Nov 122011
 

Stap me vitals, folks, what a Who-tastic week. I’m feeling all ready to swing a mike stand around my head and shout “WWWWAAAAARRRRRGGGGGHHHHHHHH!!!!!!!” even if you’re not. And what’s more, I think I’ve got an old one in the shed.

I thought that this clip ties this week’s ‘Oo discussions and LadyMissK’s venture into the world of obscure British music telly together quite neatly, clearly demonstrating why many (Britons mainly) argue that British telly is the best in the world, or at least unlike that found in most other countries.

Oh yes, it’s Roger Daltrey and Kenney Jones on Tiswas!

For the uninitiated, Tiswas was a live British children’s TV programme which ran for 8 years from the end of the ’70s and most of the ’80s on Saturday mornings, for about 3 hours a week. In common with most classic British telly almost all of the original tapes have been wiped, but this home-taped clip captures the essence of the show pretty well.

The first bit is a regular spot parodying a very long-running and rather staid kids programme, a nature programme of the time which featured the naturalist David Bellamy and the long-running agricultural radio soap opera The Archers. That’s followed about 3 minutes in by a live bit and an interview, and a sing-song at the end.

Can any Townsperson think of anything you’d rather do on a Saturday morning than stay in and watch this? And do you have anything in your shed which you would like to swing around your head to unleash the Power and the Glory?

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Nov 122011
 

What is it with my obsession with watching footage of The Kinks sink to new lows in self-parody and loss of dignity? Most of the time, I’d much rather watch stuff like this than something from the band’s halcyon era. What does this say about me? (I should note for those who are new-ish to RTH that The Kinks are one of my favorite bands and part of my Holy Trinity of Rock. This isn’t a case of schadenfreude.)

And does this footage merely show the band trying to stay current during a low point for mainstream rock, in general, or is there something else going on here?

Also, help me guitar nerds: What is the weird Strat-like Gibson (I think) Ray plays in this clip?

Finally, here’s a happier clip, giving a little glimpse of the band’s interpersonal communications as well as their innate musical talent. Sorry about the Ovation acoustics.

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Nov 112011
 

See if you can’t match the 1970s artists with the 1970s prepackaged foods.

1. Billy Joel  A. Brim Decaffeinated Coffee
2. Jobriath  B. Jello 1-2-3 Strawberry Gelatin
3. Linda Rondstadt  C. Manwich
4. Elton John  D. Banquet Salisbury Steak TV Dinner
5. Leo Sayer  E. Tang
6. Carly Simon  F. Mazola Corn Oil
7. Al Di Meola  G. Hamburger Helper
8. Bob Seger  H. Grape Nuts
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Nov 102011
 

This week’s Mystery Date was submitted by a Townsperson in good standing.

Let’s review the ground rules here. The Mystery Date song is not necessarily something I believe to be good. So feel free to rip it or praise it. Rather the song is something of interest due to the artist, influences, time period… Your job is to decipher as much as you can about the artist without research. Who do you think it is? Or, Who do you think it sounds like? When do you think it was recorded? Etc…

If you know who it is, don’t spoil it for the rest. Anyone who knows it can play the “mockcarr option.” (And I’ve got a hunch at least one of you know this one.) This option is for those of you who just can’t hold your tongue and must let everyone know just how in-the-know you are by calling it. So if you know who it is and want everyone else to know that you know, email Mr. Moderator at mrmoderator [at] rocktownhall [dot] com. If correct we will post how brilliant you are in the Comments section.

The real test of strength though is to guess as close as possible without knowing. Ready, steady, go!

[audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2011/11/Mystery-Date-111011.mp3|titles=Mystery Date 111011]
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Nov 092011
 

Somebody shared this video with me today, and I enjoyed it well enough. The tunes ride along on some serious riffage, Ozzy is entertaining in a frantic, brain-addled kind of way, and — I noticed this for the first time today — the lyrics are actually kind of clever.

Then I started thinking about all that must have seemed completely bizarro about this to mainstream rock audiences in 1970-1971: the stripped-down, sludgy, riff-centric sound, the unbeautiful Ozzy, and — I noticed this, too, for the first time today — the apeshit pounding on the drums, bashing away on open hi-hats and crash cymbals from start to finish, etc. That ain’t no “Across the Universe,” bub. It’s not even “Communication Breakdown!”

Then I stopped myself and wondered: hey, Hrrundi, you silver-tongued, sly, handsome devil — are you mythologizing the things about Black Sabbath that had the staying power to still be cool in the 21st century? Maybe these guys were totally ho-hum back in the day. You’re old — but you’re not old enough to remember how these guys were perceived by the rock music buying public when this stuff came out.

I answered: Hrrundi, you sexy motherfucker, you’re right. You don’t know shit! Which is why I’m asking BigSteve and any other ancient RTH denizens — those who didn’t take so many damn drugs that they can’t remember whether their pee went up or down in the ’60s and ’70s — to tell us their recollections. Think back — back through the fog of dope smoke, the sight of topless chicks wigging out in the third row and the stench of sweat-soaked buckskin — and tell us, if you will, what the world of 1970-1971 thought of…Black Sabbath.

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