, it makes me feel good to have a Billy May LP out on display when so many of my hipster friends would choose some Les Baxter or Esquivel mediocrity instead. May rules!

    Honestly, do you get the slightest charge out of an lp’s surface noise?

    No.

    What’s your favorite record that’s set at the “wrong” speed (ie, a 7-inch at 33 1/3 rpm or an lp at 45 rpm)?

    There’s a lot of fairly turgid 33 RPM Cheap Trick that sounds *awesome* at 45 RPM.

    What’s the first lp you remember buying with your own money?

    Elton John’s Greatest Hits. Honestly not a bad first purchase.

    What’s your favorite record label – not as in “record company” but the sticker on the record itself, be it a 45 or an lp. The graphics on a CD itself will be allowed as an answer only if you’re younger than 40.

    Oh, man — I could go all EPG nerdy on you with some of the weirder labels I find every now and then, but at the end of the day, it’s gotta be the original robin’s egg blue Stax label. Though I admit I have a soft spot for the “End” label, featuring a weiner dog on it.

    Have you ever worn a record sleeve on your head, Pope’s mitre-style?

    Yeah, but for maximum effect, I strongly prefer tennis racket sleeves. Makes your noggin look like an overgrown, upside-down nutsatchel.

    HVB

    p.s.: Gergs, good to see you donning the RTH codpiece once again. But lay off my man Oats. He may speak softly, but his balls are as big as cantaloupes. You could learn a thing or two from him.

  33. diskojoe

    First question: No

    Second question: I have a copy of The Stiff Generation that I bought 3 yrs. ago & never played

    Third question: No

    Fourth Question: No

    Fifth Question: I just bought a vinyl EP set of Cleaners From Venus singles from Martin Newell himself which are all 7 in., but play at 33 1/3 r.p.m. It’s the most hodpoge set I’ve ever bought.

    Sixth Question: December’s Children by the Rolling Stones in 1978 from the Record Exchange here in the Witch City that’s still here.

    Seventh Question: I have to go w/the Capitol swirl 45 label & rainbow album label.

    Eighth Question: No

  34. Charlotte Rampling drops her top in the magnificent “Zardoz”. A GREAT film. Which has nothing to do with anything except bringing up Zardoz.

    I talk down Kiss all the time and know 3 songs of theirs. I figured I knew enough based on that.

    Matt Pond PA unopened.

    Ever warn an album cover on your pope’s nose?

  35. CDM,

    I’m very disappointed with your take on three movies which resonate deeply with me. I’m not going to shit around with any sort of “you’re entitled to your opinion” nonsense because you’re clearly in the wrong. Go back and watch the movies again, keeping in mind that my opinion of you rests in your reassesment.

    I’m a big deal around here. Why? Because I’m the real deal. Tried and true. I never went through any stages like the moderator went through, looking for attention, saying things like “Between the Button is my favorite Rolling Stones album”, “Check out a guy called Hal Hartley”, “Don’t dismiss ‘Kundun’ until you’ve really taken the time to revisit it.”, etc. The choice is simple. Continue to follow his lead and learn nothing or join me on the path to enlightenment. If you’re the least bit concerned about his opinion of you after your assessment of the movies, know that you have no business partaking in activities found in my garden. I don’t provide accomodations for charlatans.

    Mull all this over, and try to get back to me in the morning.

    E. Pluribus

  36. Mr. Moderator

    Gergs, did I tell you I watched You Can Count on Me a second time a couple of months back, got over how much I disliked the guy, and just let it flow? I knew it was a good movie the first time, but I hated it. The second time I saw the movie it moved me.

    Please don’t put me in an anti-Squid and the Whale camp. That movie was really good.

    I forget, what’s your take on Sideways? Are you one of those people like my lovely wife, who laughed throughout the movie and then said, “It was OK” afterward? She did that to me again last week, when we saw The Merry Gentleman. It was her idea to see the movie. I loved it, and it seemed like she was as engaged as I was throughout. The movie ends and she says, “It was OK.”

