Mr. Moderator

Mr. Moderator

When not blogging Mr. Moderator enjoys baseball, cooking, and falconry.

Oct 162009
 

In February 2009 Rock Town Hall commissioned 14 artists from around the world to depict iconic scenes representing Bruce Springsteen’s ascendancy to the undisputed throne of rock. The Stations of the Boss initiative is an effort to shine a light on the frequently overlooked iconic projections of The Boss and His E Street Band. We know Him as a Humble Man, a Common Man, and a Man of the People, but too often the media and even his own handlers downplay the positively messianic effect His performances have on followers.

To help rectify these oversights we asked our artists to base their works on actual images from His performances. Our first Station in this series, Bruce Is Condemned to Rock, depicts the fateful 2008 Super Bowl performance, pictured above, that sealed Springsteen’s legacy.

Our artist, Toby Wetland, from Bonners Ferry, Idaho, USA, painted this scene in the style of Paul Gaugin‘s Jacob Wrestling with an Angel. “For years The Boss struggled with maintaining His identity within the group collective,” says Wetland. “Although He is clearly stunned by the ref’s judgment, I wanted the painting to hint at the comforting role His bandmates play in helping Him acccept His destiny as leader of the E Street Band and no other collection of musicians.”

The original work of art, Bruce Is Condemnned to Rock, follows the jump.
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Oct 152009
 


Rock Town Hall’s Department of Translation has uncovered the meaning of scrolling text at the foot of a 1970 video of Blood, Sweat & Tears performing “And When I Die.” For years translators have been unable to crack this lost Japanese dialect. Until now! The exact translation, which is believed to be a running commentary from an unidentified Japanese rock analyst, follows. Continue reading »

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Oct 152009
 


About 5 years ago I finally bought the standard Hall & Oates greatest hits collection, Rock ‘n Soul, Part 1. It was clear to me that there was no killer Hall & Oates album to be had, and for the right price I was will to bring home a hits collections that included some ’80s turds by an artist I liked best in the ’70s. Beside, as ’80s hitmakers went, I could live with my share of Hall & Oates hits like “You Make My Dreams” and “I Can’t Go for That (No Can Do).”

Over the years I kept feeling like something was missing from the collection of five or so Hall & Oates songs that made buying this hits CD for the right price. I listened to clips from each of their earlier ’70s albums in search of the hit that was not included, but it was not until I got to the band’s 1980 “New Wave” album, Voices, that I found the song I was missing: “How Does It Feel to Be Back.” Although the third highest-ranking song on the album (behind “You Make My Dreams” and the presumably-also-left-for “Part 2” cover of “You’ve Lost That Lovin’ Feeling”), the song did crack the Billboard Top 30 and it was in regular rotation on Philadelphia radio in its time. Listening to it now, it still stands up as a pretty stately power pop song, if not the most immediately catchy song in their catalog.

It’s funny how that song has lost its place in the band’s catalog, and I wonder if there are other hit songs you feel have suffered this fate owing to their not being included on an artist’s first greatest hits collection, perhaps with a Part 2 left long ago on the drawing board.

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Oct 152009
 

To coincide with Bruce Springsteen‘s latest run of historic concert performances, Rock Town Hall will run a series of works of art commissioned specifically for Our Sacred Chapel of The Boss, located on the campus of RTH Labs. We hope that these images will aid you in praising Him and His E Street Band. At this time we ask you to cleanse your soul and prepare for the coming days’ blessings. Thank you.

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Oct 152009
 

Is that all there is?

I guess for being an all-around good guy eMusic rewarded me with 50 bonus downloads that I need to use by the middle of November. These are on top of my standard 30 downloads/month. I’ve enjoyed my eMusic subscription over the last 2 years for enabling me to build a collection of mostly instrumental and foreign non-rock music that I otherwise would rarely take a chance on. For instance, I’ve been able to download everything available by one of my favorite minimalist musicians, Terry Riley, whose music I’ve been collecting since the pre-digital age. As for stuff I otherwise would have been reluctant to take a chance on you may recall my excitement over new additions to my collections, thanks primarily to eMusic: that Ethiopian stuff, Amon Düül 2

I’ve downloaded just about that entire 20-CD collection of Ethiopian stuff and all of the Terry Riley I could get my hands on that I didn’t already own. I may be crossing the line if I go any further than the four Amon Düül 2 (and one Amon Düül) records I’ve already dowloaded. The question for the Hall is, Where do I go next?
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