Mr. Moderator

Mr. Moderator

When not blogging Mr. Moderator enjoys baseball, cooking, and falconry.

Feb 272007
 

Are there albums you let your friends buy?
When you’re young and short on money, when you’ve got plenty of free time to hang out with friends and tape (as we did) or burn/load (as The Kids do) stuff from your friends’ collections, there are some albums you let your friends buy.

From my own experience – I’m sure you have your own and are chomping at the bit to share – let’s start with 3 albums by artists I loved and had been loyal to…to a point:

  • Elvis Costello & the Attractions, Almost Blue
  • The Jam, The Gift
  • The Rolling Stones, Tattoo You

I had to bypass Almost Blue. I was afraid of country music, and I was afraid of hearing my favorite band waste their time and mine playing cowboys. My friend Andy, who liked country music less than I did couldn’t resist and bought Almost Blue. I appreciated his friendship and the money I saved on an album I would never love.
Continue reading »

Share
Feb 272007
 


An amalgamation of the 12-string guitar, the high-strung guitar, improvements in acoustic guitar circuitry, and burgeoning ’80s cult worship of The Byrds and Big Star. In short, the 128-string guitar represented every Southern jangle-pop fan’s wet dream.

The style probably has its roots in George Harrison’s All Things Must Pass album. Think of songs like “My Sweet Lord”, with producer Phil Spector layering lord knows how many guitars to push along that simple progression.

Peter Holsapple & Chris Stamey, “Geometry” (from Mavericks, as broadcast on WFMU)

As a device, the 128-string guitar came to prominence in the early ’90s, spanning mainstream country-pop through alternative jangle-pop artists. The 128-string guitar dominated the sound of the highly anticipated, among rock nerds, Chris Stamey-Peter Holsapple reunion, Mavericks. For some, this album was a godsend, with every possible jangly guitar tone encompassed in each deliberately strummed chord. For others, this album was a major letdown, with the 128-string guitar negating any overtones and interesting rhythms that might interfere with the listener’s appreciation of each and every lush chord.

The 128-string guitar would also make its appearance on gentle songs by the likes of Matthew Sweet, Bill Lloyd, Tommy Keene, and Teenage Fanclub as well as infiltrate the huge radio hits of Tom Petty. Although the 128-string guitar has proven itself a useful and effective tool, the watchdog organization Rock Town Hall cautions against its abuse.

Share
Feb 262007
 

Townswoman Citizen Mom, inspired by the taunting of Rock Town Hall’s anti-Ron Wood stance, decided to defend the band’s Tattoo You album. For fear of being excomunicated from the Halls of Rock, Citizen Mom originally published this piece in econoculture.com. After reassurances that any stance is worth taking on Rock Town Hall, she decided to come forward and share her views with us. For this, we thank you!

Journey with me, if you will, back to a time not so long ago – a time when The Rolling Stones were still a viable rock band, before they just started sending the fossilized remains out on tour every few years. Before Keith Richards had shit growing out of his hair, before Jerry Hall finally threw Mick out for good, before they had daughters tall and gorgeous enough to be the kind of women their fathers would date.

During that dusky time, between when the sun set on disco and rose on “Thriller” and hair metal, even a bunch of castoff tracks from previous Stones albums, slapped together with a few new numbers so the band could have something to promote on an upcoming world tour, could kick ass.

That time, my friends, was 1981, and the album was Tattoo You, also known as the Last Great Rolling Stones Record and the band’s last full-length release to hit #1 on the American charts. It’s pretty well buried under the mountain of undeserved rockist scorn, but there are some damn fine songs lurking between “Start Me Up” and “Waiting On a Friend,” the two wildly successful singles that bookend the album.

Still, the snitch keep snitchin’ and the bitches keep bitchin’, and when I pitched this piece to Econo, the response I got back from my editor went like this: “I dare you to defend that crap album. ‘Waiting on a Friend’ is great. But the rest — ugh. Do we really need to hear ‘Start Me Up’ ever again?”

Yeah, we’ve all heard “Start Me Up” a million times, but should its Awesome ’80s ubiquity doom the entire album? I blame this on that friggin’ bodysuit — you know what I’m talking about:

Continue reading »

Share
Feb 262007
 

BREAKING NEWS…A ROCK TOWN HALL SPECIAL UPDATE…
Townswoman Lentinuna Edodes answers our prayers regarding the latest adventures in Lou Reed…The Way His Music Was Meant to Sound! Check this out:

An email I got today —

“Wanted to give y’all the heads-up that last week’s show of Pete Townshend and Rachel Fuller’s Attic Jam from Joe’s Pub at the Public Theater, with guests Lou Reed, J. Mascis of Dinosaur Jr., Amos Lee, Rachael Yamagata and Jimmy Fallon is now online for FREE viewing…I’m not sure how many days they will leave the footage up, so watch it soon.