  37. epg,
    That’s cool. I sense a lot of your strong opinions are stemming from some deep rooted insecurities but I won’t tear these movies down because they have obviously struck a chord with you.

    Please know that I found Squid and Sideways to be entertaining enough while I was watching them. It’s just that ultimately I prefer my movies a little less manipulative.

    I acknowledge that it could be a failing on my part. Perhaps I’m just too cynical and insensitive to appreciate a finely nuanced story. I didn’t like Crash either, which I assume was in your top three for that year (based on the fact that you’ve never seen Cape Fear but still managed to find the time to watch Sideways).

    As for You Can Count On Me, I simply refuse to watch it because of the title.

    Instead of going out drinking, why don’t you and Art want to come over? We’ll watch It Happened One Night or Double Indemnity depending on the mood, and throw back a couple of ice cold PBRs.

  38. Sideways is a liitle too much of a “nice guy” movie for me.

    I do like You Can Count on Me and Squid and the Whale.

    Has anyone seen Margot at the Wedding? I think that film does a good job of exploring family dynamics. Also worth checking out: Rachel Getting Married, Old Joy.

Jun 262007
 

Work it now, work it!

What’s your favorite aside in a song (eg, Jimi’s “Move over Rover, and let Jimi take over!”)?

What’s your “go-to” insincere compliment for a show or record you really don’t like a whole lot?

What’s the most overrated studio overdub (ie, not part of the band’s standard live arrangement and not including double-tracking)?

What’s the worst part in a song you otherwise like?

Have you heard the new albums by Bryan Ferry and Nick Lowe, both due out today?

If 2000 Man can see the need for rewriting rock history through a Stones perspective, through what perspective could you imagine yourself rewriting rock history – provided you had the time, of course?

I look forward to your responses.

Share

  41 Responses to “Dugout Chatter”

  1. My “go to” compliment is either ‘You guys looked like you were having a lot of fun up there” or “The ___ sounded real good”

    I think the overrated studio overdub is the “octave” guitar

    The worst part of a song I otherwise like is the spoken-word part of The Doors “Peace Frog”

  2. Mr. Moderator

    Re: octave guitar
    A-Dogg, you know that band we’ve talked about forming? I think it’s going the way of the proposed 4-way deal sending Kevin Garnett to the Lakers.

    Re: “Peace Frog”
    OK, the band offer stands. Good one!

  3. As far as “go to” compliments are concerned, I’m gonna just keep them to myself right now. I’ll probably using a lot of them on Thursday night.

    How about best rock and roll chuckle? I’m giving it up for Jagger at the begininning of “Stray Cat Blues” and Bowie at the beginning of “Andy Warhol”. You gotta be something special to pull that off.

    And one more thing, Robbie. You are so dead wrong about Beggar’s Banquet. I listened to that thing yesterday, and it really holds up. Not a stinker on either side. There’s plenty of bass too, despite what you say.

    I know my man Andy’s a fan of that platter. He’s just too much of a pussy to speak his own mind when he’s around you.

    Sincerely,
    E. Pluribus

  4. Mr. Moderator

    Give me some time with Beggar’s Banquet, all right? I want to do the album justice. Recently, I’ve been side-tracked thinking about what it means that The Monkees are better that The Byrds.

  5. Hey Plurb, I’m with you on Banquet, no doubt about it. And none of this “We Reach” crap about it either. You just make good sense here, that’s all.

  6. Thank God somebody out there’s got some sense. How can ya NOT like that album? Like I’ve said many a time before, it’s one of the few LPs with absolutely no stinkers! Not one!

    I know where Robbie stands on the LP so I need not hear from him regarding tracks that are the supposed losers. If anyone else wants to take a swing, feel free. Educate me as well as mwall.

    Hope to hear from you soon,
    E. Pluribus

  7. Mr. Moderator

    I’ll spring for anyone who needs a round of Dutch courage at Thursday night’s planned board meeting. Hold tight, Gergs, Mwall, et al.

