Aug 262007
 


As I medidate on the beauty of unease that’s highlighted on the German true stereo release of Magical Mystery Tour, I’m finding that “Penny Lane” is one song that does not benefit from this mix. The song is too perfect, too much a product of the vibe that was at the mighty core of the Sgt. Pepper’s sessions for which it was originally recorded. Here’s the German true stereo version.

The Beatles, “Penny Lane” (German true stereo mix)

I prefer the crammed, fake stereo of the US release I grew up with. It’s totally in your face, like McCartney and like his airtight pop confection was meant to be.

[NOTE: If the gratuitous clip that kicks off this video doesn’t convince you nerds that the film Almost Famous actually was the most contrived piece of prepubescent proto-porn ever produced by Hollywood, as I’ve felt since first watching it, I don’t know what to say.]

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Aug 252007
 

All this talk about Elvis Costello, SNL and “Radio Radio” got me searching for the relevant clips, which, in this glorious era of instant YouTube gratification, I found quite handily. Watching them was a revelatory experience — in that they very precisely revealed what went wrong with Elvis Costello in the last 25 years. In the first clip, we see a desperate, angry young man singing a desperately angry song about the desperate state of the music industry and just how angry it makes him.

In the second, Elvis is a smug, self-referen/reverential turd in designer eyewear who clearly has lost every bit of the plot, thinking that just being on stage with a bunch of occasionally angry young men makes him, somehow, by extension, angry as well. Pshaw.

But check out the two clips for yourself, and tell us what *you* think.

I look forward to your responses.

HVB

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Aug 252007
 


Here’s another case of a song I’d already loved (in fact, this is one of my top 2 or 3 favorite Beatles songs) demonstrating, in true stereo on the 1971 German release of Magical Mystery Tour, previously untapped depths. How gripping is the intro with the added space of the true stereo mix?

The Beatles, “Strawberry Fields Forever” (German true stereo mix)

I don’t know about you, but I find this mix to have even more allure than the version we’ve all grown up with and loved. As with so many of the arrangements on this album, a sense of unease is more palpable with the greater clarity, width, and depth.

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Aug 252007
 

Sometimes I have it up to here with “heavy” love songs, you know, those I’ll rip my heart out and stomp it into the floorboards for you, baby types. I like the feeling of being in love as much as the next guy, but love shouldn’t be a burden and love songs shouldn’t be a set up for heartbreak. No, I can’t go for that.

I typically like my love songs light and breezy. I was listening to The Zombies song “I Want Her, She Wants Me”. That’s a sentiment I can get behind. Colin Blunstone is so sweet and innocent. The backing musicians are just as tender. It’s no wonder the girl wants him. He’s a teddy bear in horn-rimmed specs! Dionne Warwick’s “You’ll Never Get to Heaven if You Break My Heart” – there’s another light love song.

I’m no teddy bear – don’t think I’m fooling myself – but if the love song’s not about outright gettin’ it on, then let my love open the door after politely knocking, you know what I mean? With rare exceptions (eg, “Don’t Let Me Down” and other, similar Lennon psychodramas), I have little desire to meditate on how downright emotionally dependent I am on the love of my life. Do you prefer your love songs heavy or light?

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Aug 242007
 

Ciao!

“Hello, Goodbye” is another one of those slight yet “cinematic” Paul numbers in which Paul and Ringo get to work up a mustachioed groove.

The Beatles, “Hello, Goodbye” (German true stereo mix)

Again, the sawing strings get under the skin better than on the original, and the definition around the vocal effects is sometimes shocking. Sometimes I feel like I’m hearing the full resonance of the echoes, man. Then there’s that euphoric drum break on the coda. Check it out!

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