Rock Town Hall seeks THE most powerful and glorious example on video of The Power & Glory of Rock. This is a Battle Royale. Winner takes all! Let’s start by seeing if we can’t top the Power & Glory of The MC5 playing “Kick Out the Jams,” as submitted by Townsman Hank Fan.
To review the tenants of The Power & Glory of Rock, click here. May the Power & Glory of Rock be with you.
Excluding self-produced albums, what established artists who have dabbled in producing records for other artists most interest you? And I put an emphasis on dabbled to rule out established artists who are also established producers, like Steve Albini and Brian Eno.
For instance, I wish I could hear a few more albums produced by Elvis Costello, who somehow made both clear and extremely simple the clutter of The Specials‘ debut. He also produced the only (in my opinion) fully enjoyable Squeeze album, East Side Story, which was engineered by Friend of the Hall Roger Bechirian.
Andy Partridge is another artist I’d like to hear produce a few more albums. I’m a big fan of his work on Peter Blegvad‘s The Naked Shakespeare and Martin Newell‘s The Greatest Living Englishman. I wish he’d have taken the reins on his own band’s albums beginning with Skylarking, but that may have eliminated him from this discussion.
As far as I know Ray Davies only produced one album for another artist, The Turtles‘ Soup album. That’s a winner, but considering Kinks albums are typically no great shakes in terms of conventional recording techniques I’m not sure Davies had that much else to offer.
David Bowie has proven himself a pretty lousy producer, or at least a less-than-satisfying one, in his work with others. I’m not saying the bass-heavy version of Raw Power rectified the shortcomings of the original mix, but it’s still hard for me to fully enjoy that album. His production work on the biggest-selling singles by both Mott the Hoople and Lou Reed is amazing, but I’m not a big fan of his work overall on their albums.
Which artists do you wish you could hear more—or less—of in the producer’s chair?
Charlie Louvin, for a long time the surviving member of The Louvin Brothers, has died at 83 from complications from pancreatic cancer. Just last November Louvin released a new album, The Battle Rages On.
A Louvin Brothers greatest hits CD makes up a significant part of my tiny country collection.
Seriously, how do these musicians fall off stage? It’s not like they’re falling off some matchbox stage at a local club; they’re falling off the enormostages of enormodomes. Steven Tyler quickly to mind. He’s fallen off more than one stage. He’s had to navigate catwalks and hip checks, but most likely he was wasted.
Still, these are big stages and most of these artists who fall off stages aren’t shimmying along catwalks. I bet Mick Jagger‘s never fallen off a stage, a catwalk, or an inflatable penis. That guy’s a real pro.
Patti Smith fell off the stage at CBGB’s, but she’s a dynamo and that old CBGB’s stage was pretty small. What’s Jimmy Buffett even doing near the edge of a stage? I can’t imagine him putting his foot up on a monitor and rocking forward like The Ramones. (I don’t recall stories of Joey ever falling off a stage, and he epitomized the gangly klutz.)
Didn’t Andy Partridge fall off a stage to end XTC’s live performance era? He was having a performance anxiety–related breakdown, so that fall was understandable. Scott Weiland‘s fallen off stages, wagons, you name it. Pink has fallen off a stage, but she was suspended in a harness while wearing a body stocking. A top-heavy Mariah Carey fell onstage, but I don’t think she landed off stage. Jimmy Buffett, according to reports, did.
HOLD THE PRESSES: Reports are now appearing that Buffett was blinded by the light!
Have you ever fallen off a stage or witnessed another musician doing so?