Go to http://towsertv.petetownshend.com or check http://www.intheattic.tv

It appears they run the show continuously, and so you pick up wherever it is in the broadcast. If I remember correctly, the order of the show was:

  • Rachel Fuller
  • Jimmy Fallon
  • Amos Lee
  • Rachael Yamagata
  • J. Mascis
  • Pete Townshend
  • Lou Reed

and Pete sits in with everyone on at least one song, and Rachel F. mostly does as well. The whole show was truly amazing (Pete’s guitar playing on ‘Drowned’ is remarkable, and his collaboration on three Velvet Underground songs with Lou were truly historic. Enjoy.”

To find out more about Pete and Rachel’s series In The Attic, check out this story in today’s NY Post.

Mad props, Lentinuna, mad props!

Previously…

Townsman Al reports that Lou and friends recently sounded the way his music’s always been meant to sound…at least until his next album and tour. Until YouTube gets loaded up with live clips from this historic performance, we’ll have to settle for the above clip.

Share
Feb 262007
 

Crowded House has settled on Matt Sherrod, drummer for Beck’s band, to fill the seat left by Paul Hester. Read what Neil Finn has to say here.

The Arcade Fire, the Canadian band that shouts from the same mountaintop as U2 yet shuns the spotlight, played Saturday Night Live the other night and treated audience members to a few more songs after the show went off the air. Not that they care to get the word of this act of generosity out to the public!

Perv Alert! A new Avril Lavigne video has hit. Begin justifying how Lavigne’s music is “really not bad compared with all the other manufactured kiddie pop out there.”

More News here!

Share
Feb 262007
 

As we await a Townsman’s musings on the future of psych, I stumbled across a remnant of psych’s past, the s/t 1970 album by Sweden’s short-lived Baby Grandmothers (Subliminal Sounds). What can I say but This is some heavy, heavy instrumental power-trio psychedelia! This is the kind of music power trios were formed to play: open-ended, fuzzed-out guitar and bass explorations with rumbling, bashing, sometimes impressionistic drumming. Most of the songs are long. As a sample, I’ve selected one that gets right to the point and then seems to fade out, as if the tape snapped:

Baby Grandmothers, “Raw Diamond”

There’s almost nothing subtle about this number, but other tracks, such as “Being Is More Than Life”, sound like something Hot Tuna might have cooked up on a good night, with tender-if-occasionally clunky bass and searing guitar interplay. You can sense fringed boots and headband somewhere in the grooves. I highly recommend this album for anyone wasting their time on Swedish psych albums with lyrics you’ll never understand, not to mention 3rd-rate psych finds with understandable lyrics not worth hearing.

Share
Feb 232007
 

Here comes an admission that I’m sure will allow the surviving members of Crowded House to sleep soundly: I was wrong in declaring a few weeks back, with my God-given cynicism, that a two-thirds reunion of Crowded House was pointless. I’m not sure that I’ll give up my belief that trios cannot be considered reunited lacking one key member, but I will keep the lessons I’m learning in mind while I watch Crowded House’s farewell concert in Sydney, Australia on this new (to me) VH1 Classic channel.

The year my wife and I lived in Budapest, Hungary, we fell in love with Crowded House’s Together Alone album. Mad props to Townsman A-Dogg, who sent us a cassette of the band’s then-new release! It was a free-flowing, perfectly constructed pop album with stoner undercurrent that did everything the most fluid of XTC songs did without the Prock impulses and pitfalls. That year was the first year I felt a profoundly new level of happiness and satisfaction in my life, and that album played right into those good vibes.

Prior to receiving that cassette, we’d liked a handful of songs from the first 3 albums, but too often they sounded like Squeeze watered down by the reverbs and 128-string guitars of producer Mitchell Froom (who did that first big album – I don’t care to be corrected as to whether he did the second one or not). Along with getting into Together Alone, we had the opportunity to experience the band’s music and great humor through their frequent appearances on the European broadcast of MTV’s Most Wanted, hosted by the delightful Ray Cokes, who was my British precursor to my eventual, imaginary, late-night good friend, Conan O’Brien.

The highpoint of their Most Wanted appearances was a marathon session with Cokes in which, among other things, the band sat up in an ornate bed in silk robes and composed a song based around random lyrics faxed in by viewers. Each member was effortlessly funny. It was like watching The Monkees come to life. I wish someone had taped this thing from 1994 and put it on YouTube for me to show you.

At this point, I need to get back to where I was initially headed. What I realized tonight, in watching this perfectly constructed band at the end of their career, playing to their home crowd, was that I’m all for the reunited two thirds of Crowded House. I hope the surviving members and their families have a blast. I hope Paul Hester‘s estate rakes in a billion dollars and shares in the joy. I hope they come near me and my entire family gets to see them.

Share

Lost Password?

 
twitter facebook youtube