Over the years, as I’ve compared live recordings by The Rolling Stones to their classic studio recordings, I’ve suspected that the claim that Charlie Watts drummed on those studio albums is a hoax. It’s a damn, dirty lie! The guy sucks so bad live that the Stones must have been using studio drummers from their earliest days.
Let’s start with a look at one of the most distinctive beats in the history of rock. Which among the dozen archetypal rock beats attributed to Charlie Watts, you ask? How about the opening beat to “Honky Tonk Woman”.
Sure, there’s no denying that Charlie Watts is the drummer on this “live” performance of a Stones’ classic:
Judging by the fact that Jagger actually sings with his great tight-throated tone rather than his characteristic live bellow, the fact that the drumming sounds decent, and the fact that Watts doesn’t come close to faking the song’s wrap up, this is obviously one of those studio recordings with newly recorded vocals. In other words, Charlie Watts is drum-synching to the song like the rest of his bandmates. The jury’s out as to who’s actually drumming. I suspect some union guy associated with the BBC.
Now take a look at this performance of the same song, paying particular attention, if you can block out all the other poor performances, to the drums:
OK, that may not be fair. How about this one?
“Now you’re really messing with us, Mr. Mod! Everyone knows that’s not Charlie Watts and the Stones. It’s the legendary New Barbarians! What the hell are you up to?”
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