Oct 132008
 


I understand that trying to preview these NLCS games through musical analysis may be beyond some Townspeople’s comfort zones. Before we contine to offer the opportunity for pregame musicoathletic analyses, let’s first review the at-bat intro music forces that went into yesterday’s 7-2 Dodgers win.

The big, flashy story was the dugouts emptying thanks, mainly, to Dodgers catcher Russell Martin‘s whining over his pitchers not backing up he and Manny Ramirez following a flurry of knockdown pitches from tough Phillies pitchers. So that we get it out of the way, we’ll start here.

After Martin played peek-a-boo behind slumping Phils sparkplug Jimmy Rollins, begging pitcher Hideki Kuroda to hit him, Martin finally got his wish, when Kuroda unleashed a fastball over the head of Rock Town Hall reader Shane “The Flyin’ Hawaiian” Victorino. Shane quickly refreshed the Dodgers battery mates on the unwritten code that applies to this situation before both benches emptied and we nearly got to see pesky former rivals and now turncoat coaches, Larry Bowa and Davey Lopes, square off for real while Ramirez asked a couple of teammates to make it look like they were holding him back while he feigned outrage. We reviewed Martin’s at-bat intro song the other day, and like Kanye, the guy’s a lot of hot air. It’s one thing to avoid flinching when Jamie Moyer hits your knee with a 72 mph curve. Don’t dig in too hard against Brett Meyers and Clay Condrey, my man. And listen to what Shane has to say!

As I mentioned last night, Dodgers manager Joe Torre made the first of a couple of moves I’d feared he’d make involving veteran, Classic Rock-themed bench players, inserting OCD-afflicted, former juicer Nomar Garciaparra into the starting lineup. For all of young first baseman James Loney‘s gifts in the field and at the plate, as we learned in our comparison of first basemen’s intro themes, Loney’s song can’t bring it like Nomar’s use of War’s “Low Rider”. The fact that Torre was able to sit on that intro theme for little more than a pinch-hitting appearance in the first two games of the NLCS speaks to both Loney’s baseball abilities and Torre’s restraint. Nomar was 2-3 with an RBI and a fine snag of a smash down the first base line.
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Oct 102008
 


In our opening-game match-up of at-bat intro songs for the starting pitchers for the Phillies and Dodgers, the clear rockin’ advantage supplied by Phils’ starter Cole Hamels‘ theme song, AC/DC’s “Thunderstruck”, was a key factor in the Phils’ 3-2 win. As could have been expected in this historic rate-a-record showdown of NL division champs’ intro songs, despite a strong opening, Dodgers’ starter Derek Lowe was undermined by his theme song, the incredibly wimpy “Sometimes When We Touch”, or whatever that Cascada song is called.

Today, as we prepare for Game 2, let’s start going around the horn, beginning with catchers Carlos Ruiz (Phillies) and Russell Martin (Dodgers). Without giving away the owner of each catcher’s song, listen to the following and consider how these tunes might impact the outcome of today’s game and this series. I’ve got to warn you, in full, unedited form, some of these players’ at-bat intro songs have lyrics fit for the locker room and dugout. Beware if analyzing the musicoathletic content of these tunes in work or around the kids!

Seether, “Remedy”

Kanye West, “Touch the Sky”

Now, let’s move onto the first basemen, Ryan Howard (Phillies) and James Loney (Dodgers). These guys are counted on to provide the power from the left side. Are you feeling it?

50 Cent and Akon, “Still Will”

Nas, “Made You look”

Tomorrow we’ll continue our NLCS Rate-a-Record, as we move around the horn. Dodgers fans in the know might as well concede the second base battle now!

NOTE: Rock Town Hall is not responsible for occasional inaccuracies that might occur in the cases of players whose at-bat intro songs change frequently.

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Oct 092008
 


Tonight begins Game 1 of the National League Championship Series between the Philadelphia Phillies and the Los Angeles Dodgers. The Phillies, as Townspeople are well aware, are Mr. Moderator’s team of choice. The Dodgers are the team of The Back Office and Sammymaudlin. A few months ago, who would have thought Rock Town Hall’s East-West loyalties would have been put to test over the 2008 NLCS? But here we are.

In the spirit of All-American fun, we’re going to stage this battle in musical terms, matching the at-bat intro songs of the Phils lineup against the at-bat intro songs of the Dodgers starting 9! In blind fashion and according to usual batting order, we will ask Townspeople to rate the songs and comment on how the musical match-ups might affect the outcome of this series. Beginning tomorrow, you will be able to download each starting player’s intro song, in full. (I know fans of Pat Burrell are psyched!) For tonight, we’re giving you the at-bat intro songs of each of the starting pitchers for Game 1: Cole Hamels of the Phils and Derek Lowe of the Dodgers. It’s up to you to know which song is played for which pitcher’s at-bats. Check them out and tell us how each song rates and how each song might affect the outcome of the game.

Starting Pitcher #1

Starting Pitcher #2

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Oct 092008
 

Closet time.

For my money, the third VU album, the self-titled “couch” album, is what cemented the band’s long-term reputation and influence. With one or two questionable exceptions (eg, “The Murder Mystery”, which I’m not saying is all bad and out of place, and “That’s the Story of My Life”, which I think influenced the future of indie rock in more negative ways than any of the out-of-tune jams that seem to bug Hrrundi) it’s a seamless and self-contained album.

Even more than the artfully monochromatic White Light/White Heat, this album has a definite identity, with newcomer Doug Yule smoothing out some of the gaps likely in any recording led by Lou Reed while also providing a taste of what the band lost when John Cale split. The guitar interplay of Reed and Sterling Morrison is as distinctive and rightfully influential as the interplay of any other famous guitar duo in rock, from Richards and Jones to Richards and Taylor to Allman and Betts to Verlaine and Lloyd and so on. I would go as far to say that this album set the course for the four-decade (and counting) journey of Lou Reed…As His Music Was Meant to Sound! All future Lou recordings would be judged against this album.

What’s this all mean to our friend HVB, who’s never been the least bit interested in the artistic journey of Lou? Nothing positive, I would think.

Hrrundi, here’s a quartet of VU songs that will enable you to get back in touch with your inner VU torment. Enjoy – or dislike – or whatever you feel is the appropriate emotional response. You’re among a loving, trusting community.

“What Goes On”

“Some Kinda Love”

“Jesus”

“I’m Set Free”

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