Apr 152007
 

Here’s Avril Lavigne performing “Girlfriend” on Saturday Night Live.

Here she is singing her other song.

I’d lay $1,000 on the belief that she’s not singing the first song more than 33% live. I’m on the fence about the second one. The following questions cannot be avoided:

  • Does it matter that she may not be singing? You tell me.
  • What’s funnier, the lip-synching backup singers who look like they were purchased from the CBGB’s gift shop or that Shia LeBeouf’s hairdo?
  • How hard is the backup-singing keyboardist working on the second song? Would you tip him 18% or 20%?
  • Do I win my hypothetical bet?

I look forward to your answers.

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Apr 132007
 

HOLLYWOOD – Unnamed sources are reporting that actor Dennis Quaid and director Jim McBride have reteamed to begin planning a sequel to their 1989 biopic Great Balls of Fire.

“It’s a darker vision of ‘The Killer’s’ life in the years that follow the first film,” says a producer who has seen early drafts of the as-yet-untitled script.

Like its subject’s life, the end is not yet written. A well-known screenwriter who contributed to an early draft says it’s a matter of timing. “Dennis and Jim have seen the success music biopics like Ray and I Walk the Line have enjoyed. The commonality they’ve noticed is that the subject has recently died.”

As a result, says the screenwriter, the team is allowing the script to gestate slowly. Comparing it to the writing of a New York Times obituary, the sourse says “They’ll have it ready to shoot within hours of Jerry’s eventual death.”

A spokesperson for Mr. Quaid would not comment on these reports.

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Apr 132007
 

Take at least one, then pass it on!

What’s your least-favorite song that’s considered a critical classic by an artist you love? For instance, I love The Impressions and Curtis Mayfield, and many fellow Mayfield lovers salivate over his song “Move on Up”. I don’t. In fact, I dislike it.

What’s your fondest feeling toward a digitally stored file (eg, .mp3, .wav, iTunes format)? Please describe a particularly fond moment.

What’s the stock comparison critics use in describing a band that you feel is least appropriate to that band’s music? For instance, there’s an automatic mention of The Doors as a historical comparison whenever Echo and the Bunnymen come up. Sometime last year, I questioned whether Echo’s music was in any way like The Doors. I didn’t hear it – until Townsfolk jammed a few good examples down my throat. I still don’t think they sound much like The Doors.

Please discuss the most talented musician you’ve known who’s done almost nothing with his or her gift. For the sake of everyone’s feelings, please use a pseudonym in describing this person. What did they have going for them? What might you have expected of them in terms of their “Shooting Star” potential?

I look forward to your responses.

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Fear Not!

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Apr 132007
 

As I’m sure you know by now, the coming week will feature the debut of Hear Factor, in which Rock Town Hall members will be sent anonymous mix CDs lovingly (sincerely) compiled by other Townspeople that may be inappropriate to a recipient’s usual tastes. For 3 days, each participating Townsperson will listen to no other music but the possibly inappropriate mix CD they have received. They will report back to the list. Highlights of their mixes will be posted for all to experience and chime in on.

In the meantime, I’d like to reward participants and all Townspeople in advance with a fistfull of Northern Soul tracks that only one without ears could not find at least the slightest joy in cranking up. These tracks come courtesy of Townswoman Sally Cinnamon, who will be participating in the initial launch of Hear Factor. Happy weekend, all!

The Feathers, “Trying to Get to You”
Chuck Wood, “Seven Days Too Long”
William Bell, “Happy”
Robert Knight, “Love on a Mountaintop”
Archie Bell & the Drells, “Here I Go Again”

For an Archie Bell interview with possibly the archetypal Type A-S-S broadcasting individual you can imagine…
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