May 132008
 

In our recent family-themed Dugout Chatter, a few Townspeople seemed to be stumped by the choice of Family vs MSFB. Although MSFB is in my blood, I’ve never known much about Family, really only knowing of them in the first place because they’re the band from which supergroup journeyman bassist Ric Grech sprung. Years ago I borrowed a handful of their records from a friend, expecting an Overlooked Gem or two. It was not to be, but they do turn up a few interesting tracks to examing in my Rock Lab. Here’s a little Family sampler. Those of you who find it difficult not to turn away from checking out a Jethro Tull deep cut may be interested. Pince Nez me, if you must: I believe none of the following tracks is from the early, Ric Grech era.

Family, “Drowned in Wine”

Family, “Song for Me-Stop for the Traffic”

Family, “Children”

Family, “Anyway”

Family, “Burlesque”

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May 132008
 

How can I review Welsh import Duffy‘s Rockferry album without getting caught up in the UK retro-pop marketing race? “If you like the sound of Amy Winehouse but are put off by the extraneous skank angle, try Duffy!” That works for me. Beside, there’s no topping Winehouse’s take on Lenny Bruce’s “Girl Singing” bit, and the cost of producing bubblegum with Sugar in the Raw is prohibitive.

Duffy, “Warwick Avenue”

Duffy’s the cute, ever-so-slightly sassy good girl of swingin’ ’60s culture. She’s at her dinner club best on the title track and the late-’70s-style take on ’60 Motown, “Warwick Avenue”. You remember Smokey Robinson‘s “Cruisin'”, don’t you? The only difference is that Duffy is waxing nostalgic over an era she never sniffed from the tip of a rubber nipple let alone lived. At other times, such as on “Sleeping Stone” and “Delayed Devotion”, the late-’70s smooth soul production familiar to older listeners of Philadelphia’s WDAS betrays the Brigitte Bardot hairdo and all-around To Sir With Love packaging. There’s not a thing wrong with this sound when done well, but I note this as a warning to any middle-aged rock nerds hoping to get even a knuckle’s worth of the depth to a great Dusty Springfield performance.

The 6/8 slow burn of “Syrup & Honey” adds a needed dash of gravitas to Rockferry, but when Duffy slips into a kewpie doll kazoo tone on the chorus, singing “Baby, baby, baby,” she compares unfavorably to the girl power once displayed by Stiff Records’ teen would-be sensation Rachel Sweet, on her cover of “B-A-B-Y”.

“Hanging On Too Long”, with it’s “Heard it Through the Grapevine” string arrangements and Duffy’s open-hearted performance, confirms the singer’s true place in pop: she’s the latest offering in the UK’s endless supply of “up with soul” singers, from Lisa Stansfield to Lulu. She’s doing her part from across the Atlantic to preserve a bit of the innocence lost from our own musical tradition. By the time Rockferry hits on the savvy “Rehab” response “Mercy”, with its chorus of Brit-pop reaffirming “yeah, yeah, yeah”, Happy Hour is in full swing. Tomorrow’s another day at the office.

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May 122008
 

In reference to some comments I made regarding my inability to like Deep Purple, even via their vaunted Greatest Hits album, Townsman General Slocum wrote:

Christ sake, Mod. What’s with you guys? Steve, well, he could have been too set in his ways by the time Purple came along, I don’t know. But Machine Head? What’s not great about that record? Meaty! Also, Rat Bat Blue, the Mule, Our Lady the whole Fireball record, really. In Rock is good, too … I’ve been a big fan since Machine Head came out. True, they were one of the bands Spinal Tap was busting on, with the main difference that they all had crazy prowess on their instruments, and didn’t have the zany lyrical sense of, say Uriah Heep. It’s funny that they were far bigger in the rest of the world than Zep, but Zep’s music fits so much better in 1973 rust-belt america. They are so solid, not that they’re in heavy rotation at my house all the time anymore, but it never occurred to me to bust on them. I went through a little Deep Purple phase again not too long ago, and found that they didn’t require the pinch of nostalgia between the cheek and gum that other bands need to sound fun. Please find the “funny” songs you refer to, Mod.

