So rock’s other big loss this week, the death of writer/DJ/indie label founder Charlie Gillett, has had me thinking about the title, if nothing else, of his classic early rock history book, The Sound of the City. The reason I stress the title is because I have a terrible memory and what I want to discuss may actually have little to do with Gillett’s book.
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No disrespect whatsoever meant to Alex Chilton and Big Star, but this may be a good time to poke you and set myself up for ridicule. Why Big Star was the power pop band for rock nerds who didn’t like power pop?
I don’t know what it’s like today, but I’m pretty sure the rock nerd world has changed a lot since the early 1980s, when Big Star and Chilton’s legacies were making up for lost time in the critical and underground/”college rock” realm. People like myself, who grew up with a Beatles-based pop basis, easily dug those Big Star albums that were surfacing from years of obscurity. What at first seemed promising, though, was that rock nerds who were into heavier, noisier, or more cock rock-based stuff – and who wouldn’t be caught dead listening to Badfinger let alone any Beatles album except the experimental stuff on The White Album were also digging Big Star. “Hey,” I remember thinking as a college freshman, “this slightly menacing hipster guy may now think I’m cool too for liking [insert power pop band of your choice]!” Yep, the Steve Albini characters of the world who were as excited about Big Star as I was would no longer scoff at my love for Stands for Decibels.
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Let’s go way back, a little more than 3 years from today, for this one. Looking back, what strikes me about this thread are two things: 1) how few of the respondents we hear from these days and 2) how few Townspeople actually responded to say they were college DJs. I would have thought we’d have more college DJs in the Halls of Rock. Perhaps those of you who were hanging back then were shy. I know YOU’RE not shy today, Townspeople circa March 2010! Let’s hear it: juicy stories, proud segues, interviews, on-air suspensions, and the like will be especially cherished.
This post initially appeared 3/1/07.
Townsman Michael K made the following mention in a post on Thursday:
Like many of us in this town hall (I assume), I was a college DJ…
I suspect what he said is the truth. How ’bout you, Townspeople? Were you a college DJ? Any particularly tasty stories to share? Proudest segues? Any regrets? Did you ever save a life?
Cue it up, and bring it on!
UPDATED: Another departure on the next page.
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Alex Chilton, the enigmatic cult figure who first came to stardom as the teenage singer for The Box Tops and later drifted into initially unwanted obscurity with the eventually appreciated Big Star died on Wednesday at 59 years old in a New Orleans hospital. It is believed the cause of death was a heart attack. Here’s a good obit from his hometown paper.
UPDATED: If you haven’t seen it already, check out this House of Representatives floor speech tribute by Steve Cohen (D, Tennessee).
I never saw Chilton on his occasional Big Star tours with drummer Jody Stephens and the guys from The Posies, but I got to see Chilton at J.C. Dobbs, a narrow, little club in Philadelphia in the mid-80s. This was at the height of Big Star cult worship, but Chilton was touring in support of a humble EP of Memphis soul and some odd-ball covers that had more in common with his Box Tops roots than his Big Star stuff. As usual, I was reluctant to see him play songs like “Volare” when I’d been worshipping at the alter of the first and third Big Star albums (and the handful of songs I liked on the second one, an album I still find distracting at too many points). He had some single out at the time called “No Sex.” I thought it was stupid, as I usually find topical ditties to be. Plus I’d heard from friends who had seen him and even hung out with him that he was moody and a little creepy. Word was he couldn’t be counted on as a performer.
Thankfully I snapped out of it, realizing that I should take advantage of the fact that I was in my early 20s and the doorman used to let me into almost any show without charge. What did I have to lose, except the assumed validity of me preconceptions?
If memory serves he fronted a trio: him on guitar, some pretty slick, stick-thin (possibly fretless) bassist, and a drummer. The Memphis-style novelty numbers (imagine Rufus Thomas singing his stuff in Chilton’s whiny, twangy voice) worked live. Chilton was a really good guitarist, ripping off tasty licks on a Telecaster. People were shouting out for Big Star numbers now and then, but true to reports he gave off a slightly threatening aura, an aura that threatened to walk off stage if people couldn’t get into the here and now. I forget, he may have played a Big Star song or two during his set, and he may have played a Box Tops song. Maybe. What I do remember clearly is that for his encore he announced that he would now deliver on all expectations. He played a half dozen Big Star classics, from “When My Baby’s Beside Me” to “Kangaroo.” He played “The Letter.” He ended with a really sweet version of the Bacharach/David song “The Look of Love.” It was a marvelous ending to what started as a surprisingly fun set.
As a performer/person, Chilton was inscrutable throughout the show. The guy obviously oozed musicality, but it was hard to get a sense of what he was after. He was the opposite, say, of Joe Strummer. No wonder his career was all over the place. I know people like this in real life and wish they could get some focus, commit to something. Regardless, Chilton left a trail of good music through the years.
By special request of Townsman Hrrundivbakshi, in the comments on this thread, on behalf of Alex Chilton, please see this piece on Johnny “Guitar” Watson. Sadly the Soul Train interview seems to have been wiped clean from YouTube.
UPDATED: Charlie Gillett also dead.
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Townsman cherguevara seems to have misplaced his keys to The Back Office, so he sent in this post for us to launch on his behalf. Thanks for your tenacity!
Recently, I was sent a link to an article that claimed to list the 50 best songs about London. I was somewhat unimpressed by this list. I mean, “Baker Street?” “West End Girls?” While both songs have their appeal, I couldn’t help but wonder if it was possible to do better. My first thought, as I sat in my office in Greenwich Village, was, “I bet my list of list of New York City songs could kick the proverbial ass of the songs on this London list.” But then, that’s apples and oranges. Or bagels and scones.
Of course, listing 50 songs is a very tall order. But if we start with the songs already on the list that are worthy, such as “Waterloo Sunset,” we’ll be off to a good head start.
Have a gander at what Time Out London says are the “50 Best London Songs.”
So, what do you think?
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Watch the above YouTube to hear (or, most likely, rehear) NRBQ‘s classic “Ridin’ in My Car.”
Then, when you’re finished with that, click here for a stream of the new cover by She & Him.
Your thoughts please.
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I am proposing that musicians in the Halls of Rock participate in perhaps the most daunting thread ever: Rock Town Hall’s First Annual Talent(less) Search: My First Demo.
Details follow the jump.
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