Nov 182009
 

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Phil’s 1978 solo release, K-Scope, was recorded in the home studio of Chris Squier and featured Tim Finn on most lead vocals, Neil on on at least one backup and Split Enz/Crowded House keyboardest Eddie Rayner. John Wetton and Bill MacCormick were all over it as well. I think if I had played the above track, Cuban Crises, folks would’ve gotten the Finn part but not the Manzanera part?

Here’s my favorite track from this fun but hit or miss album:
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If you dig ’70 era Roxy, Eno, Ferry then I’d suggest Phil’s first solo album Diamond Head. I’m sure there are other opinions out there.

alexmagic is clearly The Man here and those of you thinking Squeeze and The Specials were definitely in the stadium.

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Nov 172009
 


Let’s review the ground rules here. The Mystery Date song is not necessarily something I believe to be good. So feel free to rip it or praise it. Makes me no never mind. Rather the song is something of interest due to the artist, influences, time period… Your job is to decipher as much as you can about the artist without research. Who do you think it is? Or, Who do you think it sounds like? When do you think it was recorded? Etc…

If you know who it is, don’t spoil it for the rest. We have a new component called the “mockcarr option.” This option is for those of you who just can’t hold your tongue and must let everyone know just how in-the-know you are by calling it. So if you know who it is and want everyone else to know that you know, email The Back Office at thebackoffice[at]rocktownhall.com. If correct we will post how brilliant you are in the Comments section.

The real test of strength though is to guess as close as possible without knowing. Ready, steady, go!
Mystery Date

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Nov 172009
 

With an influx of some interesting new Townspeople over the last couple of months, it’s clear we could use some time to get better acquainted with each other. The following questions are meant to elicit a sense of your rock ‘n roll values and posed in a way that should not compromise anyone’s privacy. Only about half of these questions are directly related to rock ‘n roll, but your candid answers to them will help build your profile and open new avenues of rock dialog. I would encourage Townspeople new (especially) and old to share. I can assure you it will be painless and ultimately rewarding. Here we go!
Continue reading »

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Nov 172009
 

Well, the InterWeb let me down on my search for a scan of the back cover of horn-rock band Chase‘s eponymous first album. But the cover of their second LP, entitled Ennea, has a pretty clear view of the guy I thought looked totally cool, and who I thought — maybe, just maybe, if I kept my fingers crossed — I might grow up to resemble.

I’m not going to tell you which horn-rocker it was; I’ll leave it to you guys to guess. I’ll also take this opportunity to ask all of you: was there any particular popular music personality you thought you might, with a bit of luck, grow up to resemble — or perhaps even be?

I look forward to your responses.

HVB

p.s.: as you’re pondering this question, feel free to enjoy some of Chase’s (cough) fine, fine horn-rock at http://www.chaserevisited.com/music.html. As an impressionable nine year-old, I remember being particularly taken with “Get It On” from the first album.

p.p.s.: hey, I was only NINE!

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Nov 162009
 

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I attended back-to-back Bar Mitzvahs on Saturday. Both events were beautiful, fun times with friends. At both Bar Mitzvah receptions, however, I had to hear Kool & the Gang‘s “Celebration” cranked up to get the party started. Despite the sentiments it’s meant to inspire, that song has bummed me out since it was first released. As a kid, I loved Kool & the Gang’s “Jungle Boogie.” To me that was a super-cool, funky song worth resetting the needle every time I spun my 45 of it. A couple of years later this “Celebration” song becomes a smash and I was beginning to feel for sure like the times-they-were-a-changin’, like the final strains of good music that had lasted through most of the ’70s were running their course – for the worse. The rock ‘n roll that had developed since the early ’70s was already shot to hell (thank god for punk rock), and now dance music was getting too clean and buttoned up for my tastes.

I was wondering last night if “Celebration” was the first song that signaled the point when ’70s music no longer sounded like ’70s music to me, but I looked it up and saw that the song was released in 1980. So for me the point of no return may be Donna Summer‘s 1979 hits, “Hot Stuff” and “Bad Girls.” I was never one of those guys who hated disco, but “Hot Stuff” and “Bad Girls” pushed the butch, mechanistic aspects of late-70s dance music beyond a point that resonated with me. To my ears, those songs and the early ’80s dance music that would follow just sounds like Pat Benetar with an insistent kick drum on every beat. The nooks and crannies of a song like “Jungle Boogie” are long gone. Donna Summer’s move into rock music – and most of what would follow in dance music, coalescing with Michael Jackson‘s “Beat It,” strikes me as the musical equivalent of some high-tech dildo.

So maybe you’ve never thought about it this way, but is there a point at which ’70s music no longer sounds like ’70s music to you?

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Nov 152009
 

Maybe it helps that Kooper is seated across from a guy wearing a vest and a ponytail. Maybe it helps that he displays his rock nerd credentials. Between this and the Skynyrd interview in TapeOp, I may be changing my tune on this guy…but there’s still no excuse for founding Blood, Sweat & Tears.

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