Thanks, in part, to the breakthru post by the great sammymaudlin:


Mom!
This week, Mr. Moderator revisits records that made a deep, lasting impression on him from the first time he dropped the needle (or pushed PLAY or clicked a link). What records stuck with you and wove their way into particular moments in your life?
RTH Saturday Night Shut-In 144
[Note: You can add Saturday Night Shut-In episodes to your digital library by subscribing to the Rock Town Hall feed.]
In a recent post by eminent Townsperson funoka, we were asked what albums we initially hated but learned to love. A neat idea and one that just begs for the reverse – albums that you once loved but no longer tickle your fancy. We all have at least one that fits the case. In my case, it would have to be Pink Floyd‘s Dark Side of the Moon.
I remember the first time I heard DSOTM. It was early 1973 and I was a freshman in college. I was sitting in a dorm room with a friend and we were both cruising along nicely on magic psilocybin mushrooms (absolutely vile tasting but brain-twisting too). A mutual acquaintance rushes in brandishing a black album with a curious prism-diffracting-light design—the clear plastic was still on the cardboard sleeve. We slap the brand new record on the stereo and I slipped on a pair of headphones while my friends listened via the speakers. Having been transported beyond infinity as “On The Run”‘s synthesizers burbled along, I nearly went out the window when the alarm clocks hit. Surviving that moment of mental shock, I fell in love with the album and bought it for myself the next day.
Since then, I must have heard DSOTM seemingly thousands of times on turntables, in CD players, via MP3 files, and over the airwaves. I have “reference” copies in both CD and digitized form in my music collection. By now I know every nuance, every ka-ching sound, every bit of mad laughter, and every note. It’s been quite a few years since I voluntarily put it on. Frankly, I don’t care if I ever hear it again. It remains a great album but I’ve become hopelessly bored with it. I still listen to other Pink Floyd albums on occasion but DSOTM seems to have dropped off my playlist forever.
So there you have it—my tale of a once-great musical love descending into ennui and indifference. Now it’s your turn. What album that you once loved have you become bored with?
I’ve been on a big Wilco kick the last week or so. I guess I got kind of egged on by the free download for the new Star Wars album. I’ve been going back and listening to some of their older stuff on Tidal, even though I have everything except the new one on CD. (God, I can’t believe what I’ve turned into — too freaking lazy to dig out my CDs most of the time.)
I’m transported back 20 years ago when A.M. came out — and remember the collective shrug that greeted its release. I sure didn’t like it much — and thought Son Volt’s Trace kicked its ass. I still like Trace but have really came around on A.M. in the last 5 years — “Pick Up the Change,” “Passenger Side,” and “I Thought I Held You” are pretty decent songs. Yeah, it’s straight ahead alt-country, but it holds up. The “hit” — “Box Full of Letters” — is kind of cute for those of us that wrote or received love letters and remember trying to sort out “merged” album collections after break-ups.
Anyway, can you think of an album you initially dismissed, but have come to appreciate? I look forward to your responses.


The House That George Bought.
Here’s your chance to live in the Newark, Delaware house that George Thorogood once owned and drank—alone—in!
On its face, this home looks like your standard single suburban home. Three bedrooms, a sizeable (0.60 acre) lot and a couple of baths.
The 1,500-plus square-foot property has been fully renovated, including a gourmet kitchen with radiant heat flooring and all new appliances.
But there is a large, blue sign just out front of the driveway gate that reminds potential buyers that this place is unlike many other Newark, Delaware homes on the market. It announces the former owner-occupant: one George Thorogood (he of the Destoyers and “Bad to the Bone” fame).
“This humble home was the first residence of Blues Hall of Fame guitarist ‘Lonesome’ George Thorogood purchased on July 1, 1981 after his national rise to prominence,” the sign reads.
Come on, you know you’re interested!