Feb 202009
 

Here’s a topic that got a little play last spring. I thought it was worth revisiting, in part to see if anyone’s had luck turning on a friend to one of the bands mentioned and in part to see if there are any other failed turn-on attempts that Townspeople would like to share. Who knows, someone might finally “score!”

This post initially appeared 5/13/08.

Is there a band you’ve had no success turning friends onto, a band or artist you understand has some stumbling blocks to overcome yet cannot convince a single friend of some relative merits? Don’t be shy.

I’ve had absolutely no success turning friends onto Be Bop Deluxe, a band an old work friend tried to turn me onto around 1987 with a 60-minute cassette mix that made an impression for a couple of weeks, got filed away for a good 15 years, and finally resurfaced in a box of cassettes I was clearing out, this time impressing me enough to quickly track down used vinyl of almost all their releases. I’ve written about this quest and what it meant to me elsewhere. Nearly 2 years since I wrote that heartfelt piece, I’m still waiting to collect my first Be Bop Deluxe Turn-on Points. How about you? There’s got to be some artist you love that not even your closest musical comrades will give the time of day.

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Feb 192009
 

Remember Bruce Springsteen’s Nebraska, his first stripped-down, hard-hitting attempt at getting away from the numbers? I know some of you own this album. It never did anything for me, but I’m using it to set up what I hope will be a discussion in which we share the outer ranges of our listening moods, from whatever you consider your most stark, bare-bones album to the album that suits your richest, frothiest listening needs. Please don’t bother with all the albums in between. Be a man (or woman) and choose one album from each end of your emotional spectrum: what do you most want to listen to when you need to spend some time in your personal Nebraska, and what do you most want to listen to when you need to run free through your own personal Wonderland – you know, maybe fill up the tub with bubblebath and pour yourself a glass of champagne! You dig?

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Feb 182009
 


A televised Amy Winehouse performance would not be complete without a lot of camera time given to her retro-style singin’ and dancin’ backup singers. You know these guys: two stylish, handsome, and animated black guys in dark, ’60s-cut suits who perform a frantic, nonstop array of choreographed Motown-style moves to add some needed life behind the scrawny atrocity exhibition who’s paying the bills. The camera can only hang so long on Winehouse, in hopes of her falling over or throwing up. The backing singers keep things FUN and LIVELY!

During our examination of the African American Robed Choir (AARC) I addressed whether a rock band being supported by “colored girls” as backup singers constituted an example of exploitive black rock history. We seemed to agree that if a performance called for the tone of African American backup singers, the selection of a trio of African American singers as acceptable in terms of instrumentation, no different than a guitarist selecting a Gibson over a Fender. None of us would deny the importance of showmanship and mach schau in rock, so we can’t immediately jump on any backing singers who dance and dress in a way that adds to the performance. In the case of Amy Winehouse, however, a young, white, English singer who apes African American vocal characteristics and themes, I’ve got to question whether her use of her backing singers is a ploy for Blackredibility or the acceptable selection of human instrumentation.
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Feb 182009
 

In a recent post, Mr. Mod bemoaned the fact that no chicks — sorry, “womyn” — are posting in these hallowed halls. Could it be because rock and roll is pretty much idiotic when it comes to its relationship with the fairer — sorry, “fiercer” — sex? I think this is something that deserves further exploration. But let’s not get all tweedy and pipe-tamping about it, okay? Just post your favorite rock pick-up lines in this space.

Moddie would probably appreciate a few lines that might actually work as panty-peeler — sorry, that might help prove that rock and roll really understands, loves, and respects women — but speaking for myself, I’d prefer to hear your worst. Ted Nugent‘s “My Love Is Like a Tire Iron” springs to mind. You’ll find this gold in song titles, for sure, but for extra credit, give us some lyrical snippets that you think prove the case that rock music is a.) going home lucky; or b.) doesn’t stand a snowball’s chance in hell with the ladies.

I look forward to your responses.

HVB

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Feb 182009
 


We sometimes joke about the fact that few Townswomen comment in the Halls of Rock – in fact, I can’t tell you how long it’s been since the last time we’ve had a comment from a woman – but it hurts. I don’t know about you, but I worked hard to get this passionate, witty, and articulate about the the music I love – and here I am, still stuck in the same wrong side of the party, along with Mohammed, Jugdish, Sidney, and Clayton.

If this were Literature Town Hall or Film Town Hall I’d bet we’d hear from almost as many men as women. Why not Rock Town Hall? I see women at concerts. I know women buy records. There are even women who play in bands. Wasn’t it the Year of Women in Rock just a few years ago? Women were talking rock shit in that special issue of Rolling Stone, but it seems they’ve been quiet ever since.

I can’t be sure that every Townsperson who does post here on a regular basis is a dude, but I’m pretty sure that’s the case. It’s easy to think that the problem is with us, but I want to look at this from another perspective: Are women capable of talking rock shit?
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Feb 142009
 


The television host who soberly introduces this Neil Diamond classic as being about an imaginary boy whom he’d call on to spell his loneliness. I’d always thought the song was about a dog, but he does say that the only friend he could find was in his mind. Regardless, to celebrate Valentine’s Day, why don’t you share your favorite love songs to imaginary lovers. Extra credit for breakup songs about imaginary lovers!

On this Valentine’s Day, may your lover be the real thing, be it human or canine.

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