Aug 082007
 

…than Bruce Springsteen playing a solo acoustic show?

Maybe I need to clarify this question. There are the acoustic albums: Nebraska and The Ghost of Tom Joad, the latter exposing how boring the former really was. That’s all right, though, if you’re not comfortable liking one of the decent, somewhat rocking Bruce Springsteen album that the sweaty masses love. I’m pretty sure I know which of you dig Nebraska, and for today’s discussion, I’ll grant you a pass.

Today, I’m interested in knowing if anything in rock is less interesting than a solo Bruce Springsteen show. We get some high-def music channel that shows the same four programs: a Green Day concert, some “Honors” concert for Heart, a concert with Bon Jovi jamming with country artists, and Springsteen playing a solo and acoustc. The concert reeks of that Tom Joad period. The Boss is dressed in black. His muscular stubby arms are awkwardly wrapped around his acoustic guitar. (Discussion for another day: Can muscles and guitars coexist?) He mumbles unintelligibly through every damn song! Can Springsteen ever perform one of his songs in an acoustic, solo setting as if he’s not praying in hoarse, hushed tones at 2:00 am, so as not to wake his cellmate? Is it not enough that he’s already The Boss, does he really need to be E.F. Hutton?

So this is why I ask if it can get less interesting than Bruce Springsteen playing a solo acoustic show. Surely there are worse shows and artists to see, but what the hell does one focus on when seeing Bruce solo? I would imagine it would be so boring I couldn’t even cut up on him.

I look forward to your comments.

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Aug 082007
 

Good GOD, but it’s hot out there! F*ckin’ A! We need something seriously cool to listen to. But what would that be? Who’s the “coolest” artist or band you can think of?

Groundrules:

1. No singling out particularly cool members of an otherwise uncool group (see high-steppin’ frontman Peter, beshaded drummer/schmo Steven Jo, and leather-clad guitar-slinger J. in video above)

2. No artists or bands from climatologically cool places, like Rush or Bjork.

3. Extra demerits for being the first to suggest the Rolling Stones.

I look forward to your responses.

HVB

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Aug 072007
 

Towsman Rick sends in the following report from the recent Newport Folk Festival.

I spent the weekend at the Newport Folk Festival, where they sold beer and wine for the first time. They and the town were nervous, of course, about the potential problems, so they made a beer area way at the end of a pier (the festival is at a Revolutionary War fort on the water). And they charged $6 to $8 for lousy beer.

And people thronged to it. The second they opened the gate, the wait was 20 minutes. By mid-afternoon (the festival went until 7:00 pm; beer closed at 6:00 pm) the wait was about an hour. And people were doing it!

We’ve spoken of beer before, but I don’t recall us actually discussing the appeal. Because I don’t get it at all.

I’m not a big drinker; that might be one thing. But while I drink the occasional beer, neither I or anyone I know would ever wait in line for an hour to pay $8 for a beer in a bar. Does anyone have any idea what it is about being out hearing music that suddenly makes it worth it for so many people?

(It’s even more baffling at sheds: At least at this festival you could still hear one of the three stages; why anyone who has paid $75 to hear one band volunteers to miss 2 to 3 songs for the privilege of paying $8 for a beer is even more alien to me.)

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Aug 062007
 


Yesterday I was flipping back and forth between a particularly bad start to a Phillies game (which ended in stunningly successful fashion) and an episode of Austim City Limits, featuring The Polyphonic Spree. My son was as fascinated as I was by the ridiculous be-robed gesticulations of these clowns, yet he couldn’t quite grasp the majesty of their schtick. “This is like opera!” he kept saying. Good boy. Some Hispanic rock band followed that also was heavy on multi-instrumental band members and was led by a singer with a screeching voice. “Does every band on this show have to have a stupid singer?” my son asked.

Rock ‘n roll is rife with highly successful schticks, from Freddy and the Dreamers to Sha Na Na to The Residents to The White Stripes. More power to all these practitioners of rock schtick, I say. But how about the great schticks of rock that pretty much went nowhere? How about Nash the Slash? I’m sure you’ve got a favorite rock schtick that went nowhere.

I look forward to your responses.

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Aug 062007
 

In the past, we’ve covered one of Rock’s Doomed Fashion Trends, the Headband. Today, I’d like to take a look at one of Rock’s Resiliant Fashion Trends.

Check out the following video, in which Toni Childs’ duets with a famous soul man and a star-studded supporting cast.

Despite the overall fine performance alongside the legendary Al Green, despite Carlos Santana‘s flaming red suit, despite the star-studded, mulleted backup singers, the real star of this clip is Toni Childs’ Look, which I’m calling the Suburban Guerrilla Look.
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Aug 052007
 

Not even Bruce (far right) could help Moonrider

I think I struck a nerve in a Townsman the other day when I referred to “mediocre” Costello songs that were made by Attractions bassist Bruce Thomas. He wanted to know what songs I had in mind. Leaving out Brutal Youth, an album on which even Pete Thomas starts to sound limp and on which Nick Lowe actually plays some bass (and I don’t want a Pince Nez pulled on me if I incorrectly give Bruce credit), as well as a fantastic, nearly non-song like “Lipstick Vogue”, which is made equally by both Thomases in the Attractions’ rhythm section – in no particular order – here are 10 mediocre Costello songs that were made interesting almost solely by the bass playing of Bruce Thomas.
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