  8. mockcarr

    What’s your favorite aside in a song (eg, Jimi’s “Move over Rover, and let Jimi take over!”)?

    I GOT BLISTERS ON MY FINGERS!

    What’s your “go-to” insincere compliment for a show or record you really don’t like a whole lot?

    I’m nowhere near that glib. Actually I’m more likely to compliment the band on something it doesn’t do that would annoy me.

    What’s the most overrated studio overdub (ie, not part of the band’s standard live arrangement and not including double-tracking)?

    Synthed horn arrangements. There are actually people who can still play the real horns. And ho

    What’s the worst part in a song you otherwise like?

    I like I Will a lot until that doo doo at the end. How many sweeteners can you pack into a song? Sugar, honey, high fructose corn syrup, sucralose, and aspertame?

    Have you heard the new albums by Bryan Ferry and Nick Lowe, both due out today?

    No.

    If 2000 Man can see the need for rewriting rock history through a Stones perspective, through what perspective could you imagine yourself rewriting rock history – provided you had the time, of course?

    The Who’s perspective. Minus the child porn thing, Townshend is a fascinating and deeply confused man. You could get ten different viewpoints just from him. That was a band of strong personalities who all exhibited rock elements.

  9. –What’s your favorite aside in a song (eg, Jimi’s “Move over Rover, and let Jimi take over!”)?

    The most recent one I like is Shai from the Capital Years shouting “Oh Fire!” in the song “Mounds of Money” right after a drum break. Certainly not original but it works.

    –What’s your “go-to” insincere compliment for a show or record you really don’t like a whole lot?

    “Man, -insert name of band menber here- was really on tonight.” Meaning “the rest of you lot sucked!”

    –What’s the most overrated studio overdub (ie, not part of the band’s standard live arrangement and not including double-tracking)?

    Horn parts. I’m so sad we fell for that crap…

    –Have you heard the new albums by Bryan Ferry and Nick Lowe, both due out today?

    No but I’m more likely to check out Nick’s than Bryan’s

  10. mockcarr

    Beggar’s Banquet is a great album.

    The three of the first four Byrds albums are excellent. I will admit they all have one stinker on them, but they had the decency to put the crap song at the end of the first two lps. Really, Mr. Tambourine Man holds up with the best if you stop before We’ll Meet Again. It’s really too bad Gene Clark didn’t like going eight miles high.

  11. mockcarr

    One of these days I’ll post cleanly. But notnow.

  12. hrrundivbakshi

    Hey, Gergles —

    What’s wrong with you, boy? I just gave “Beggars Banquet” a quick scan for a reality check, and I was right — it’s a stinker! It’s got a few strong — in one or two cases, crucially important — Stones tracks, but in general, the album is chock-a-block with the worst kind of pretendo-country/blues nonsense. Really. I’ll give you “Street Fighting Man” and “Stray Cat Blues” — those are songs where the Stones actually bring something unique and Stonesian to the table. But all those acoustic snoozers? Gimme a break! Music to clean the bong by!

    Alls I know is that when I used iTunes to search under “Beggar,” I mistakenly got Smokey & the Miracles’ “Choosy Beggar” at the bottom of the tracklist. After suffering through 20-second previews of those Stones tracks, the Miracles number sounded *so* much better; so much more *real* and heartfelt and interesting. Given that the Glimmer Twins were desperately trying to make an extremely *real* album with “BB,” I’d say that’s a pretty sad revelation.

    Figures you and mwall would bond over this turd.

  13. hrrundivbakshi

    Mockcarr sez:

    One of these days I’ll post cleanly. But notnow.

    I say:

    Clearlynot.

  14. saturnismine

    test

  15. saturnismine

    my favorite aside is when bon scott says “and my mama hates me” during the last chorus of “problem child”. there’s also jimi’s “see if i can talk to this girl a LITTLE bit…” on “wait ’til tomorrow”.

    plurb, i kid you not, i was JUST THINKING about jagger’s playful moans at the beginning of “cat”…and didn’t even know the question was asked on rth, today.

    fritz, i’m not so much of a fan of the hoaky “dear doctor”, “factory girl” and “prodigal son” either, but let’s be fair. by the very aeshtetic you seem to be espousing in your “I’ll give you “s f m”” paragraph, you gotta at least also “give” plurb “parachute woman”, “jigsaw puzzle”, and, of course, its evil twin, “sympathy”. “no expectations” is quite the plum, too.