General, I was afraid I’d touch a nerve by admitting that I don’t find much to like in Deep Purple beside the unintentionally funny bits. If I could, I’d list details of what irks me about their music, but all I can think of is 3 or 4 song titles. “Hush” is great, like a lost Steppenwolf song. Their version of “Help” is pretty cool in the way only a rock nerd could love a song. Then I know “Smoke on the Water”, which sounds like Spinal Tap. “Highway Star”, which is too noodly for its rockin’ aspirations (and which also sounds like Spinal Tap). Then there’s another song or two I know fairly well when I hear it from Machine Head, but the title of which is not coming to mind. “Space Truckin'”! That’s the title. Come on, despite the cool riff, you don’t chuckle when you hear that song?

I admire the guitar playing of Ritchie Blackmore. I get a visceral reaction from his solos, and he’s got some good riffs to boot. Jon Lord‘s organ playing is always good, but the singer sounds like David St. Hutchins to me and that drummer–ugh–he’s all open hi-hats that just seem to fill up what little available space is left in their thick arrangements. I really don’t like that drummer. Ian Paice, right?

My problem with Deep Purple is that they’re stuck in some netherworld between song-based heavy rock, which Led Zeppelin excelled at playing, and the noodly, prog-rock showboating of ELP and second-generation prog-rock bands that would follow ELP and Deep Purple, most notably Boston and Kansas. I don’t know, General, I’ve seen some VH1 “making of” Machine Head 3 times in the past few months. I usually watch it all the way through because I’m a bit fascinated by the band’s mix of chops, noble aspirations, and dumb lyrics. They’re understandably excited to play back a dual organ-guitar solo on some song, but the music itself suggests more about the rock ‘n roll that would follow (eg, the second-generation prog bands) than the music that probably inspired Deep Purple.

Can you, General Slocum, or anyone in the Halls of Rock point me in the direction of a dozen Deep Purple tracks worth revisiting, without prejudice? I look forward to your suggestions.

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Due Diligence

 Posted by
May 092008
 


Andyr,

As RTH’s undisputed authority on Best Of collections, would you mind double checking this to make sure it’s accurate?

The 25 Best “Best Of” Albums

25) Nirvana–Nirvana
24) Greatest Hits–Eagles
23) The Best Of Blondie–Blondie
22) Back To Mono–Phil Spector & Various Artists
21) Meaty, Beaty, Big And Bouncy–The Who
20) The Kinks Kronikles–The Kinks
19) The Motown Box–Various Artists
18) Chronicle Vol. 1–Creedence Clearwater Revival
17) Echoes–Pink Floyd
16) Staring At The Sea–The Cure
15) Louder Than Bombs–The Smiths
14) The Chess Box–Chuck Berry
13) We Sold Our Souls For Rock N’ Roll–Black Sabbath
12) The Very Best Of–Prince
11) The Very Best Of The Doors (2CD)–The Doors
10) The Top Ten Hits–Elvis Presley
9) Mania–Ramones
8) Smash Hits–Jimi Hendrix
7) Greatest Hits, Volume 2–Bob Dylan
6) Greatest Hits–Al Green
5) Decade–Neil Young
4) Greatest Hits–Sly and The Family Stone
3) Star Time–James Brown
2) Hot Rocks–The Rolling Stones
1) 1–The Beatles

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May 082008
 

From a 1969 ABC TV show called Music Scene…how many features from this performance have been lacking in live music performances on tv for some time?

This is not to say that there’s never a great musical performance on tv these days. Not including television broadcasts of rock films and documentaries, what’s the most recent original tv rock performance you’ve seen that knocked your socks off?

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May 082008
 

As part of RTH’s occasional series of Great Moments in Televisual Music, some of the most awesomely “we just don’t care” lipsynching ever, on one of my very most favorite songs, courtesy of Soul Train circa 1975.

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Ah, Internet

 Posted by
May 072008
 

Yesterday, I happened across X drummer D.J. Bonebrake’s Wikipedia page, which contained this mind-blowing nugget:

(Born Andrew Morrison, younger brother of rock legend Jim Morrison of The Doors)

I looked for any online confirmation. The best I could do was a comment on Brooklyn Vegan:

you realize “DJ Bonebrake” is Andrew Morrison, younger brother of James Daniel Morrison, aka theThe Lizard King

So, is this bit of trivia actually true, and did anyone here know this? (More frighteningly, is this common knowledge I’ve just embarrassed myself by admitting I didn’t know it?)

Also, note the above clip (from the awesome X: The Unheard Music) in which Manzarek claims he first learned about X by reading a concert review in a newspaper? Does this mean he actually passed up an opportunity to mention Jimbo?

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