Nov 202009
 

Hey, Townspeople!

Last night the G-friend and I curled up on the sofa to watch a movie and wolf down some primo home-cooked chow. She was in the mood for something highbrow, but I was curious about a flick I’d had in the “not sure about this movie” drawer for a couple of weeks. Because she’s such a sweetheart, she let me watch my movie of choice, even though it gave off the distinct limburger pong of idiocy. The movie in question? Walk Hard: The Dewey Cox Story.

Like the rest of you (I assume), when the trailers for this faux rock biopic came out, I assumed the worst: a couple of decent gags sandwiched between really stupid Legend of Ricky Bobby-caliber scripting. Boy, was I wrong!


Walk Hard ain’t no Citizen Kane, and it would probably fail the Dr. John Elbow Patch Sniff Test — but it’s not a stupid movie at all. The gags (and there are lots of good ones) are scripted and delivered well, the faux rock is actually good, period-correct, and frequently belly-laugh funny, and it’s clever, pretty much from one end to the other. Even the ass/tits/underpants/drugs/poop jokes are funny.

Plus, the writers clearly know their rock, and know just the right way to skewer it. (Wait’ll you see Dewey Cox go through his Dylan and Crazy Brian Wilson periods.)

In short, Townspeople, I strongly recommend this film…for real. It’s a hoot, and I bet it would even tickle the unusually sensitive rock funnybones we seem to have ’round these parts.

Glad to be of service,
HVB

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Nov 202009
 


For those of you relatively new to the Halls of Rock, Townsman 2000 Man (aka 2K) is our self-proclaimed Stones Expert. My discovery of this Leon Russell performance got me thinking about the late, great director, Robert Altman, who was never quite able to capture on film a rock ‘n roll performance this chock full ‘o characters. Could this be the template for many of the performance scenes in Nashville and that trainwreck of a late-70s film of his centering around a Broadway version of The Doobie Brothers?

Then I wondered, What would 2K say about this clip?

Then I summoned him…

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Nov 192009
 


Have you ever wished a favorite artist could do-over a particular album, song, or period in its career? I’ve always wished that The Beatles could have finished their final 3 albums in a more satisfying, more unifying way. I believe I speak for most Beatles fans in saying that there’s a lot to be gained by our shared experiences with the band. In a world where there is little consensus, Beatles fans are pretty much in step with each other over the first two periods of the band’s career:

  • After acknowledging the greatness of the band’s entire output, Beatles fans states their preference for “Early Beatles” (ie, everything up to and usually including Rubber Soul, which few Beatles fans criticize in any way) or “pot-smoking Beatles” (ie, the period beginning with Rubber Soul and Revolver, when they became known for crafting albums).
  • Next Beatles fans take a moment to state that Sgt. Pepper’s is “overrated,” only pausing to differentiate whether it’s “grossly overrated” (a sign that something slightly less than a true Beatles devotee is among our ranks) or “still a remarkable achievement, despite the fact that we’re all a little sick of having had it jammed down our throats for 40 years!”
  • A brief discussion among Beatles fans is likely to ensue over the band’s worst and most underrated song ever.
  • We’ve all got a favorite Beatle, but no true Beatles fan dislikes any one member, not even Paul.
  • We may have a laugh over the issue of the Fifth Beatle.

For all there is to discuss concerning our love for The Beatles, there aren’t too many issues over which we have great differences. These days, only those who’ve been living under a rock the last 30 years may have an issue with Yoko “breaking up” the band. One area over which Beatles fans can divide, sometimes painfully so, is over their last three studio releases: The White Album, Let It Be, and Abbey Road. I don’t have to tell you all the points of contention, do I?

In my do-over, The White Album‘s best songs would have been the band’s straightforward, stripped down release – not to mention a single album.

This morning, for the first time, I listened to Volume 3 of the old Anthology series of releases. I bought the first two volumes when they came out and was mostly disappointed with what I found after having peeked behind the Wizard’s curtain. I’m one of those Beatles fans who’s always wished that The White Album could have been a single album – maybe even an EP – and I’ve also got problems with large chunks of Abbey Road and its influence on one of my close personal friends. On the other hand, I actually love Let It Be.

Listening to the outtakes, demos, and raw tracks of these albums on Anthology, Volume 3, I had a revelation. I wish I could call for a do-over of the band’s final leg. Dig.
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Nov 182009
 

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Phil’s 1978 solo release, K-Scope, was recorded in the home studio of Chris Squier and featured Tim Finn on most lead vocals, Neil on on at least one backup and Split Enz/Crowded House keyboardest Eddie Rayner. John Wetton and Bill MacCormick were all over it as well. I think if I had played the above track, Cuban Crises, folks would’ve gotten the Finn part but not the Manzanera part?

Here’s my favorite track from this fun but hit or miss album:
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If you dig ’70 era Roxy, Eno, Ferry then I’d suggest Phil’s first solo album Diamond Head. I’m sure there are other opinions out there.

alexmagic is clearly The Man here and those of you thinking Squeeze and The Specials were definitely in the stadium.

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Nov 172009
 


Let’s review the ground rules here. The Mystery Date song is not necessarily something I believe to be good. So feel free to rip it or praise it. Makes me no never mind. Rather the song is something of interest due to the artist, influences, time period… Your job is to decipher as much as you can about the artist without research. Who do you think it is? Or, Who do you think it sounds like? When do you think it was recorded? Etc…

If you know who it is, don’t spoil it for the rest. We have a new component called the “mockcarr option.” This option is for those of you who just can’t hold your tongue and must let everyone know just how in-the-know you are by calling it. So if you know who it is and want everyone else to know that you know, email The Back Office at thebackoffice[at]rocktownhall.com. If correct we will post how brilliant you are in the Comments section.

The real test of strength though is to guess as close as possible without knowing. Ready, steady, go!
Mystery Date

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Nov 172009
 

With an influx of some interesting new Townspeople over the last couple of months, it’s clear we could use some time to get better acquainted with each other. The following questions are meant to elicit a sense of your rock ‘n roll values and posed in a way that should not compromise anyone’s privacy. Only about half of these questions are directly related to rock ‘n roll, but your candid answers to them will help build your profile and open new avenues of rock dialog. I would encourage Townspeople new (especially) and old to share. I can assure you it will be painless and ultimately rewarding. Here we go!
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Nov 172009
 

Well, the InterWeb let me down on my search for a scan of the back cover of horn-rock band Chase‘s eponymous first album. But the cover of their second LP, entitled Ennea, has a pretty clear view of the guy I thought looked totally cool, and who I thought — maybe, just maybe, if I kept my fingers crossed — I might grow up to resemble.

I’m not going to tell you which horn-rocker it was; I’ll leave it to you guys to guess. I’ll also take this opportunity to ask all of you: was there any particular popular music personality you thought you might, with a bit of luck, grow up to resemble — or perhaps even be?

I look forward to your responses.

HVB

p.s.: as you’re pondering this question, feel free to enjoy some of Chase’s (cough) fine, fine horn-rock at http://www.chaserevisited.com/music.html. As an impressionable nine year-old, I remember being particularly taken with “Get It On” from the first album.

p.p.s.: hey, I was only NINE!

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