    BB is not a turd (said in schwarzenegger’s ‘not a tooomer’ voice). but it’s my second favorite of the Stones ‘murderer’s row’ run of albums, with ‘sticky’ clocking in at number 1.

    back to the dugout chatter: most overrated studio overdub…i’m w/ clean on this one. eff the horns.

    insincere compliment? none. “if you don’t have anything nice to say, don’t say anything.”

    worst part in a song i like: since it’s on my mind, i could never stand the “honey…i’m sorry….to hurt you….” on “dear doctor”, which, as i say above, aint my favorite stones tune, but i like it enough not to skip it.

    – haven’t heard the new albums…

    – hasn’t the history of rock n roll largely been written through the stones’ perspective, wha??? don’t they loom large enough for us to concede that? i mean, they’re the only band that’s ever been introduced / billed as “the world’s greatest rock and roll band”, with nobody really questioning it. maybe i don’t get what it means to write a “history of rock and roll through x’s perspective”, but 2000 man’s suggestion doesn’t seem all that radical to me. hell, let’s say it HASN’T been written that way. would it make such a huge difference if it had? i mean, these guys practically held hands with the beatles all the way through the sixties, copped alot of their winningest ideas, and cast themselves in opposition to so many others….didn’t the stones themselves “write a history of rock and roll through the Beatles’ perspective?”

  16. saturnismine

    for some reason it wouldn’t post the rest of what i had written (thus the ‘test’ post). here tis….

    i’d like to see a history of rock and roll through a 50s / 60s / 70s conservative’s perspective. we always hear about how frightened they were of rock, but that’s all. it’s such a two dimensional portrayal of “squares”. life is never that simple.

  17. What’s your favorite aside in a song (eg, Jimi’s “Move over Rover, and let Jimi take over!”)?

    The Red Hot Chili Peppers’ version of the same song, where they change that part from “Jimi” to “Mr. Huckleberry”. Just kidding. You know, the first song I can think of is “The Little Girl I Once Knew” by The Beach Boys. The aside (IIRC) is this line:
    “How could I ever have known that
    She’d be what she is today.
    An’ look at how her boy friend calls her. I’ll be movin’ in one day.”

    Have you heard the new albums by Bryan Ferry and Nick Lowe, both due out today?

    Why, as a matter of fact, I just listened to the new Nick Lowe album earlier day. On first listen, I really liked it. It’s a lot like his previous three albums, but it feels more like a Charlie Rich record for some reason, at least to my ears.

  18. Aside: I like Hendrix’s “that’s all” after the last verse (and before the last guitar solo) on the BBC version of “Killing Floor.” Though I also like “Over here!” from The Georgia Satellites’ “Keep Your Hands to Yourself.” The song hasn’t aged well, but I like the idea that, even on record, the singer is redirecting attention from the guitar solo back to the verse.

    Insincere compliment: Congratulations!

    Overdub: Rhythm guitar under a guitar solo in a three-piece band.

    I can find a stray duff lyric in many, if not most, of the songs I like. If soething strikes me in the next few hours, I’ll specify.

    Rock Perspective: Either the producers, the girlfriends or the lawyers.

  19. It’s really too bad Gene Clark didn’t like going eight miles high.

    Huh? For all intents and purposes, Gene wrote “Eight Miles High” (McGuinn stole that one and other songwriting credits from him).

  20. Oh and P.S. I’m definitely on Team Beggars’ Banquet. I mean, c’mon, how can you hate on an album that also gave a great label its name (much like Creation, which obviously is a band and not an album title but you get what I mean)? 🙂

  21. hrrundivbakshi

    Insincere compliment:

    Said with redneck bonhommie and a genial slap on the back: “Hey, you guys can really PLAY!” Usually followed by “You sounded great up there!”

