Aug 182010
 

Hey, Gergley!

Mockcarr and I are about to form our umpteenth band together, in which we’re planning to focus on simple 60s beat music. One of the finalists for the set list is “Come On,” by Australian combo The Atlantics. I’m sure you’d be appalled that men of such exquisite taste would dare attempt to recreate something that veers so closely to the “garage” flavor. But that just begs the question: why exactly is it bad form for old geezers to play music like this? And a corollary question is: what forms of rock are okay — or decidedly not okay — for geezers to play in public?

I really want to know!

Your pal,

HVB

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Aug 182010
 


Just got back from our trip to Taos, New Mexico via Denver, Colorado. I don’t have a lot to report on the Taos music scene. The lovely wedding we attended featured a fine acoustic-based band playing covers of Sufjan Stevens and his ilk. They were just right for the event, but they were no threat to the sage brush. I also saw a young hippie woman sitting atop the roof of a hostel, accompanying her rich voice with a mandolin. She had an excellent voice, but her act was an anachronism.
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Aug 182010
 

Those of you not interested in the behind-the-scenes drama of Rock Town Hall are advised to steer clear of the following jump. Because I’ve been on the road for most of the last 2 weeks and therefore a little behind in clearing up some offlist issues, I’ll take care of your concerns and off-topic comments here, in public.
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Aug 162010
 

To every peckerhead up here who refuses to take off the Peter Fonda sunglasses and motorcycle jacket, I want to know right here and now what your beef is with Herman’s Hermits. And if you do have a problem, please provide a well thought out reason for your disliking. And I don’t wanna hear any of that Andy “my record collection consists of 8 greatest hits LPs, the centerpiece of which is that Stones thing that’s shaped like an octagon” Rosenau crap like “Yeah, and Freddie and the Dreamers really kick it out too” drivel.

Know you’re dealing with someone who knows the Hermits catalog very well.

Let’s go. I’m ready for it.

Sincerely,
E. Pluribus

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Aug 162010
 

New RTH-BFF, Universal Music is back. This time they sent us a CD copy of Roy Orbison: The Last Concert (December 4, 1988). More info on the CD after the fold.

So we’re going to do a Last Man Standing that has an actual bonafide prize for the winner. That’s right “bragging rights” AND an Orbison CD. Who’s your daddy?!

Drill is simple. Name a rock musician known for wearing glasses. Not sunglasses. Glasses. The more identifiable the glasses with the artist the better.

The Back Office along with guest judge, Soft Cell’s Marc Almond (photo not available) will have final verdict. Deadline 2am Tuesday morning PST. So if you’ve got an ace-in-the-hole you best set your alarm or party on through.

Marc can only think of two others. You gonna let Soft Cell’s Marc Almond (photo not available) one up you?!

Ready-steady-go!

More about the CD.
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Aug 162010
 


This is not a politically correct opinion I’m proud to share, but I was listening to that Little Steven digital radio station now and then in the car we rented on our trip to New Mexico and just about every modern-day “bad girl” garage rock band that came up for play made me feel like I was watching the WNBA. Garage rock, to me, is such a dude’s domain. Hearing women try to cop that certain garage rock stance strikes me as highly awkward and lacking in…something. Likewise, I know the women who compete at the WNBA level could kick my ass on the hardwood, but there’s something unnatural about them playing basketball. There are other sports that women can play as naturally and gracefully as men, such as tennis (which I actually prefer to watch played by women thanks to their ability to maintain a volley), but women rarely have the natural motions that I come to expect from years of watching NBA games. Maybe it’s all the ponytails flopping around as they battle for a rebound and I’m simply a horrible person. (The Goldie and the Gingerbreads clip, on the other hand, is more like traditional girl group music, which I think fits women as well as tennis. This was one good band I heard on Little Steven’s show that I did not previously know about.)

More importantly, listening to that Little Steven station confirmed my belief that neo-garage is one of the hardest neo-genres to do well. The attitude copped by the original wave of garage bands is so outdated in this day and age. Hearing a modern crop of dumpy guys bitch about the fact that some girl won’t give them the time of day is played out, isn’t it? Why don’t these guys take up one of the new genres that invite dumpiness?

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