Jul 152009
 

On the ride in today I heard The Stooges‘ “No Fun” and The Who‘s “Getting in Tune” and the following questions occurred to me for possible discussion here in the Halls of Rock:

  • What’s the most stunning entry by a soloing guitar on record?
  • What’s the tastiest intro lick by a bass guitar on record?

I think you can figure out which songs led to each question. I’m not asking these questions, I should add, to set up a Battle Royale but rather to capture your gut responses, as we do in Dugout Chatter sessions.

A few other questions have since come to mind:

  • What’s the first drum intro that comes to mind for you?
  • What’s the first vocal ad lib/aside on record that comes to mind, now that I’ve asked?
  • What’s your favorite vocal ad lib/aside on record?

I look forward to your candid responses!

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Jul 152009
 

I know this birthday means a lot to you, Hrrundi, so I’ve tried my best to provide clips worthy of the event. You probably already own the full version of the following, including the director’s cut that was only available on the German DVD release, but in case you’re not aware of it, check it out:

I trust you will treasure the following gift on many levels…after the jump!
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Jul 152009
 


It’s Townsman HVB’s birthday, and I’d like to celebrate Rock Town Hall’s resident Master of Fun & Games, Seeker of Thrifty Music, Disciple of the Holy Trinity of Rock, Keeper of the Mach Schau, and all-around great guy (and I do mean great), with a few video treats. I’ll roll a few out through the course of the day. I’m starting out with a clip that speaks to your spiritual nature, and then, after the jump, dig into something that I hope speaks to your sense of showmanship.
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Fadeouts!

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Jul 142009
 

I love a good fade out! I was unable to locate an old Musician magazine interview with Ringo Starr on producer Richard Perry (or was it Perry himself, who would have talked about producing Ringo), but it had a great story about Perry, sitting among a cloud of pot smoke, riding the faders like a mad genius during the long fadeout of Carly Simon‘s “You’re So Vain.” Perry had a thing for fadeouts, thinking they were the key to a hit single. I don’t know if that’s still the case, but it got me thinking about a couple of my favorite fadeouts. Maybe you’ll start thinking about your favorite fadeouts as well.
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Jul 142009
 

Townsman cdm raised the possibility of this challenge the other day, and I see no reason why we shouldn’t conduct a Last Man Standing identifying intra-band hook ups.

You know the rules (or if you don’t, nod along as if you knew them all along): submit one answer at a time. Whoever has submitted the last acceptable answer is the Last Man Standing. When all subsequent challenges to the pile have been exhausted, months have passed, and even key players in this game, like Townsman Cherguevarra, cannot top the last answer on record, you may find yourself the official Last Man Standing on this topic, at least until another Townsperson finds the thread and tops you!

Let’s get it on, and let’s kick it off with cdm’s would-have-been trump card, Corin Tucker and Carrie Brownstein from Sleater-Kinney.

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Jul 122009
 

My number one pet peeve regarding lyrics is when the songwriter “rhymes” a word with the same exact word.

Last night, I was listening to some Junior Brown and I heard the following couplet:

“One of us will have to give, or there’ll be nothing left to say,
So Darlin’ I’ll do anything you say”

Now, I really like Junior Brown but I have to call him out on this. Junior: It’s not a rhyme if it’s the same frigging word. Get a rhyming dictionary if you have to for chrissake, but rhyming “say” with “say” doesn’t count.

I’m looking for more examples of this egregiously lazy technique (or lack thereof).

Please ignore the artistic merits of lyrics and just focus on the “rhyme.”

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