    In the case of the former “compliment,” I am merely observing that the band members are capable of playing their instruments. The latter statement is usually actually about the talent shown by the sound man.

  22. Hrundi,

    Beggar’s Banquet will never be an LP for your ears. Why? 1) It doesn’t have your beloved written and recorded at Sam Ash sound that Aerosmith too favored when they recorded their version of “Walkin’ the Dog.” 2) There’s an originality in the pseudo country blues numbers that you’re not hearing, i.e. taking Harry Smith anthology material and making it dirtier, ethics and style wise. 3) There’s an overall emphasis on acoustic instruments. And 4) They thought Bob Dylan was good.

    I’m being a jackass here (what else is new), but honestly, how much can your opinion matter if you prefer the superclean “Walking the Dog” written and recorded at Sam Ash sound as well as having no appreciation whatsoever for Bob 63-66 Dylan? I really don’t get it. Who cares if you can’t figure out what the hell he’s going on about? He looks cool and sounds cool. In my book, that’s all that really matters. The cool factor is very important in rock. Attitude, look. . . .if you deny the importance of those two factors, you’re missing the boat completely.

    Get out of the Chess King duds and smoke some of Andy’s grass.

    E. Pluribus

  23. hrrundivbakshi

    Hey, Gergs —

    For you, rock and roll in its entirety died in 1981. For me, Bob Dylan stopped being listen-worthy in 1965. We each have our quirks.

    Here’s my real concern: do you prefer the version of “Stray Cat Blues” on Beggars or Get Yer Ya-Yas Out? Much depends on your answer to this question.

    Your pal, and still — *still*, despite these serious issues — your number one fan,

    HVB

  24. Favorite aside in a song: From “Re-make/Re-model”- “Ooh! Show me!”

    insincere compliments: All the good ones have already been mentioned.

    Have you heard the new albums by Bryan Ferry and Nick Lowe?

    Yes, the Nick Lowe is excellent. Ferry, less so.

  25. BigSteve

    What’s your favorite aside in a song (eg, Jimi’s “Move over Rover, and let Jimi take over!”)?

    “Fast ‘n’ bulbous!”

    What’s your “go-to” insincere compliment for a show or record you really don’t like a whole lot?

    “Interesting influences.”

    What’s the most overrated studio overdub (ie, not part of the band’s standard live arrangement and not including double-tracking)?

    A string section. Not bad in itself, but so hard to do correctly, and so frequently done poorly.

    Have you heard the new albums by Bryan Ferry and Nick Lowe, both due out today?

    Not yet, but I will probably get both.

    If 2000 Man can see the need for rewriting rock history through a Stones perspective, through what perspective could you imagine yourself rewriting rock history – provided you had the time, of course?

    From the perspective of the piano. Or the organ, or the bass or drums, anything but the guitar.

  26. mockarr sez: It’s really too bad Gene Clark didn’t like going eight miles high.

    matt sez:
    Huh? For all intents and purposes, Gene wrote “Eight Miles High” (McGuinn stole that one and other songwriting credits from him).

    sally sez:
    matt – mockarr was alluding to the fact that gene clark was a nervous flier – apparently he witnessed a tragic flight crash in his younger years, and would have panic attacks before flights/touring, and before the byrds were due into NY from LA for a radio interview, gene refused to board a flight and the rest of the band went on without him… Literally, after that episode. They went on without him.

    “You can’t be a Byrd, Gene, if you can’t fly.” Roger McGuinn

  27. What’s your favorite aside in a song (eg, Jimi’s “Move over Rover, and let Jimi take over!”)?

    Agh. So can’t think of one right now.

    What’s your “go-to” insincere compliment for a show or record you really don’t like a whole lot?

    Rock diversion tactics 101: “Um… that was, wow. So are we still on for drinks tomorrow? Hey – Mike made it to the show too!” I honestly just try not to be a jackass. If it’s a good friend, you can usually talk it over with them afterwards when they start to come clean on their own feelings about their performance. Now, that, is a good friend.

