Following some pretty cool sleeve designs for The Velvet Underground, it’s clear who got the graphic design firm after the breakup of Lou Reed and John Cale.
While preparing for our upcoming intervention with Townsman Hrrundivbakshi I stumbled on a personal Rock Video Holy Grail: live performances by mid-70s John Cale of a couple of my favorite songs from Fear, the title track and “Buffalo Ballet”. (The titles the foreign production crew gave the songs are pretty funny.) Cale’s hair is long and greasy, friend of Rock Town Hall Chris Spedding is decked out in black leather and is about as thin as a B string, the sound and performances are shakey, in a satisfyingly human way… In past efforts to find cool videos of Cale I’ve found plenty of stuff from his bloated early ’80s period and plenty of stuff from his more subdued Elder Statesman period of the last 15 years. I’ve seen all the crappy footage of the Velvet Underground that’s floating about. Until now I’ve never seen live clips of Cale from around the time of this relatively fertile period.
I think I’ve determined a running theme among artists I like and admire on an intellectual level yet will never love: they’ve got no heart. I’m thinking specifically about Chuck Berry and The Ramones, but there are other toe-tapping, energetic rock artists I like and admire for their tunefulness and craftsmanship yet remain unmoved by on an emotional level. Another example might be Cheap Trick, although they have at least two songs that express identifiable human desires. Actually, The Ramones have a couple of songs expressing some identifiable human desires, but overall they’re a worthy example.
For purposes of exploring this discovery, let’s focus on Berry and The Ramones. Both artists are to be admired for their energy, their craft, their wit, their tunefulness, and the other guiding principles that kept them from entering a likely embarrassing “blooz” or “psych” phase. There’s more insight and understanding of the human condition in their songs than might be evident on the surface, but rarely do I find their music stimulating my understanding of human emotions.
The issue I have with these artists is a little different from Fogerty Syndrome, in which the artist has a chip on his or her shoulder for reasons known only to his- or herself. In the case of artists suffering from Fogerty Syndrome, the emotions resulting from the unidentified chip come through to the listener and offer emotional enlightenment and release for listeners. I don’t get that from Berry’s music or much of the music of The Ramones (“Sheena Is a Punk Rocker”, “Rockaway Beach”, and maybe two other songs excepted), and I’m not sure that you do either. That’s cool, right? There are plenty of other things to like about these emotionally “distant” artists, but I’ve put my finger on it: that’s what keeps me from fully embracing their music.
Today marks the awarding of our second monthly Comment of the Month honors. It’s funny how the best and brightest comments emerge from our discussions each month. There were plenty of worthy candidates in the “stretch drive” over the last week of September, in particular, but our winner culminated from an off-topic discussion that took place within a completely unrelated main thread.
Somehow, while reflecting on the death of Pink Floyd keyboardist Richard Wright, we got to talking about the Main Stage rotating banner image featuring the olde-fashioned cotton undies of a young Linda Rondstadt. cdm brought it up, but it wasn’t until this clarification that we could zone in on the specific image he had in mind.
The tension mounted in what was clearly a fierce play for mid-month consideration for these honors. Then a Townsperson stepped forward with what we’re honoring today as the winning comment!
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We haven’t done this for some time. Let’s get back to presenting our occasional gallery of Rock Town Hall’s Rock Fan Artwork. Here’s another original from Townsman General Slocum. Enjoy!


This is in reference to Alexmagic’s comment in today’s All-Star Jam. YouTube’s limit on video length requires this to be a 2-parter.
Part 1
Part 2
While we’re on the subject, let’s see if anyone’s done a decent cover of this song:
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