Feb 062008
 

Giving new meaning to Beat Poetry…

I don’t profess to know a lot about poetry. I know it often rhymes and it’s got a meter. I know that it’s possible to memorize and recite it, although I’ve never been prone to such behavior. I know that when I was in school and had a teacher/professor practically holding my hand through the reading of a poem, I occasionally felt inspired. But not enough to give up reading novels and sports and music biographies in favor of poetry. William Blake‘s Songs of Innocence and Experience lead my small collection of poetry volumes. I wish more poetry hit me as directly as that stuff does. I can see why rockers and poets have tried to work together over the years.

Although poets have attempted to collaborate with rockers for some time, the difficulty of these forms merging hit me squarely when The Clash and Allen Ginsberg teamed to bring us “Ghetto Defendant”, from the as-if-it-was-not-already-disappointing enough Combat Rock.

The Clash with Allen Ginsberg, “Ghetto Defendant”

More on Mr. Ginsberg in a bit. Before moving forward, it’s important we distinguish between Rockers Who Poet and Poets Who Rock.

Share
Feb 052008
 

Like most of the rest of you RTH old-timers, I’ve been waiting *years* for our Moderator to explain his feelings about Stevie Wonder. At first, I thought his hostility only focused on Stevie’s sprawling “Songs In the Key Of Life” — we all know of the Moderator’s deep misgivings about real musical *ambition*. But after reading this brief aside about the song “Tuesday Heartbreak,” I’ve finally realized that there may be much that needs explaining — and I feel doing so may result in some much-needed Healing for our Moderator’s soul:

Hrrundi, is “Tuesday Heartbreak” one of those sappy love-songs-to-Jesus-masquerading-as-praise-for-coke-off-a-backing-singer’s-nipples numbers that Stevie’s been known to crank out?

Please, Mod, if only for your own good: share.

HVB

Share
Feb 052008
 


I received a link to this video yesterday from John Kerry. (Is anyone else on John Kerry’s mailing list? He bugs the shit out of me. I suppose I should just opt out…) I thought it a brilliant use of a viral video for political marketing where, when it comes to Obama’s vital need of young voters, the medium is much the message.

But it got me thinking about the use of music, specifically contemporary music, in politics. I was moved by the use of Don’t Stop by the Clinton campaign back in the day. I was amused at the misuse and flap over Born in the USA. I’ve heard that Hillary is using American Girl.

Can you think of any others?

Is this Obama video the first use of original music in American politics?

Share

Lost Password?

 
twitter facebook youtube