    What’s the most overrated studio overdub (ie, not part of the band’s standard live arrangement and not including double-tracking)?

    Anything having to do with The “Cher” Effect (“thechereffect”). Crappy delays or compressed drums. And anything related to putting pre-recorded vocals through a vocoder. Bleeeaccchhhh…!

    What’s the worst part in a song you otherwise like?

    That squishy-weird-whiffle ball-sounding part in Radio Radio, by Elvis Costello… what do you call that?

    Have you heard the new albums by Bryan Ferry and Nick Lowe, both due out today?

    Nick Lowe – yes – “I Trained Her to Love Me” should be covered by Jonathan Richman! and I’m in love with “Hope For Us All”… and, Bryan Ferry, no… Completely off-topic, has anyone heard the Client album Heartland yet? I wasn’t expecting to dig it, but I kinda really do.

    If 2000 Man can see the need for rewriting rock history through a Stones perspective, through what perspective could you imagine yourself rewriting rock history – provided you had the time, of course?

    Through the perspective of Daniel Johnston or Roky Erickson – I’d like to read something with some real imagination! orrr… I second Ismine’s good call on the 50s, 60s, 70s conservative kick. Also, Buddy Holly a.d.(?) 😉

  28. hrrundivbakshi

    Not sure “fast n’ bulbous!” is an aside, but I love it just the same.

    Tight also!

    HVB

  29. mockarr sez: It’s really too bad Gene Clark didn’t like going eight miles high.

    matt sez:
    Huh? For all intents and purposes, Gene wrote “Eight Miles High” (McGuinn stole that one and other songwriting credits from him).

    sally sez:
    matt – mockarr was alluding to the fact that gene clark was a nervous flier – apparently he witnessed a tragic flight crash in his younger years, and would have panic attacks before flights/touring, and before the byrds were due into NY from LA for a radio interview, gene refused to board a flight and the rest of the band went on without him… Literally, after that episode. They went on without him.

    “You can’t be a Byrd, Gene, if you can’t fly.” Roger McGuinn

    Thanks for the clarification, sally. I knew I was missing something there! Oh and count me on Team Fast ‘n Bulbous, though I’m not sure if it’s an “aside” either.

    I just thought of another cool one, though. On The Dead Milkmen’s “Do the Brown Nose”, there’s an “aside” where Rodney (I think) is mock-preaching to the crowd and asks them to repeat the words “Erlenmeyer flask”. It’s probably not that funny taken out-of-context, but on record I always found it funny because of its randomness. Hey Mr. Clean, can you verify that I have the song title correct here?

  30. — Hey Mr. Clean, can you verify that I have the song title correct here?

    I believe you are correct sir!

  31. Mr. Moderator

    Hold tight, Beggar’s Banquet contestants, we’ll be bringing this to the Main Stage shortly.

    Meanwhile, keep up the Dugout Chatter! Good stuff!

  32. 2000 Man

    Man, I got some work I gotta handle, but when I can, I’m gonna have to sling some shit about Beggars Banquet. Fuckin’ glorious, that one is!

    What’s your favorite aside in a song (eg, Jimi’s “Move over Rover, and let Jimi take over!”)?

    I suppose it’s in the beginning of Break ‘Em On Down by the Soledad Brothers. I guess it’s an aside, but it’s the beginning. “My name is Johnny, you’ll deal with me now. Step it to the side now, band.”

    I just get the feeling that these dudes are about to Bring The Rock, and as usual, they do.

    What’s your “go-to” insincere compliment for a show or record you really don’t like a whole lot?

    I don’t compliment shows or records I don’t like. I generally love it or hate it. I can’t get my head around the stuff that elicits no feelings either way. I think they call that “Classic Rock” in the generic term.

    What’s the most overrated studio overdub (ie, not part of the band’s standard live arrangement and not including double-tracking)?

