Aug 242020
 

Looking back in the RTH archives I see where there were some threads choosing assorted Mount Rushmores of Rock & Roll. Let’s resurrect that now with this British Invasion version.

What four acts would be on the British Invasion Mount Rushmore? Would anyone argue that The Beatles are not on it? Or The Rolling Stones? If you want to, proceed at your own risk.

Ah, but what are the other two?

I say The Kinks have to be number three. I think it can be creditably argued that “You Really Got Me” alone justifies the selection.

Add in whatever else you want – the other early hits, the string of impeccable albums from Face To Face up to Lola Versus Powerman & the Moneygoround – and they have to be carved on, although I’m afraid Ray’s gapped teeth could cause sculpting problems.

But what’s the fourth. The Who were just a little late. The Animals would bring something very different to the Mount but were they really that good, that impactful, that lasting?

And how about the bands with an album’s worth of great pop hits like The Dave Clark 5 or The Hollies or even Herman’s Hermits?

I hope this will be the first of many such threads. Feel free to define your own Mt. Rushmore and get it up here. But first, argue for or against my three locks and tell us your fourth.

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Aug 242020
 

I come to seek wisdom from the psychotherapy department of the mighty Hall.

For 3 weeks I’ve been building up to reading this article: https://www.theguardian.com/music/2020/jul/30/acdc-their-40-greatest-songs-ranked?

It’s been hanging around the news feed on my phone since the end of last month, taunting me with its tender ministrations, unwilling to let me go without taking a bite from the fruit it has dangled before my eyes. No! I cried. Enough!

Last night, I finally succumbed, feeling like someone committed to a life of sobriety caught holding a box of chocolate liqueurs.

It wasn’t a painful read, in fact it barely impacted on my life in any way, other than causing me to chuckle quietly a couple of times. Which, to my horror, I realise now has made it even worse.

Having thought about it far harder than is probably good for me, I am hypothesising that the coward inside me was defending me against the possibility the article might lead me to listen to a whole album by AC/DC, and from there onto a Townsman Al-style exploration of metal – akin to his journey through Ayers/Cale/Nico/Eno territory.

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Aug 202020
 

Busy day ahead, but a couple of newsy notes have come across my desk that I thought might be of interest for this week’s All-Star Jam. Let’s kick things off with this tribute to Kamala Harris, who according to some right-wing nut has a “Jezebel spirit.”

Now, for a story in the New York Times that interested me… I hope you can get past the paywall. If not, this piece starts with an artist who saw his albums being resold on Discogs for as high as $77, so he priced his new album at $77, thinking he might as well get that money. And he has! The article also references the single copy of the Wu-Tang Clan album that was released and auctioned off years ago, an event I was highly jealous of, because I’d been thinking for years, as a highly unsuccessful artist, Why bother pressing 1000 independently released albums when we could press one and possibly sell it at a high enough price to equal what we make when we press 1000 and end up with 600 unsold copies in my garage? Plenty of food for thought in this article.

The other newsy note I want to pass along is an oldie but goodie for most of us, but how great is Jimi Hendrix‘s version of “All Along the Watchtower”?

Jam on it!

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Aug 172020
 

Too many things tend to bother me, and the older and (hopefully) more mature I get, I have trouble letting all the little things that bother me rush to the front of the queue.

Get back, new formulation of a favorite childhood candy, I’ve got a pain-in-the-ass interruption of my hard-earned career aspirations to attend to!

Stand down, idiocy of a band ditching its unintentionally racist band name for a sexist one, I’ve got two sons to help through their slow journey into manhood!

It’s for reasons like these that I have trouble cranking out the daily content I once did here in the Halls of Rock. Trust me, I’m thankful for seeing you all in this context during our Pandemic Relief reboot. I hope I’m doing my part.

I was thinking about this over the weekend: What stupid thing continues to gnaw at me enough that I should move it in front of my concerns over the health of our planet or the idealism on which my country was founded? Then it came to me:

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Aug 052020
 

Was the German true stereo pressing of Magical Mystery Tour.

No, I’m just kidding.

The most expensive record I ever bought was a live album called June 1, 1974, by Kevin Ayers, John Cale, Eno & Nico.

I bought it in 1974 or early 1975 at E.J. Korvette’s in Springfield. I didn’t understand why an album with that title was available at that point in the discounted rack. I was totally unfamiliar with Kevin Ayers. I knew Cale from the Velvet Underground and the same with Nico, but knew nothing of their solo work. I knew Eno was a member of Roxy Music; I knew a bit about them but, again, nothing of his solo career (which at that point had only just started).

I take flyers on albums all the time now, but it was unusual then; there wasn’t a lot of disposable income and each purchase had to count. But the price tag on this album was $1.99 and so was a small risk to learn about Cale, Eno, & Nico. And Kevin Ayers, whoever he was.

But wait a minute…$1.99…most expensive?!?!

Here’s how that makes sense; here’s the sense in which I mean it.

I don’t think there is any other album in my collection which has so directly led to so many other purchases.

It started off with two Eno songs, “Driving Me Backwards” and “Baby’s On Fire.” I loved them. Then Cale’s version of “Heartbreak Hotel.” Wow, great! And then Nico’s cover of “The End.” The remaining five songs were Kevin Ayers.’

This is my favorite track from the album and my favorite ever Kevin Ayers song.

This show was an Ayers gig at the Rainbow Theatre in London, to which he invited Cale and Nico. Cale brought along Eno. Robert Wyatt and Mike Oldfield were also guests, sitting in with the band.

Ayers was the real revelation of this album for me. I immediately loved him. I’ve since bought all his solo albums as well as the first Soft Machine album; he was a founding member of that band but only stayed for the first album. I still love John Cale and have bought everything he has put out. And I was definitely in for Eno’s pop albums and do have a few of the early ambient ones including the collaborations with Robert Fripp. Add in a couple of Nico albums.

Those Ayers albums and the Eno ones were all imports, pricey at the time.

So, this $1.99 album led directly to about 80 albums being purchased. Yes, it was a mighty expensive album. But it was a lot of great music.

What’s the most expensive album – in this way – in your collection?

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Aug 052020
 

I hope you’ve been enjoying our Pandemic Relief Reboot of Rock Town Hall. I believe all of you who have been regular participants in our resumed discussions have contributor/author rights, meaning you can enter the Back Office and draft new thread content for the Main Stage. Let me know if you have any questions or need a refresher on how drafting posts works. This is your Rock Town Hall. Feel as comfortable as the members of a reunited Buffalo Springfield felt in Stephen Stills’ living room in 1986. Thanks.

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