Nov 042009
 


Townspeople,

This is your Rock Town Hall!

If you’ve already got Back Office privileges and can initiate threads, by all means use your privileges! If you’d like to acquire such privileges, let us know. If you’ve got a comment that needs to be made, what are you waiting for? If you’re just dropping in and find yourself feeling the need to make your voice heard, don’t hesitate to register and post your thoughts. The world of intelligent rock discussion benefits from your participation. If nothing else, your own Mr. Moderator gets a day off from himself. It’s a good thing for you as well as me!

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Interview Liars

 Posted by
Nov 032009
 

Hey everyone, let’s name some notable rock folks who almost certainly tell lies frequently when being interviewed. Steely Dan have long mastered the art of turning Q&As into their own personal Marx Brothers routines. I am convinced that Paul Westerberg routinely changes his answers to questions about The Replacements, possibly out of boredom. I bet both PW and the Dan learned their craft by studying Bob Dylan interviews.

Also, who should start lying more when being interviewed? Rollins, yes. The Boss, sure. Paul McCartney, definitely.

(I’ll admit that my interest in this topic is partially due to disenfranchisement with the whole interviewing thing, the idea that you can get an even minor rock star to provide a “teachable moment” by revealing something about themselves and their art. It’s not so much that it’s impossible, but do people care anymore? Maybe some rockers may reveal more of themselves when they’re covering up their tracks.)

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Nov 032009
 

Succumbing to the voluminous, daily requests from the legion of our younger audience, Rock Town Hall is now on Twitter and Facebook. It’s mostly pops and buzzes to us in The Back Office but dang if it didn’t come in handy today to let folks know that the blog was down for a bit. (Down because we messed up the Twitter and Facebook links…)

Got ’em workin’ now by-gummit. You’ll see the links in the right column. Looks something like:

So sign up and gaze upon our man-tweets, or take a poll or ring our doorbell or tell us what breakfast cereal you’d be.

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Nov 032009
 


A simple enough question, I believe: What genre do you most prefer relative to the original, “authentic” form when done by “inauthentic” musicians?

In your heart of hearts, for instance, relative to authentic reggae, would you rather listen to The Clash play “Police and Thieves” and their other reggae covers?

Can you take or leave authentic Chicago blues, yet you seek out any early Fleetwood Mac album involving Peter Green?

Is your country music collection primarily made up of albums by bearded Columbia University graduates living in Brooklyn?

Is your interest in rock ‘n roll so weak that you prefer hearing it handled by the French?

Something else? Do tell!

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Nov 022009
 

Never being mistaken for the World’s Most Enthusiastic Concertgoer, I’m naturally skeptical over the feelings that fans and musicians have been known to express when a landmark concert venue is being closed down – and even knocked down.

“I don’t want to say goodbye to this place. I don’t even want to think about it yet. I just want to keep . . . rocking.” – Eddie Vedder, kicking off the last concert ever at the Spectrum

I’m not immune to these feelings on a grassroots level, having joined in with Townspeople who expressed disappointment over Philadelphia’s old TLA (Theater of the Living Arts) getting a phony, new name and bemoaning the long-ago demise of intimate local clubs like JC Dobbs and Bacchanal, but the sense that a building is somehow sacred and should be saved is foreign to me.

On Friday, Vedder expressed similar regrets. “Why don’t they just save the f- place?” he asked. “Forty-two years is not that old. I’m 44,” he said, showing off his biceps.

Maybe we’ve never had that historic a rock venue in Philly, or maybe I never appreciated the soon-to-be demolished Spectrum, the basketball/hockey/concert arena that has stood since the late ’60s. I like my share of hoops – and lord knows I love my Flyboys – but the Spectrum as some legendary concert venue? Eh…

Have you ever lost a rock venue that really mattered to you, the way the loss of the Spectrum obviously meant to Eddie Vedder?

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Nov 012009
 

Foreshadowing of my complete lack of interest in Flashdance

I may have mentioned this once before, as a 15-year-old boy watching The Last Waltz in a theater when it came out, the image of Joni Mitchell in all her silken, dewy womanhood in that long skirt and leotard terrified me. For some reason it was more woman on a stage with rock musicians than I could handle. Around the same time I saw Kate Bush for the first time, on Saturday Night Live. If memory serves she was wearing a leotard and those floppy socks that you see ballet dancers wear when they’re working out. Or was she wearing that Where the Wild Things Are lion suit from one of her early albums? I think she was lounging on a piano. Because this is a visual-based thread, I won’t get into that voice, but again, too much woman – or more likely, since I later woud find both Mitchell and Bush kind of hot, too much leotard or Cats costuming.

Anyhow, to this day, those are the scariest images I’ve seen in rock. What frightening rock image has been stuck in your mind all these years?

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