    You should see the Stones these days, they could play Beethoven and have four people with nothing to do on stage. But strings are the thing I hate. If they’re that important, then don’t play the song live.

    What’s the worst part in a song you otherwise like?

    Are any of The Eagles on In the City by Joe Walsh? If so, then I detest that those slick agents of the devil are anywhere near Joe.

    Have you heard the new albums by Bryan Ferry and Nick Lowe, both due out today?

    Nope – didn’t even know they were coming out. I like Roxy a lot, but Bryan’s solo stuff never moved me much. Nick is okay, but I don’t own anything with him on it except Rockpile.

    If 2000 Man can see the need for rewriting rock history through a Stones perspective, through what perspective could you imagine yourself rewriting rock history – provided you had the time, of course?

    Maybe I should have phrased it differently, but then again, since I’m the one rewriting it then it’s gonna be a Stonesy perspective. It also means that I generally think that while Rolling Stone Magazine and their followers think they already wrote the history of rock n’ roll, I think they’re far too often full of crap.

    How Keith Richards of me.

  33. Mr. Moderator

    I haven’t played yet. I’ll do so now.

    “What’s your favorite aside in a song…”

    I should do a better job of cataloging stuff like this in advance of my asking these questions. The whole “fast and bulbous” one from Captain Beefheart makes the song, so maybe that’s my answer. Lou Reed’s listing of places where he played football as a young man in high school at the beginning of the Take No Prisoners version of “Glory of Love” )or whatever that song’s called) also cracks me up and provides some detail.

    “What’s your ‘go-to’ insincere compliment for a show or record you really don’t like a whole lot?”

    There’s nothing better than a great sound mix of a mediocre show, even “The drums sounded great!” helps. To be sincere, I do try to find a highlight of the show to point out.

    “What’s the most overrated studio overdub…”

    Beside 128-string guitar, a horn section. I love my share of horns on rock songs, but there needs to be some new approaches.

    “What’s the worst part in a song you otherwise like?”

    That’s another tough one. Probably one of a half dozen extraneous “la-la”/”bah-bah” parts in a Jam song? Actually, Andyr may have nailed it off the bat with the poetry break in “Peace Frog”.

    “Have you heard the new albums by Bryan Ferry and Nick Lowe, both due out today?”

    I bought the new Nick Lowe one. So far, it sounds too much like his last few albums, the last two of which I liked.

    “If 2000 Man can see the need for rewriting rock history through a Stones perspective, through what perspective could you imagine yourself rewriting rock history – provided you had the time, of course?”

    I’d rewrite it through the perspective of all the fun, second-rate ’60s bands: The Rascals, The Hollies, The Turtles…

  34. hrrundivbakshi

    Art, I’m actually busy workin’ on some shit today, but I’ll come back atcha with some further thoughts on this mediocre album.

    I will say this in regard to much of your commentary today: BACKSTORY!

    Your pal,

    HVB

  35. saturnismine

    take-a-you-time fritz.

    i look forward to it…

    grumble grumble…

  36. hrrundivbakshi

    After much pondering, it occurred to me — the most non-essential, irritating, cliched overdub in the rock/pop canon:

    those tiny chime thingies that drummers drag their drumsticks through to make the “dreamy” trrrrring! sound.

    Know what I’m talking about?

  37. Mr. Moderator

    I KNOW what you’re talking about Hrrundi. So you’re saying your studio’s not going to include them?

  38. BigSteve

    But those chimes are essential to the Steely Dan Sound!

  39. hrrundivbakshi

    It will NOT. Neither will it offer rainsticks or digeridoos. Sorry, Mod — your band’s world music concept LP, “Heading into the Outback,” will have to wait!

  40. Mr Mod wrote: “I KNOW what you’re talking about Hrrundi. So you’re saying your studio’s not going to include them? “

    Hey Cuz, How does this jive with your love of the Starship’s “Miracles”? That song is full of them.

  41. Mr. Moderator

    “Miracles” is an exceptional song that breaks all the rules. For instance, it’s by Jefferson Starship yet it’s good.

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