Aug 272008
 

Some of you are aware of my longtime struggles with the works of David Bowie. I’ve come a long way, but there are still issues to explore.

Recently I was discussing the artist with a friend. He’s a longtime Bowie lover–with limits. Although we’ve been generally like-minded music friends for years, we were a bit surprised to realize that, after accounting for his limits in loving this artist, we had essentially the same views on the man, for instance, agreeing that The Man Who Sold the World and Diamond Dogs pretty much sucked and that Let’s Dance was worthy of Rock Crimes.

As part of the discussion on Let’s Dance, we candidly acknowledged the superiority of “Blue Jean”, which was considered a weak lead-off single from Tonight, Bowie’s disappointing follow-up album to his mainstream blockbuster, to anything on Let’s Dance. Then, as is often when the two of us get together, our deep rock discussion on Bowie turned especially candid.
Continue reading »

Share
Aug 262008
 

Longtime Philadelphia ROCK station, WYSP, a CBS affiliate, has modified its Modern Hard Rock format to fit some kind of Post-Classic Rock, Hair Farmer-friendly, ’80s demographic.

Hair bands are the thing at rock station WYSP (94.1), which this morning retooled its format, expanding its play list to include more songs from the 1970s and 1980s.

Now billed as “94YSP The Rock You Grew Up With From the ’70s, ’80s and ’90s,” the station will play more from such artists as AC/DC, Def Leppard, Guns N Roses, Ozzie Osbourne, Pink Floyd, Van Halen and Aerosmith. The station will continue to play more recent artists such as Nirvana and Pearl Jam.

The article, from the Philadelphia Inquirer, notes that the station’s new slogan, “The Rock You Grew Up With,” was trademarked by CBS. I wonder if similar CBS hard rock stations have or will soon also change to this format. I wonder how old school Classic Rock stations will adjust now that this new format will be skimming off the “fresh cream” of their programming.

Feel free to sniff and puff up your chest with pride in your satellite radio subscription.

Share
Aug 262008
 

We recently re-ran an early Rock Town Hall (blog edition) piece by Townsman BigSteve on his visit to Seattle’s Experience Music Project (EMP). I was just in Seattle for a quick weekend work trip, and during my 2 hours of free time I made sure to check out this museum with my own ears and eyes. BigSteve’s piece had me stoked!

My hotel room offered a fantastic view of the body of water and mountains surrounding the city. The city itself was surprisingly unkempt and weatherbeaten, dare I say “grungey,” but the natural setting was impressive. Straight ahead, maybe a mile away, was the Space Needle and what looked like a colorful clump of molten plastic. This was the EMP building.

I thought about taking the monorail over to maximize my 2 free hours, but wisely, as it turned out, decided to walk. A block into my walk, the monorail train I probably would have caught had broken down on the tracks. Fire engines and rescue ladders blocked 5th Street. I crossed over to 6th Street and caught whiff of some doughnut factory. Doughnuts do not smell that good when baked en masse.

Share
Aug 252008
 

My promised Trippin’ report on my recent visit to Seattle’s Experience Music Project is forthcoming. Until then, let’s get some Dugout Chatter going around some thoughts I had during that trip. As always, your gut answers are what matter. Don’t think too hard!

To recall a question from our last Dugout Chatter, in which I quizzed you regarding the music being played in a Boston hotel’s public bathroom, which three of the following songs did I NOT hear playing in the lobby during my recent stay at a downtown Seattle hotel?
a) Billy Bragg, “Levi Stubbs’ Tears”
b) Brian Eno, “Sombre Reptiles”
c) The Cure, “Boys Don’t Cry”
d) XTC, “Ball and Chain”
e) Psychedelic Furs, “Love My Way”

Does it compute that an intelligent 24-year-old I know would have, in the same conversation, expressed enthusiasm about both the tickets she bought for an upcoming Journey show as well as a series of shows she recently attended by emo-type bands I’d only vaguely heard of if at all?

What’s your favorite album produced by Jack Nitzsche?

What classic garage tune have you finally tired of hearing?

Has any well-regarded band been listened to less in the last 25 years than The Wipers?

Which well-known favorite of a particular Townsperson was on my return flight?
a) Billy Gibbons (per Hrrundivbakshi)
b) Lou Reed (per Mr. Moderator)
c) The Hold Steady’s Craig Finn (per Oats)
d) Peter Noone (per E. Pluribus Gergely)

I look forward to your answers.

Share
Aug 252008
 

Name an obvious mistake/flubbed note/missed beat/clam that made it into the final mix. Using your best judgement, please try to weed out intentional “mistakes” like the false start in the beginning of “Milkcow Blues” by Elvis.

I’ll start with Charlie’s missed beat in the third chorus of “I’m Free”.

Share
Aug 252008
 

As the parent of a newborn child, I’ve been singing a lot of songs to the little bub. During diaper changes, I am fond of “I’ve been workin’ on the railroad,” mostly because it’s long enough to last for the whole process. Except one thing bother me about the song: Nobody works on the railroad “just to pass the time away.” Seems to me that people worked on the railroad for a number of mostly miserable reasons. This reminded me of Fleetwood Mac‘s song, “Dreams”, which hinges on the completely erroneous notion that “thunder only happens when it’s raining.”

Another number that comes to mind is Rhett Miller‘s song, “Four Eyed Girl” (terrible video, but all I can find) in which he claims that NYC deli “Katz’s never closes.” But it isn’t open 24 hours, as anybody who has spent a late night in the East Village would’ve seen it shuttered, shattering dreams of midnight pastrami (uh…).

Here are The Posies with a cover of The Hollies’ tune, “King Midas In Reverse”:

“He’s King Midas with a curse, he’s King Midas in reverse.”

The idea of King Midas was that he thought it would be sweet if everything he touched to gold. “So Midas, king of Lydia, swelled at first with pride when he found he could transform everything he touched to gold: but when he beheld his food grow rigid and his drink harden into golden ice then he understood that this gift was a bane and in his loathing for gold cursed his prayer.” In this song, everything he touches “turns to dust,” the implication being that having your foot and drink turn to dust is worse than having them turn into gold. (Okay, I know it’s more metaphorical than that, but you probably get my point.)

What other tunes can you think of that contain factual or conceptual errors?

Share

Lost Password?

 
twitter facebook youtube