Jun 092009
 


Townsman Saturnismine raised this topic in an earlier thread, suggesting it be brought to The Main Stage. Definitely!

What are some homespun/cheap stage show effects in you’ve seen used in arena and club shows?

When Saturnismine asked this question I was quickly reminded of seeing Hugo Largo at JC Dobbs in Philadelphia (circa 1988). Singer Mimi Goese, who probably weighed 90 pounds but looked like she weighed 110 when the show started, wore at least a half dozen layers of clothes. Each time she took off a dress, as she does at the beginning of this video, another dress was waiting beneath it. Her pretentious act, which also included feigning stabbing herself during one song, wore on me so greatly that the removal of each layer of clothing quickly lost its luster and sense of anticipation.

Then I thought about some goofy punk band we played with at CBGBs. They closed their set with a song called “Putt-Putt Golf,” during which the singer took out a plastic kid’s golf club and Whiffle golf balls and hit them into the crowd. Cheap. Memorable.

Finally I thought of Miracle Legion, for whom we opened at Dobbs in 1987 or so and could not get in a soundcheck because the singer, Mark Mulcahy, spent an hour setting up his puppet show. Yes, we opened for a puppet show, and it was as lame as you might imagine.

If you’re a musician who’s appeared on a stage of any size, have you ever been involved in this practice?* Budget-conscious Townspeople want to know!

*I’ve done a few cheap effects in an offshoot bands. We gave the soundman a tape of wild crowd noises compiled from classic live albums and an album of Mussolini speeches and had him run the tape over the PA system in between each of our songs. Not everyone enjoyed the bad joke as much as I did, but my enjoyment was more than enough to go around.

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Jun 072009
 


My wife and I were listening to Neil Young‘s After the Gold Rush today, and when a particular line came up in the title track (ie, “…and I felt like getting high”), we both smiled and remarked at how great a crowd-pleasing line that is. Surely you’ve been at concerts where an artist sings a particular line that rings true for the entire crowd and causes an immediate, loud cheer from the crowd as the song continues. Excluding songs that give shout-outs to particular cities, which only get that reaction in the particular hometown city, I’ve thought of two other rock songs with similarly themed crowd-pleasing lines, but I’ll let you state them – and as many other themed crowd-pleasing lines as possible.

What’s the crowd-pleasing line that gets you to join in as part of the crowd’s collective raised fist? What’s the crowd-pleasing line that you must object to, that you stay seated for and shake your head in haughty disgust?

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Jun 072009
 


Which songwriters come to mind when you think, Songwriters who frequently employ nonsense syllables to carry the melody? I think of two Pauls: Simon and Weller. It seems every third song by them includes a section that’s nothing more than melodic Las or Oohs. Are there other songwriters who stand out for using this device? No artists with a notable example only, please.
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Jun 072009
 

Exhausted?

It just occurred to me that I did not load a single track from Elvis Costello & The AttractionsArmed Forces onto my iPod. I love EC & The Attractions – everybody loves ’em – and Armed Forces is a strong record featuring some killer songs, but I rarely if ever feel the need to spin it. I’ve felt this way for most of the years that have followed the release of Get Happy!!, my all-time favorite album (period, not just among EC albums). I feel like I’ve got nothing to learn from Armed Forces. The arrangements lack mystery and unexplored nooks and crannies for me to stumble upon. The lyrics seem to have nothing more to reveal to me. I never found it to be a very emotional album, and what emotions I once felt for the album have long since passed from my daily routine (eg, “Party Girl”). It’s a closed book. A very good book, but closed for me.

Do you have an album or albums like I’ve described, albums you know you like by artists you definitely like yet that you have zero interest in playing?

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Jun 072009
 

The wisdom of The Hall continues to amaze me. For as many knowledgeable individuals who dazzle with their rock knowledge, it is the collective wisdom of our participants that I find most dazzling.

It is in this spirit that I want to allow for further amazement—not only for the people but by the people.

As originally described, the concept is simple. This is a place to seek specific wisdom from the collective intelligence. These are not to be philosophical queries but rather to seek advice and wisdom on specific rock questions. It may be a place to seek listening and purchasing recommendations.

Today I have a simple request, for The Orockle, one that may spark lengthy conversation, or not, but will hopefully illicit some sage advice.

As always, when any of us consult The Orockle, the opportunity exists for folks to ask similar questions and receive similar advice. The topic shouldn’t necessarily focus just on my topic.

Here’s the question I would like to ask The Orockle:
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