Mr. Moderator

Mr. Moderator

When not blogging Mr. Moderator enjoys baseball, cooking, and falconry.

Feb 232007
 

When is the next Smash Mouth album due to hit?

How long into the future will tribute bands be considered as respectable as classical orchestras?

Musicians, home recorders: If you haven’t signed up for a free subscription to TapeOp yet you’re either unaware of the magazine’s existence or out of your mind!

Interesting piece on the legendary “Mr. Bojangles” over at our friend Rodney Anonymous’ Thoughtless for the Day.

Does the name David Fridmann in an album’s production credits excite you or cause you some anxiety? I’m beginning to think he’s the new Mitchell Froom.

Including her work in Viva Las Vegas, Tommy, and these scintillating performance clips with Tina Turner, was Ann-Margaret rock’s greatest add-on celebrity of her time?

Who made the best “poutfta” pop of the ’80s: Culture Club, Wham!/George Michael solo, or Style Council? I’m voting for George Michael.

Share
Feb 232007
 

LOS ANGELES (Reuters) – Heather Mills, estranged wife of former Beatle Paul McCartney, has joined the next group of celebrities who will strut their stuff on the ABC television hit “Dancing with the Stars,” the network said on Wednesday.

Kudos to the new agency that reported this for dropping the “Sir” and avoiding use of that horrible British nickname “Macca.”

Share
Feb 222007
 

Townsman Trolleyvox hipped me to the following performance of a young Billy Preston doing a version of the song your Moderator believe best satisfies the objectives of rock ‘n roll:

Billy Preston, “Satisfaction”

That’s right, if you haven’t heard me on this already, I believe that no song better satisfies the objectives of rock ‘n roll than The Rolling Stones’ “Satisfaction”. Every now and then I stumble across another version of this classic, and when I’m not dazzled by the outrageous treatment of the song (eg, both The Residents‘ and Devo‘s versions) or horribly offended (Cat Power‘s version), I’m usually about as unimpressed by versions such as Billy Preston’s as I am Otis Redding‘s version.

I know, I know, rock nerds – Mick and Keef wrote the song for Otis – but the black artists I’ve heard cover “Satisfaction” can’t get to the song’s cool and sly teenage rage. Otis belts it out like he’s expecting the exhaltation of a heavyweight boxer who’s gone the distance against The Champ. Here, Billy Preston just has fun with what the song has to offer. He’s satisfied. He’s not fooling me. Granted, those sorority girls who come out to dance in front of him and the band don’t help matters.

I can say that it’s a good thing the following dynamic duo is not documented having covered “Satisfaction”:

Share
Feb 212007
 

I love The Buzzcocks. I’ve loved them since the day in high school when I took a flyer on Singles Going Steady. The fast rush of that midrangey twin-guitar attack, Pete Shelley’s concise way with words…you know what I’m talking about. I will have to say, for a guy whose band has covered a handful of these songs over the years, I’ve always been a bit mystified by the role of drummer John Maher.

For years I thought he was the weak link in the band. Then, one night while standing precisely in the “sweet spot” of my drummer friend Townsman Sethro’s kick-ass stereo system, I began thinking that he was really great. Since then, I find myself creeping back to the thought that I’m not really thrilled about his drumming.

I’m certain of a few things:

  • He doesn’t play in “my” style.
  • He never drags the band down, which is a great strength; in fact, he drives the songs with the pedal to the metal, which may be his greatest strength.
  • Beside the opening fill to “I Don’t Mind” and maybe a few fills during the great, long jam in “Why Can’t I Touch It”, I think his fills sound sloppy and overplayed

To this last point, when we discussed the drumming of Bev Bevan a couple of weeks back, Townsman Andyr said something to the effect of “His fills are never memorable – they don’t make me want to play air drums.” Because of the pace of Maher’s drumming, I sometimes “play along,” but it’s more like the spastic hambone of a child with ADHD.

Over the years, I’ve come to the tentative conclusion that love him or not, John Maher’s drumming perfectly suited the music of The Buzzcocks, but could he have done better?

So I ask, is there a drummer in the house? And I ask whether any drummers in the house can more fully explain the merits of John Maher’s drumming in The Buzzcocks. I also ask whether I am correct in identifying some of his weaknesses. And, finally, I ask whether the music of The Buzzcocks could have been better supported by another type of drummer. Feel free to give it to me good, but responses along the lines of “Jesus Christ, Mr. Moderator, must you pick apart everything that is beautiful and great in the world?” will not be tolerated. Not in this game. I seek education and enlightenment.

I look forward to your responses.

Share
Feb 212007
 

From The New York Times:

Even if the deal does not face resistance from the F.C.C., it is likely to encounter opposition elsewhere. The National Association of Broadcasters, a trade association for television and radio stations, is already speaking out against a merger.

“In coming weeks, policymakers will have to weigh whether an industry that makes Howard Stern its poster child should be rewarded with a monopoly platform for offensive programming,” the group said. “We’re hopeful that this anticonsumer proposal will be rejected.”

Where does a music fan who’s befuddled by the would-be phenomenon of satellite radio find a reason to care about the proposed merger of XM and Sirius? Is this merger not inevitable? Does it not reflect all that’s wrong with satellite radio in the first place: the tightly preselected formats and playlists, the final eradication of regional tastes, the take-it-or-leave-it stance of multimedia conglomerates…

And what’s with this article’s ultimate focus on Howard Stern and issues of morality? The New York Times piece begins with the lovely cheesecake shot we’ve copied here and ends with concerns about “a monopoly platform for offensive programming.” Is that the only monopoly the National Association for Broadcasters should be concerned about?

I’ve long had only one opinion about this whole matter: Enable me to have an Internet hookup in my car so that I can tune into the thousands of free college and indie stations that broadcast over the Web. I don’t need Howard Stern or Bob Dylan as my host. I don’t need some safe, segmented programming with an LCD display of the song and artist playing. I want to hear music with personality, including the personality of sometimes stumbling college DJs. Satellite radio can continue to kiss my grits!

Share
Feb 212007
 

Beside the obvious Lenny and Squiggy – and the actors who played them on Laverne & Shirley – there are at least 2 other key members of this band. Gaze at the static image as cuts from the album play. I don’t believe the sound is important to uncovering this mystery. Have fun! Townsman Fritz knows all there is to know and will confirm or deny your guesses.

Note: Answers derived from any web pages beyond this one will be disqualified. We have ways of knowing where you’ve been!

Share
Feb 202007
 

Townsman BigSteve reports from the heart of today’s Mardi Gras festivities.

Today is Mardi Gras. I have no grand thesis that warrants discussion, but here are some videos to help you celebrate the day. A brief video explaining the Mardi Gras Indians with photos, with the Wild Tchoupitoulas song “Meet de Boys on de Battlefront” as a soundtrack:

A TV show from a few years ago (Soundstage I think) with Professor
Longhair singing Tipitina backed by the Meters:

And here’s the big finale, Dr. John leading the band with Earl King
singing his composition Big Chief, a seasonal classic recorded by Fess, who is also featured on this number:

Enjoy! (Please note: You’ll have to fast for 40 days afterwards.)

Share

Lost Password?

 
twitter facebook youtube