Jun 222009
 

Early Bruce Springsteen and the E Street Band may be among the the only rock musicians in to make the hat work for them on stage and in publicity shots. The Specials are the only other band that come to mind from the highly scientific top of my head. Am I missing someone obvious? Most of the hat-wearing rock musicans I can think of look silly: all those truck driver chic sorts from Brooklyn and other non-farming communities in high-resting John Deer caps; anyone who’s tried rocking a baseball cap on stage; rockers in cowboy hats (which work quite well on actual country musicians); the guy from Modest Mouse in his G.I. Joe cap… The beret is inherently silly looking, so Dr. John and Mink DeVille look as silly as anyone else who’s ever worn a beret.

With the hat’s rich tradition in blues, country, soul, jazz, and other building blocks of rock ‘n roll, it’s a wonder the hat hasn’t fared better in rock. For a rock musician to look good in a hat, is it necessary that the musician is playing a hat-appropriate form of rock ‘n roll, such as ska or horn-fueled R&B-based rock? Note how the E Street Band dropped the hats once they moved past their early horn-fueled era.

As a side thought, is it a coincidence that country music’s most rock-friendly musician, Johnny Cash, didn’t wear a hat?

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Jun 202009
 


What is the best father-related song, anyhow – totatlly negative ones like “Papa Was a Rolling Stone” excluded? “Daddy’s Home” is the first that comes to mind for me. I liked this John Hiatt song as well, but man does that guy possess a troubling Look!

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Jun 202009
 


A couple of thoughts and questions in the minutes following a very enjoyable birthday:

  • Please explain the psycho-drama that ensues at the 2:25 mark of this video.
  • Is there a better “yolk” in rock than Bjork’s?
  • Were you surprised that the second song in this clip was not actually a continuation of the first song?
  • Is the guy at the 2:46 mark contemplating Bjork’s yolk or the psycho-drama of the guy in the powder blue ruffled shirt?
  • Is the guitarist’s Look the logical step after Rick Nielsen or the inspiration for Ali G?
  • Is the “ax man” joke funnier in Icelandic?
  • At the 5:13 mark a guy in the audience can be seen yelping in unison with Bjork. Is that a common practice at her concerts to this day, the way audience members sing along to, say, Tom Petty’s “Breakdown?”
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Jun 192009
 

About 6 months ago now I started a thread that was a lot of fun. It was The Rock Town Hall Christmas Record. Participating in that heated debate was a good way for a newbie like me to get to know all the visitors to RTH, and it produced a tangible result; nothing less than the greatest Christmas record ever (not)made!

Over the past 6 months I have resisted the temptation to stretch this format to Valentine’s Day, Groundhog Day, Arbor Day, MLK Day, Independence Day, or even my home country’s beloved “May Two-Four”, Victoria Day.

But here we are, hours before the official start of Summer. The time is right. The season is right. I summon the collective genius that voted, no insisted, that “Christmas In Suburbia” by Martin Newell secure its place underneath our trees. The genius that would happily hear “Jesus Christ” by Big Star with rum and egg-nog. That wouldn’t dare tie a bow before they heard “Christmas Wrapping” by The Waitresses. I summon this collective brain to produce

The Rock Town Hall Sounds of Summer, Volume 1.

The Rock Town Hall Sounds of Summer is the 15 greatest songs about Rock and Roll’s rightful season. Spring is for sissies. Girls wear too many clothes in The Fall. I’m Canadian…don’t even talk to me about Winter. Only Summer truly Rocks.

You know the format. Nominate a song. When another Rock Town Hall member seconds that song, it’s in!

To kick things off, I nominate “School’s Out” by Alice Cooper

Is it just me, or is it getting Hot In Herre?

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Jun 182009
 


I was listening to the “Cowboy Song” by Thin Lizzy yesterday and got to thinking about twin-guitar harmonies. It seemed like every hard rockin’ arena band from the ’70s had them, and then, sometime in the early ’80s, they abruptly fell out of favor, possibly due to Boston’s egregious overuse of the technique.

What I’m looking for is the best example of the technique.

To be clear, I’m not looking for the longest solo employing guitar harmonies or the most intricate. I’m looking for the one that most captures the spirit ’70s arena rock in all its bloated glory. My determination as to who has the belt will be both arbitrary and capricious. In the event that I can’t decide if an entry is the current winner, the matter will be decided by the first two people to vote in favor of, or against, the entry.

Just to get things started, I’ll say the “Cowboy Song,” but know that I have an Ace up my sleeve.

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Jun 182009
 


For your pleasure, may I invite you to turn on with Eric Burdon and the Animals. Following are some tracks from the band’s 1966 to 1968 period. You may recall we discussed this period last week. I’ll spare you the studio version of my personal favorite, “San Franciscan Nights,” and if you don’t think “Sky Pilot” is one of the coolest “acid rock” songs ever we may have to part ways, baby.


As you listen to these tracks, think about the whole concept of Eric Burdon getting tuned in, think about an age in which Angry, Young Eric could begin to feel like he belonged, man. I mean, just a couple of years earlier he had to get outta that place. Check out the video that opens this thread and tell me you’re not witnessing the transformation at work. These songs must have begun the process of lifting a tremendous weight off Angry, Young Eric.

“Don’t Bring Me Down”

“Inside Looking Out”

“When I Was Young”

“Good Times”

“Monterey”

Another day, perhaps, we can explore the next phase of Eric’s career, in which he wrestles with his Black Man’s Burdon, so to speak.

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