Aug 202007
 

Fogerty Syndrome, named after Creedence Clearwater Revival leader John Fogerty, refers the musical phenomenon of having a chip on one’s shoulder for reasons known only to one’s self. Also known as Eric’s Burdon.

Ever notice how pissy and pissed off John Fogerty is in his music with Creedence Clearwater Revival and beyond? Fogerty packs a powerful rock package, but warmth and loving vibrations are nowhere to be found. He’s always singing like he’s said what he’s had to say three times already and this fourth time sure as hell is going to be the last time he says it, so listen up! Maybe it’s just the way the good lord made him, but he performs with the flinty eyes of drill sergeant.

A closer examination of his lyrics may make one question what exactly’s gotten under Fogerty’s skin. The guy gives no clues as to his personal life – there are no songs about being deserted by his mother or being torn apart by a lost love. Rather, he works in Chuck Berry territory, but with a major chip on his shoulder…about…something. It’s one thing to approach a biting social commentary song like “Fortunate Son” from this hellbent angle; it’s quite another to push the lyrics of “Willie and the Poor Boys” and “Centerfield” through clenched teeth. Centerfield? No coach in his right mind would put Fogerty in centerfield; he’s not fit for a position requiring such range and fluidity. I’d pen Fogerty up for 8 innings, then stick him in to close games, packing nothing but heat and a badass attitude.

What’s up, Fogerty, do you ever, you know, just chill?

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Aug 182007
 

After receiving word that RTH’s Senior Correspondent in New Orleans, Townsman BigSteve, was flummoxed by the strange noise heard at roughly 2:40 in the “true stereo” mix of “Fool On the Hill,” RTH Labs engineers donned their white lab coats and went to work.

Upon cursory examination, it was clear to our engineers that the sound was a highly sped-up sample of something — but what? After applying industry-standard pitch manipulation software to the problem, RTH Labs has come to the conclusion that the Abbey Road engineers and/or producers simply grabbed a few feet of existing tape of a single instrument — possibly a guitar track, though horns are not out of the question — and, prior to speeding it up by perhaps as much as two octaves, applied a very heavy tape flange to the product.

Attached is our vastly slowed-down sample for your consideration. As always, we welcome your comments and questions.

Yours sincerely,

Milo T. Frobisher
Chief Engineer
RTH Labs

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Aug 182007
 

jennifer gentle

This interview and post is dedicated to Mr. Mod and Mr. Ismine, whose Italian ties precede them this summer! Enjoy Italy to its fullest, whenever you are able to visit it, my friends!

 


AN INTERVIEW WITH MARCO FASOLO
of the band JENNIFER GENTLE

Catch them live:
TUESDAY AUGUST 28TH @ The Vacuum (Philadelphia PA)
2nd and Tilghman {Google Map!}
wsg/ The Soft People, The Dodos & Birds of Maya

Please enjoy the following email interview with Marco Fasolo of Padova, Italy’s fantastic psych-rock band Jennifer Gentle!

Continue reading »

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Aug 182007
 

A Wizard, A True Star

On Day 2 of Rock Town Hall’s groundbreaking series on a reappreciation of The Beatles’ long-dismissed Magical Mystery Tour album on the strength of the 1971 German true stereo release we ask you to open your minds and hearts to the pleasures of one of the most-despised Beatles songs, Paul McCartney’s cloying “The Fool on the Hill”.

The Beatles, “The Fool on the Hill” (German true stereo mix)

The space that the true stereo version grants to the arrangement of this song helps greatly. I’ve always thought of this album as the most psychedelic of Beatles albums (and please don’t Pince Nez me on the album’s history as a collected ep and singles), and the true stereo mix increases the “head” appeal, let’s the mood of each song better seep into one’s consciousness, man. Previously unaccessible nooks and crannies of “The Fool on the Hill” – the slightly out of tune mellotron parts, the woodwinds and whatnot, the gentle rhythm guitar and piano – open up. Suddenly, it’s like one of those weird, wonderful songs from Roy Wood’s Boulders that only I and another half dozen people on the planet seem to get. McCartney actually delivers a heartfelt vocal, although I can do without the second “Ohhhhh…round and round…” part on the fadeout. Even in true stereo the song has worn out its welcome by this point.

The true stereo mix does not help the lyrics. It’s too bad he couldn’t have written some gibberish; this would have topped most of the filler songs on Pink Floyd’s Piper at the Gates of Dawn. Speaking of McCartney lyrics, I’m reminded of a morning last week, when I played my wife the recent McCartney album for the first time, and four songs in she said, “OK, enough of this! When’s he going to try to write lyrics that have something to do with an adult man’s life?” Then she quoted a particularly bad lyric that just pushed her past her limits. “Can’t he take lessons from Nick Lowe?” God, I love my wife – in true stereo, fake stereo, mono, you name it.

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Aug 172007
 

Roll up!

The Beatles, “Magical Mystery Tour” (German true stereo mix)

My promise of a slightly mind-expanding take on The Beatles’ oft-derided Magical Mystery Tour album is likely to be met with skepticism on Day 1, as I roll out the title track for review. Listeners who are familiar with the conventional release of this album may notice a little added brightness and definition in the horns and string – and the rhythm guitar is a little more distinct – but this song is still what it is, a poor man’s “Sgt. Pepper’s Lonely Hearts Club Band”. Perhaps you will hear more than even I hear. Hold tight for tomorrow’s first dramatic ear-opening selection!

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